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Poggioli M: Cincinnati Dreaming

Cincinnati Dreaming

From Augusta to Bristol, Brunswick and beyond, Johansson's chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago--he found Strand's views of New England "boring" at the time--and also wondering, "Why is American photography so focused on the west?" Johansson's Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson's work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

From Augusta to Bristol, Brunswick and beyond, Johansson’s chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England “boring” at the time—and also wondering, “Why is American photography so focused on the west?” Johansson’s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson’s work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

Gerry Johansson: Maine

Trope Chicago: The Loop and Beyond, the eighth volume in the Trope City Editions series, celebrates the architecture, public artwork, and everyday beauty of Chicago. The collection highlights the photographic images of a group of talented photographers from Chicago and beyond who showcase the city in a new and exciting light.This carefully curated and bound collection of over 200 previously unpublished photographs offers a new perspective on Chicago. Each chapter is accompanied by a map, along with the locations where the photos were taken. Going beyond the typical tourist attractions, Trope Chicago: The Loop and Beyond is a new exploration of the city that takes readers beyond Chicago's landmarks to give an insider's view of the city, highlighting the neighborhoods, streets, and locations that mark the day-to-day Chicago experience. Including photographs from all corners of the city, including Logan Square, Uptown, Hyde Park, Pilsen, Bronzeville, Streeterville, and Lincoln Park, these images command a strong point of view: digitally processed, filtered, toned, de-saturated, sharpened, for a very urban sensibility. Showcasing both the architectural significance and everyday beauty of contemporary Chicago, the images reveal distinctive and dramatic visions of one of the world’s greatest cities.

Trope Chicago: Beyond the Loop

Tokyo After Dark&nbsp;documents photographer Eren Sarigul's decades-long love affair with Japan's capital city and its vibrant culture at night. Eren's love for photography sprung to life following a 2014 trip to Japan. Since that first 2014 trip, Eren has traveled to Japan from his native London every year, capturing the people, sites, and feelings that make Tokyo such a magical city. Eren's upbringing as a Londoner from an ethnic background who grew up in a working-class south London council estate exposed him to a myriad of different cultures. Despite feeling like an outsider, he was accepted into the melting pot that is London, and this feeling of being "outside" drove him to think outside the box and beyond the norms. Eren brings this desire and drive to his photography, capturing the feeling of being an outsider looking in through his images of people and places around Tokyo.&nbsp;Eren's long-standing appreciation of Japan's geography, its cultures, and its people are evident on every page.

Across Tokyo

A fascinating and original biography of Eadward Muybridge, charting how his pioneering work in motion picture ushered in a period of technological innovation.

Eadweard Muybridge and the Technological Wild West

River of Shadows

Pedlars, Poseurs and Performers is a compelling insight into the world of the Portobello Street market. Fifty years of photographs, which go beyond the stalls, shops and cafés normally associated with it. Each picture features, where possible, the subject's name and the date the picture was taken. Some of the characters shared their stories with Brian Jaquest while being photographed in his studio.The non-conformist approach to the layout of the book represents the chaotic experience of a street market. The photographs and texts describe each category in the book's title: pedlars, poseurs and performers.This book is not only a visual record of the characters who have made the Portobello Street market famous over generations but is also a collection of fascinating photographs taken from the point of view of an insider. Pedlars, Poseurs and Performers is an in-depth photographic history which takes the reader into the ticking heart of the Portobello Road.

My Portobello Road

Pedlars, Poseurs and Performers

Graphis Journal Magazine

The Graphis Journal issue #383 is packed with top-tier creative talent that's changing the game across design, advertising, photography, and beyond. These aren't just names-they're industry disruptors and trailblazers who push boundaries and redefine what's possible in visual communication. This Journal is more than just a magazine-it's a masterclass in creativity, with insights from award-winning talents who are shaping the future of design and advertising. Why These Talents Matter:- David Carson (USA): Known for his groundbreaking work with Ray Gun magazine, David is the rebel of graphic design and one of today's biggest influencers in the industry today. His rule-breaking approach has led him to work with some of the biggest brands, including The Macallan, Nike, Stussy, a Dubai skatepark, and more, proving that pushing creative boundaries leads to success. &nbsp;&nbsp;- Ron Taft (USA): His design philosophy goes beyond visuals-it makes people feel something. Ron's work, including his recent ad campaigns, proves that great design isn't just seen; it's experienced. - Goodby, Silverstein &amp; Partners (USA): The legendary advertising firm behind iconic campaigns like "Got Milk?" These guys continue to raise the bar in creative storytelling and are revered across the industry for their ability to balance humor and impact. - Colin Douglas Gray (USA) and Lindsay Siu (CA): These photographers are capturing the essence of their subjects in a way that moves the viewer. Colin's work has been seen everywhere, from the New York Comic Con to high-end editorial shoots, while Lindsay brings a unique, multicultural perspective to her advertising and portrait photography. - SEAN &amp; EVE (UK/CA): This dynamic duo blends typography, illustration, and CGI like nobody else. Their ability to bridge digital and analog techniques sets them apart as true innovators in the field. - Simon Johnston (USA): A respected designer and professor at the ArtCenter College of Design, Simon isn't just creating beautiful work-he's shaping the next generation of design thinkers. His work combines intellectual depth with visual beauty, making him a leader both in and outside the classroom. Why Your Clients Will Love It:This Journal offers more than just stunning visuals. It's packed with in-depth exclusive Q&amp;As, where these creative icons share their stories, processes, and what drives them to succeed. It's a chance for customers to learn from the best-whether they're creatives themselves or simply appreciate the artistry behind award-winning work. Make It Relatable:Your clients who cater to creative minds are constantly seeking inspiration and insight into what's working in today's competitive market. The Graphis Journal issue #383 delivers exactly that-exclusive access to the thoughts and methods of today's industry leaders who are driving the biggest trends and innovations. It's not just a resource, it's a competitive advantage. What's In It for You:When you sell The Graphis Journal issue #383, you're not just selling a quarterly magazine-you're sharing insights that can only come from the world's top creative minds. Key Selling Points to Drive Home:- Exclusive interviews with today's industry leaders who shape global trends. - Stunning, full-page visuals of award-winning work. - Insights that can fuel the creative process. &nbsp;&nbsp;Get your clients excited about The Graphis Journal issue #383-because if they're serious about creativity, this is the ultimate resource they can't afford to miss!

Graphis Journal Magazine 383

In A Reprise, David Alekhuogie remixes Walker Evans's photographs of African art, provoking timely questions about authorship and authenticity. A Reprise, David Alekhuogie's first monograph, confronts the intriguing legacy of narrative and authorship behind Western presentations of African art, and poses timely questions about how Black aesthetics are circulated, accessed, valued, and interpreted today. In 1935, Walker Evans was commissioned by the Museum of Modern Art, New York, to photograph hundreds of African sculptures for the exhibition African Negro Art. Nearly ninety years later, Alekhuogie began investigating Evans's images, provocatively remixing them into his own vibrant and multilayered photographic collages. Transposing facsimiles of Evans's original images onto cardboard or paper structures of his own making, Alekhuogie rephotographs these image-sculptures against striking backdrops--often using East and West African textiles--thereby inviting multiple dimensions of viewership. Alekhuogie's images draw upon the musical idiom of the reprise--a performance of repetition--and stake a claim to crucial, restorative ideas around Black antiquity by questioning our relationship to what we consider fake or original, art or archive.

David Alekhuogie: A Reprise

Brodie's decade-long record of his transient American life, brimming with poignant stories of those he encountered along the wayMike Brodie's first monograph, A Period of Juvenile Prosperity, touched down more than decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. "Brodie leapt into the life of picture-making as if he was the first to do it," Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as "The Polaroid Kidd." And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he'd first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. "I was divorcing myself from all that," he says. "I was growing up. I was pursuing this other life." If A Period of Juvenile Prosperity was a cinematic dream, Failing is the awakening and the reckoning: a raw, wounded and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society's edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie's eye stays forever open to the strange and fleeting beauty that exists in forgotten places--the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur. Michael Brodie (born 1985) is the author of A Period of Juvenile Prosperity (2013) and Tones of Dirt and Bone (2015). He lives with his girlfriend in Biloxi, Mississippi, where the railroad is never far, just hidden in the trees from view. Unseen, it rattles the windows and floors of their apartment every time a train passes through.

Brodie’s decade-long record of his transient American life, brimming with poignant stories of those he encountered along the wayMike Brodie’s first monograph, A Period of Juvenile Prosperity, touched down more than decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he’d first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.” If A Period of Juvenile Prosperity was a cinematic dream, Failing is the awakening and the reckoning: a raw, wounded and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society’s edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie’s eye stays forever open to the strange and fleeting beauty that exists in forgotten places—the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur. Michael Brodie (born 1985) is the author of A Period of Juvenile Prosperity (2013) and Tones of Dirt and Bone (2015). He lives with his girlfriend in Biloxi, Mississippi, where the railroad is never far, just hidden in the trees from view. Unseen, it rattles the windows and floors of their apartment every time a train passes through.

Michael Brodie: Failing

Unsupervised is an intimate look at the modern family. With the birth of social media came the ability for anyone to present a highly curated version of themselves and their life, oftentimes under the social pressures to appear "perfect". Kirsten Lewis has watched this directly affect how parents, especially mothers, share their life with the outside virtual world.

Unsupervised

Then And Now

Ottawa Then and Now

Nik Roche tells stories with the friends he makes. When NIk first met Tony in the street, he was annoyed that there was a beer waiting for him on a bar somewhere, the name of which he could not remember. They found it together and became good friends. Over the next three years Tony told Nik more about his life. Tony's was a colourful and unusual life. He had lived, for several years, in a cave in Nepal, after the leopard moved out. When they met, even though Tony had a house in an old South Wales mining village, he preferred to live in an arctic bell tent in the woods behind. Interwoven with darkly comical yet poetic text of conversations Nik and Tony had along the way, this is an intimate portrait of life outside of societal norms - a story of chance encounters and an exploration of friendship, love, and belonging.

as far as they’re concerned we are a normal family

There’s something about the abandoned storefronts, vintage motels, and forgotten restaurants of the 1950s and 60s that evokes a mid-century nostalgia, even for those of us who weren’t alive in those years. Viewing Hours brings together the photography of Ben Geier, who has spent the last decade traveling the United States to capture the images of these once vibrant, and now abandoned treasures.Organized in sections, including Signs, Theatres, Restaurants, Motels, Roadside, and Storefronts, and featuring an introduction by the photographer, Viewing Hours features over 150 color images from 15 states, including Arizona, California, Indiana, Illinois, Iowa, Kentucky, Michigan, Missouri, New Jersey, New Mexico, Ohio, Oklahoma, Pennsylvania, Texas, and Wisconsin. Evoking a sense of nostalgia and solitude, Geier’s work highlights the modernist architecture, minimalist design, and muted color palette of the mid-century.

America's Vanishing Culture

Faded Glamour

Cincinnati Dreaming

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