Black Screens, White Frames
Black Screens, White Frames
Gilles Deleuze and the Filmmaking Machine
Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.
avril 2025, Anglais
Oxford Academic
978-0-19-751132-9