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Rebello Stephen: Hitchcockian Thrillers

Hitchcockian Thrillers

Must-See Films in the Style of the Suspense Master

When Harry Met Sally

Depictions of the Nazi Genocide and National Identity

Holocaust Cinema Since 2000

The Korean Cinema Book

Film Thinks

In a period of expanding representation for women and LGBTQI+ people in cinema, television and other screen media, Judith Butler's groundbreaking writing on gender and identity is more relevant than ever. This is the first book to focus on the ways in which film has shaped the influential philosopher's thought. Since the 1980s, Butler's theories - particularly on 'gender performativity' - have been widely used to analyse representations of gender on screen. And equally, Butler has turned to films that spotlight drag performances and transgender people to re-examine the materiality of gender identity. In Judith Butler and Film, author Temmuz Süreyya Gürbüz explains how Butler cites growing up in the movie theatres their family owned as formational to their understandings of gender and sexuality, traces the influence of films such as Paris is Burning (1990) and Boys Don't Cry (1990) on their work, and also considers the documentaries Butler took part in. Moving beyond established film theory, Gürbüz draws from recent trans film theory, and also includes a final chapter on the idea of cinema as a form of embodiment - connecting this phenomenological approach with Butler's interest in experimental, collective and avant-garde filmmaking.

The Good Egalitarian, the Bad Feminist and the Ugly Others

Judith Butler and Film

BFI Film Classics

Groundhog Day

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

Blending folklore studies, media theory, horror criticism and cultural geography, this collection charts an unprecedented map of urbanlegend storytelling, from haunted cemeteries to pixelated backrooms. Across three themed sections, international scholars trace how tales of hookhanded killers and countless other spectres migrate through oral tradition, cinema, television, board games and video games, to continually reshape the fears and identities of the communities that share them. By foregrounding space the cemetery, the highway, the small town, the livestreamed haunted house as a dynamic agent rather than passive backdrop, the book reveals how legends build cultural memory, police social boundaries and critique neoliberal landscapes. Interdisciplinary, globally-scoped and mediaagnostic, this volume moves beyond folkloric catalogues and genre surveys to show precisely where horror lives today and why those locations matter.

and the Cultural Geography of Horror

Urban Legends

A Reappraisal

Stephen Dwoskin Is

Film and the American Imagination

Technothriller

South Asian Screen Studies

Indian Art Cinema and its Cultural Elites

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Discover the terrifying history of horror cinema in this wickedly entertaining guide. Adapted from the acclaimed podcast, The Evolution of Horror takes a deep dive into the history of cinema's darkest genre. Covering everything from silent films to modern masterpieces, author Mike Muncer breaks down eight key horror subgenres - including vampires, slashers, zombies and ghost stories - to explore the tropes, motifs, historical context and psychology behind why certain stories scare us so much. Each chapter includes reviews of a host of major movies and cult classics, plus a guide to the hallmarks of the subgenre and the legendary filmmakers who have mastered it. Stylishly illustrated throughout with stills, posters and stunning artworks by artist Mike Lee-Graham, this is a must-read guide to the eclectic, enthralling and deliciously macabre world of horror.

A Terrifying Guide to Horror Movie History

The Evolution of Horror

Hitchcockian Thrillers

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