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Anderson Wes: Asteroid City / LF

Asteroid City

Four original, fun to perform plays from the author of The Gruffalo.

The Trial of Wilf Wolf and other plays

"A vast treasury of ideas, observations and innovation." - Francis Ford Coppola The triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made. Highly lauded film editor, director, writer and sound designer Walter Murch reflects on the six decades of cinematic history he has been a considerable contributor to - and on what makes great films great.Together with Francis Coppola and George Lucas, Murch abandoned Hollywood in 1969 and moved to San Francisco to create the Zoetrope studio. Their vision was of a new kind of cinema for a new generation of film-goers. Murch's subsequent contributions in film editing rooms and sound-mixing theatres were responsible for ground-breaking technical and creative innovations.In this book, Murch invites readers on a voyage of discovery through film, with a mixture of personal stories, meditations on his own creative tactics and strategies, and reminiscences from working on The Godfather films, Apocalypse Now, Lucas' American Graffiti, and Anthony Minghella's The English Patient and The Talented Mr Ripley.Suddenly Something Clicked is a book that will change the way you watch movies.

Suddenly Something Clicked

There is a creative explosion of work taking place in architecture and design schools exploring materials such as mycelium, clay/earth, engineered timber, bio-based plastics and algae. This handbook of low- and no-carbon materials for architects and designers focuses on sustainable materials, their sourcing, technical properties and the processes required for their use in architecture. The book showcases new and rediscovered processes for material fabrication, responsible sourcing and creative material design. Material properties (structural, thermal, fire, health and life safety) are described and case studies from around the world illustrate the inventive ways in which these materials have been deployed in the built environment. The book is designed as an introduction to the exciting and rapidly changing world of construction materials. With a better understanding of the social, environmental and economic sustainability of any given material - alongside its technical properties - students of architecture can lead the change in responsible and creative material use. CONTENTS 1 Materials overview 2 Extractive materials: earth and clay concrete stone metals glass 3 Grown materials: timber and cork paper hemp bamboo seaweed mycelium algae biopolymers wool

A Sourcebook

Sustainable and Regenerative Materials for Architecture

Visualizing story in film, tv, advertising and games

Storyboards, Animatics and PreViz

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Shakespeare in the Theatre

Shakespeare in the Theatre: Satoshi Miyagi

Books, Crooks and other plays

Routledge Advances in Film Studies

Stardom in Contemporary Global Hollywood

Philosophical Filmmakers

Throughout films and television series like The Piano, Bright Star, In the Cut and Top of the Lake, Jane Campion has constantly explored gender, subjectivity and narrative representation. In an intensive engagement with her cross-medium career, Bernadette Wegenstein examines how Campion gives a tangible and visible form to the female gaze in her exploration, deployment, and ultimately her subversion of highly formalized genres such as the period piece, the thriller, and the procedural drama. 
 
Keeping a strict focus on her directorial practice and specifically on the capacity of her cinematography to induce both empathy and estrangement, this vital new book shows how Campion is engaged in a permanent artistic and intuitive exposition of a profoundly feminist philosophical vision. Wegenstein's work will be invaluable to scholars and students in gender and women's studies, film studies and those on philosophy and film courses.

Filmmaker and Philosopher

Jane Campion

Cinema Two

Hirokazu Koreeda

This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

Reading Joshua Oppenheimer’s Diptych: The Act of Killing and The Look of Silence

On the Act of Looking

How a Doll Remade the World

Barbieland

Asteroid City

Informations bibliographiques

Mots-clés

Informations bibliographiques

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