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Music in Context

Wedler S: Anton Webern at the Dawn of
Modernism

Anton Webern at the Dawn of Modernism

Haydn's Minuets and Eighteenth-Century Dance

"In a series of historical and analytical case studies from different parts of the world, this first study of the global dimensions of musical modernism focuses on the transnational entanglements between the West and other world regions, overcoming the respective limitations of both Eurocentric and postcolonial, revisionist accounts"--

Entangled Histories on a Shared Planet

Musical Modernism in Global Perspective

"Introducing a new geographical paradigm for the study of medieval music, this path-breaking book uncovers the role of music, liturgy, and ritual in building Venice's empire in the eastern Mediterranean, activating the city's material culture, and shaping its state-craft of the imagination"--

Music and the Making of Medieval Venice

The Orchestration of Progress in British Twentieth-Century Music

Elisabeth Lutyens and Edward Clark

"Integrating musical and poetic analysis, this book sheds new light on the experience of listening to Monteverdi's path-breaking madrigals. The music of this pivotal figure reveals how composers and performers at the turn of the seventeenth century not only responded to but themselves influenced experiments in language"--

Poetry, Sound, and Representation

Monteverdi and the Marvellous

Franz Schubert's music has long been celebrated for its lyrical melodies, 'heavenly length' and daring harmonic language. In this new study of Schubert's complete string quartets, Anne Hyland challenges the influential but under-explored claim that Schubert could not successfully incorporate the lyric style into his sonatas, and offers a novel perspective on lyric form that embraces historical musicology, philosophy and music theory and analysis. Her exploration of the quartets reveals Schubert's development of a lyrically conceived teleology, bringing musical form, expression and temporality together in the service of fresh intellectual engagement. Her formal analyses grant special focus to the quartets of 1810-16, isolating the questions they pose for existing music theory and employing these as a means of scrutinising the relationship between the concepts of lyricism, development, closure and teleology thereby opening up space for these works to challenge some of the discourses that have historically beset them.

The Teleology of Lyric Form

Schubert's String Quartets

The Songs of Clara Schumann

Politics, Identity, and the Sound of 1933

Interwar Symphonies and the Imagination

Roderick Chadwick and Peter Hill give a detailed account of the evolution of Olivier Messiaen's Catalogue d'oiseaux for piano solo, from its initial conception in the Black Forest in 1953 to its completion and premiere in the Parisian 'Concerts du Domaine Musical' at the end of the decade. Through close examination of the composer's birdsong cahiers they demonstrate how Messiaen translated nature into music in a way that had a major impact on his later work. They also consider issues of performance, and Messiaen's artistic relationship with his dedicatee and wife-to-be, Yvonne Loriod, including the significance of her two recordings of the cycle. This book illuminates the Catalogue from a variety of angles: its historical significance, as a study of how mimicry of nature can be transformed into music of mesmeric originality, and as a guide that offers a wealth of fresh insights to listeners and performers.

From Conception to Performance

Olivier Messiaen's Catalogue d'oiseaux

Mieczyslaw Weinberg's music has been undergoing a revival since his death; this book explains his music in the context of Cold War Polish-Soviet cultural relations. It will appeal to scholars of East European music and cultural identity, as well as audiences who have been intrigued by the composer's music.

Weinberg and his Polish Contemporaries

Music behind the Iron Curtain

The Requiem of Tomás Luis de Victoria (1603)

Exploring the philosophical dimensions of Brahms's music, this book analyzes his elegiac works and their relationship to German literature. Of interest to musicology, German studies and cultural history scholars, it illuminates how Brahms's music relates to aesthetics and modernity from Hoelderlin, Schiller, and Goethe to the Frankfurt School.

The Poetics of Loss in Nineteenth-Century German Culture

Brahms's Elegies

An epic tale of one couple spanning decades as world events pull them together and apart

Homeseeking

Elliot Carter

Lindsay Gordon Crime Series

Union Jack

The Death of Stalin

Common Murder

A queer scrapbook offers a treasure trove of LGBTIQ+ histories from across Britain and Ireland. Packed with materials, from interviews and newspaper articles to photographs and flyers, the book explores urban, rural and regional queer life since 1945. Commentaries and short essays introduce a changing queer landscape, spotlighting four broad themes: home and family, sex and socialising, arts and culture and politics and activism. The book delves into the meaning and experiences of domesticity and parenting and explores the sometimes unexpected places LGBTIQ+ people met to have fun. It examines the importance of creative work in forming community and identity and shows how people fought injustice and advocated for equal rights. Collecting has been a way for the marginalised to explore and assert identity and community. A queer scrapbook vividly illustrates the diversity of queer and trans lives across the British and Irish isles since the Second World War.

Britain and Ireland Since 1945

A Queer Scrapbook

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

Stories Behind The Songs, Tours and Rise of an Icon

The Stories Behind the Songs, Tours and Rise of an Icon

Ariana Grande

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Anton Webern at the Dawn of Modernism

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Informations bibliographiques

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