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Seymour M: I, Vera / LF

I, Vera

My Daughter, Her Transition and Why We Must Remember Her

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A nuclear historian gives a new, surprising account of one of the most controversial actions in history-how the United States deployed the atomic bomb on Hiroshima and Nagasaki during World War II-and the fallout that continues to haunt us. In the eight decades since the United States deployed the most destructive weapon ever used, conventional wisdom has held that American leaders were faced with a difficult choice: Invade Japan, which would have cost millions of Japanese and Allied lives in bloody combat, or use the fearsome atom bomb in the hopes of convincing the Japanese emperor to surrender. President Truman-in what many have come to regard as an immoral decision-ordered the military to drop the bomb. Now, historian Alex Wellerstein offers a revisionist narrative of what happened in the spring of 1945, uncovering new research that points to a very different chain of events. Wellerstein reveals a much more complex situation in which American leaders, limited by time, knowledge, and authority, and under great secrecy, each jockeyed to influence if and how the bomb would be used. Refuting previous accounts, Wellerstein explains how there was no official decision to use the bomb, nor did President Truman likely know that Hiroshima or Nagasaki were heavily populated cities. Once the bombs were dropped, Truman began a years-long struggle for control of the awesome power of atomic weapons, the ramifications of which are still felt today. The Most Awful Responsibility documents the little-known truth of the circumstances leading to this momentous event, painting a more complete picture of the end of World War II and of Truman himself. It is essential reading for all who want to truly understand not only why the bomb was dropped on Japan, but also why it has not been used since.

Truman and the Secret Struggle for Control of the Atomic Age

The Most Awful Responsibility

Defines a unique period in British youth culture and lifestyle publishing, drawing on oral history, editorial analysis and existing fashion and subcultural theory to chart the emergence of the stylist in the 1980s, an ultimately postmodern role that became key to the production of fashion image.

Subculture, Style and the Fashion Image in London 1980–1990

The Rise of the Stylist

A celebration of 75 years of publishing at Thames &amp; Hudson - a delight for bibliophiles, historians, art lovers and fans of the T&amp;H brand. In 1949 Walter and Eva Neurath founded Thames &amp; Hudson with a clear aim: to make art and scholarship more accessible through independent publishing that was prepared to risk being ahead of the curve. Seventy-five years later, their original vision of creating a 'museum without walls' still resonates. As well as publishing beautifully designed and produced books in collaboration with the world's leading artists, writers, museums, cultural institutions and fashion houses, T&amp;H continues to evolve and innovate, remaining relevant and reflecting the times we live in. This special publication, divided into three chronological chapters, provides a comprehensive delve into the company's history. An introduction and three essays by historian Anna Nyburg take us from its origins in Vienna on the cusp of the Second World War to the 1960s and a change in management, and to the new millennium and beyond. Thames &amp; Hudson's rich output of groundbreaking and award-winning titles - ranging across the subjects of art, archaeology and architecture; history, design, photography and fashion - is celebrated in stunning pictorial spreads, as beautiful and compelling as the books themselves. The Art of the Book will be a valuable resource for those interested in the history of bookmaking and T&amp;H's impact over the years, and a must-have for collectors, enthusiasts and anyone with an appreciation for the art and evolution of publishing.

75 Years of Thames & Hudson

The Art of the Book

A deeply moving story of Holocaust survival and the joy, hope and tolerance that can still blossom from within.

I, Vera

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