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Sisman Adam: Hugh Trevor-Roper / LF

Hugh Trevor-Roper

The Biography

SOAS Studies in Modern and Contemporary Japan

The Translocal Island of Okinawa reveals the underrepresented memories, visions and actions that are involved in the making of Okinawan resistance against its subordinated status under the US-Japan security system beyond the narrowly defined political, cultural and geographical borders of locality. As Okinawa's base politics is a problem deeply rooted in the context of East Asia, so is the history of the people's protest movement. The issue examined in this book is the arbitrary distinction of scale between 'local', which tends to be employed for a particular territory demarcated by a cohesive culture, and 'regional', a larger area that consists of myriad localities. Locality, Shinnosuke Takahashi here argues, is neither self-evident, fixed nor homogenous but is established through historical processes that involve interaction, conflict and negotiation of individuals and communities across territorial and cultural boundaries. This book reveals the novel concept of Okinawa as a translocal island which offers a way to understand locality in the context of Okinawan activism as a product of multiple cultural and human flows, as opposed to the conventional way of framing the local community as fixed, internally cohesive and rigidly bordered. It makes an exciting contribution to the field of modern Japanese and East Asian studies by stimulating discussions on the richness and scale of local civic activism that is increasingly becoming a key political feature of the East Asian region.

Anti-Base Activism and Grassroots Regionalism

The Translocal Island of Okinawa

Eyewitness to History

Documents of the Holocaust

Joseph Banks

A Jewish Story of Survival in 1940s France

Ninette's War

Food in Modern History: Traditions and Innovations

From the 1770s the Vienna bread market was rocked by a series of politico-economic and technological changes that questioned the way this everyday foodstuff was sold and produced. In this book, Jonas Albrecht explores how this reconfiguration of the bread market had wide-reaching and significant consequences for a society who relied on this foodstuff to live. Before 1860 the production and selling of bread was embedded into a moral economy with distinct regulations. But as the grain market expanded and new cereal varieties arrived from the empire's peripheries reformers sought to create a 'free' market through liberalizing reforms. The Moral and Market Economies of Bread shows that while terminating market regulation did mobilize and diversify Vienna's bread market in spatial terms, it intensified inequality among consumers. As opaque prices, non-transparent market procedures and diverging power relations between producers and consumers led to unrest, city officials and bakers struggled to meet the shortcomings of the free market from within. This book brings economic, social and urban histories together and employs a spatial approach and GIS methods to explore the relationship between market and society, and capitalism at large.

Regulation and Reform in Vienna, 1775-1885

The Moral and Market Economies of Bread

Feminist Lessons From Five Revolutionary Women

Red Valkyries

The first full-length study of the late Victorian and Edwardian writing advice industry, exploring how primary instructive material and British fiction of the period represented, reflected upon, and entered into dialogue with this emerging phenomenon.

Literary Advice, British Fiction 1880-1910 and the Birth of the Creative Writing Industry

Nobel Prizes: Protein Structure, Ethology And Cell Architecture

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

New Vanguard

An illustrated study of Japan's Nagato-class battleships: the IJN's powerful super-dreadnoughts, which were heavily modernized to fight in World War II.

The Imperial Japanese Navy's Super-Dreadnoughts

Nagato-class Battleships 1920–46

Black Bag

Hugh Trevor-Roper

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