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The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream

Pyne Kathleen: Anne Brigman

Anne Brigman

The Photographer of Enchantment

New Directions in Contemporary Art

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual's capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

AI Art, Machine Learning and the Stakes for Art Criticism

Art as worldmaking is both a tribute to the distinguished art historian Alex Potts and a searching response to his important work on realism as a critical aesthetic, most notably the 2013 book Experiments in modern realism. The collection comprises twenty original essays by leading scholars in the field, written from a variety of theoretical and critical perspectives. They test Potts's recasting of realism, developed primarily through interpretations of European and American postwar art, against art produced in different media, places and periods, from eighth-century Chinese gardens to twenty-first-century video work by the Russian collective Radek Community. Individual chapters offer novel readings of classic instances of pictorial realism by Menzel and Eakins, and reconsider the question of nineteenth-century realism's historical antecedents. Overall, though, the volume has a contemporary orientation, in that it is concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. Featuring contributions from T. J. Clark, Thomas Crow, Briony Fer, Tamar Garb, Lisa Tickner and Anne M. Wagner, along with other established and emerging scholars, Art as worldmaking is a bold contribution to a central question in art theory and history. It is compelling reading for anyone concerned with art's truth value, or more broadly with conceptual problems of representation and the intersections of art and politics.

Critical Essays on Realism and Naturalism

Art as Worldmaking

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

New York Times Notable Book“A smart, crackling chronicle of fast game, the ’80s art market, [and] the attraction of destruction.”— Village Voice&nbsp;A bold and vivid biography that chronicles the dazzling rise and tragic death of Neo-expressionist artist Jean-Michel Basquiat.In less than a decade, Jean-Michel Basquiat went from being a teenage graffiti artist to an international art star. His meteoric rise to fame coincided with the outrageous excess of the heady ’80s art boom. A fixture of the downtown scene, with its explosive mix of music, fashion, art, and drugs, he soon became involved with some of its most celebrated personalities, including Keith Haring, Andy Warhol, and Madonna.&nbsp;Basquiat fulfilled that cynical aphorism: Die young and leave a beautiful corpse. But Basquiat did more than that: he left a beautiful corpus. With each passing year, the remarkable energy, perspicacity and originality of his work increases in power.&nbsp;In a world where Black Lives Matter and the imperative need for diversity are among the driving forces of our time, Basquiat’s success in the 1980s white art world, and his ongoing universal celebrity, have made him a significant role model for generation of artists to come.&nbsp;From the rise and fall of the graffiti movement, to the East Village art scene, to the art dealers and out-of-control auction houses, Basquiat: A Quick Killing in Art, the definitive biography of the young painter, is a vivid portrait of both the artist and his time.&nbsp;Basquiat: A Quick Killing in Art includes 12-14 photographs.

A Quick Killing in Art

Basquiat

The Moment of Cubism

The Extraordinary Life of Gala Dali

Surreal

The Orient Within

Art and Identity in Spain, 1833-1956

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

Aperture Ideas

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

"From taxi window to dog's eye view, from near and only slightly afar, Jeremy's is a quixotic, idiosyncratic and quite extraordinary eye." -Robin MuirJeremy Hackett (born 1953) is a quintessentially British fashion designer and business entrepreneur known for his menswear brand Hackett, which opened its first store on London's Kings Road in 1983. He is widely considered an authoritative voice on men's classic fashion, and in addition to regularly contributing to magazines such as Men's Health and Forbes, Hackett has published a book of anecdotal critiques of men's style entitled Mr Classic. In this latest artistic endeavor and departure from fashion, Hackett, a born-and-bred Londoner, presents a photo diary of the city he knows and loves so well. From morning walks with his dogs to fly-on-the wall observations and brief encounters with interesting, immaculately dressed characters to architectural motifs and classic cars in unusual locations, My London is a singular window into Hackett's unique view of the British capital.

My London

The Lost Era of Club Fighting

Shadow Boxers

Anne Brigman

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