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Cole J: Shadow Boxers

Shadow Boxers

The Lost Era of Club Fighting

On the morning of 4 July 1910, thousands of boxing fans stormed a newly built stadium in Reno, Nevada, to witness an epic showdown. Jack Johnson, the world's first Black heavyweight champion-and most infamous athlete in the world because of his race-was paired against Jim Jeffries, a former heavyweight champion then heralded as the "great white hope". It was the height of the Jim Crow era and spectators were eager for Jeffries to restore the racial hierarchy that Johnson had pummelled with his quick fists.
Transporting readers directly into the ring, artist Youssef Daoudi and poet Adrian Matejka intersperse dramatic boxing action with vivid flashbacks to reveal how Johnson, the self-educated son of formerly enslaved parents, reached the pinnacle of sport-all while facing down a racist justice system. Through a combination of breathtaking illustrations and striking verse, Last on His Feet honours a contentious civil rights figure who has for more than a century been denied his proper due.

Jack Johnson and the Battle of the Century

Last On His Feet

Cara Romero's first monograph, Panûpünüwügai (Living Light) explores the artistic practice of the celebrated Chemehuevi photographer and features written contribution from 23rd U.S. Poet Laureate Joy Harjo.Throughout her renowned creative practice, Romero has brilliantly challenged dominant narratives of Indigenous decline and erasure, disrupting preconceived notions about what it means to be a Native American. Her sophisticated images simultaneously acknowledge the injustices of colonialism while centering the humanity and vitality of her Indigenous collaborators, inviting audiences to engage in transformative dialogues. Personal, handwritten notes and drawings by the artist reveal process and concept development, helping readers connect with her creativity and studio practice.This book will accompany Romero's first solo exhibition of the same name, on view at the Hood Museum at Dartmouth College in 2025 and traveling to additional venues. Romero's award-winning work is included in numerous public and private collections such as the Metropolitan Museum of Art, MoMA, Whitney Museum of American Art, Guggenheim Museum, Amon Carter Museum, Peabody Essex Museum, and Forge Project Collections.&nbsp;

Cara Romero: Panûpünüwügai (Living Light)

HUSTLER®: 50 Years of Freedom

Britain’s Creatives Reveal Their Private Sanctuaries

The Secret Gardeners (updated edition)

'The sandy beaches of North East England are beautiful... the high-spirited happenings are spontaneous, generous acts of Geordie exuberance. Here you find yourself laughing with your fellow creatures; and before you know it, you too have been transformed into a child, adding your antics to the array of contented eccentricity.'

Writing In The Sand

Drawing on an incredible archive of historic and contemporary imagery, former Imperial War Museum photo curator Hilary Roberts charts over 150 years of photographic manipulation in the causes of national morale, subterfuge and control of the winning narrative.

150 years of weaponising photography

The Camera at War

Resistance

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

George Michael: A Life in Pictures

Becoming Escher is a literary journey of discovery to the origins of the fascinations of M.C. Escher. Through the eyes of M.C. Escher, the reader experiences the artist's metamorphosis; his development from a young man into a craftsman, into an artist, and finally into the Escher we all know.

Becoming Escher

Space Punch

<div>In a mafia-governed city where corruption and violence is commonplace, two brothers find a mysterious artifact that will change their lives forever Joe has defeated the colossal Solomon, provoking the fury of the Gospels. Eventually he is formally scouted by the Darumas, who offer him a deal. In exchange for the protection of his mother, Joe must join their mafia and prove his loyalty. Torn between his thirst for revenge and his principles, Joe accepts the deal but vows to put an end to gangs once and for all.</div>

Space Punch Volume 4: Volume 4

An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.

Contemporary Ethics and Practices

Critical Photojournalism

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Shadow Boxers

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