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Cole J: Shadow Boxers

Shadow Boxers

The Lost Era of Club Fighting

A career-spanning examination of the work of Robert Bergman and its place within the history of American art

Robert Bergman

Fortune of the Spirit

A visual &amp; lyrical declaration filled with fever &amp; flight, REPRISE, Golden's second collection of poetry &amp; photography maps a personal search for safety in a U.S. that offers none. 
 
Golden's collection illuminates a path through national uprisings, anti-trans violence, family loss, and a global pandemic. These sonically playful poems and assertive, color-saturated portraits reveal a stark vulnerability that invites readers to look deeply at times of great and, possibly, liberatory uncertainty. 
 
At its heart, this collection asks: Where is home? Who is free? What makes a nation? 
 
Golden seeks portals towards self-liberation. In their pursuit, we're invited to witness and learn from their interior revolution, from which they emerge more free to declare themselves in small and large ways: Whether stating I just want to wear my orange dress to the tennis courts &amp; come back home unbothered or I am home in the arms of the armed.&nbsp; 
 
Building on their debut collection, A Dead Name That Learned How to Live and their award-winning self-portraiture series, On Learning How to Live, Golden honors the living siege &amp; sorrow, rage &amp; revival, joy &amp; creation of being Black and trans in America.

Poems and Photographs

Reprise

No other female portrait artist had the notoriety or esteemed clientèle that Amalia Kussner did. One of the most sought-after miniaturists of the Gilded Age, Amalia painted Gilded Age elites (including Astors and Vanderbilts) and European royals alike. She led a life both fascinating and mysterious that included not only fame and fortune, but also a few lawsuits, scandals, and lies.

Amalia Kussner’s Gilded Age Pursuit of Fame and Fortune

The Miniature Painter Revealed

The personal journals of one of postwar America’s most influential photographers, published for the first time One of the most significant unpublished texts in the history of photography, Memorable Fancies is the daybooks of Minor White, an artist who played a leading role in shaping the practice of photography in postwar America. Begun in the early 1930s and taking its name from a series of dialogues in William Blake’s The Marriage of Heaven and Hell, these writings are part diary, part photography manual, and part aesthetic treatise. Minor White, Memorable Fancies presents this work in its entirety for the first time, offering an intimate look at the ideas and interior life of one of the most important photographers of the twentieth century. In this beautifully illustrated volume, art historian Todd Cronan sheds light on White’s guiding concerns and the connections between White’s writings and his public practice as a photographer and influential publisher and teacher. White’s journal is accompanied by an array of photographs by White as well as annotations that provide background and context, illuminating White’s life and career while capturing a vibrant and inventive moment in the history of modern photography. Challenging our assumptions about photographic agency and the interplay between art and life, Minor White, Memorable Fancies engages deeply with the creative potential of photographic work, the nature and effect of artworks on viewers, and the formative role that chance plays in the production of photographs. Distributed for the Princeton University Art Museum

Minor White, Memorable Fancies

A Portrait of John Singer Sargent

Beyond Beauty

Lenscratch: Topics in Contemporary Photography

30 Profiles of Artists Photographing [Two Themes TBD], Book 2

Lenscratch - Contemporary Themes in Photography

James Florio's exquisite black-and-white photography of sixteen important sculptural projects by Patrick Dougherty across the US. One of today’s most admired living sculptors, Patrick Dougherty composes with nature—wielding saplings and sticks to build monumental structures that echo, play, and tussle with&nbsp;the land.&nbsp;James Florio is a Montana-based photographer focused on the built environment&nbsp;and the life surrounding it. He works slowly, visiting a place repeatedly to gain a greater&nbsp;understanding of it, to ultimately deliver a thoughtful and profound interpretation. This project was inspired by Dougherty’s and Florio’s connection&nbsp;to Tippet Rise Art Center in Fishtail, Montana, where Dougherty has crafted sculptures&nbsp;from local willows, and where Florio has photographed the art and wild lands over&nbsp;many years. Dougherty’s first commission at Tippet Rise, Daydreams, was completed in 2015. He&nbsp;subsequently returned to the art center in 2022 to make a companion piece for this work.&nbsp;At the heart of both pieces is a nineteenth-century schoolhouse reproduction. The new&nbsp;work, Cursive Takes a Holiday (2022), adds an installation of intertwining branches to the&nbsp;outside of the schoolhouse, creating a series of circular spaces that visitors can step inside.&nbsp;Daydreams features woven branches that connect the indoors to the outdoors. In addition to thoughtful photographs, this book features information about the commission, creation, installation, and community&nbsp;engagement of Dougherty's work, along with essays about his practice, influence, and legacy.

Patrick Dougherty | James Florio: Sticks

As I got out of the Bentley I heard a loud bang. At first I thought it was a car backfiring, but then I saw a man standing about 10 feet away from me, pointing a gun. Then there was another bang, and by now I thought it was a joke. The guy didn't say anything, but I could see that he was shaking like a leaf, obviously a bag of nerves. It all happened very quickly. There were two more bangs, and whereas the first couple of shots had missed me, the next one didn't. I felt a sudden, excruciating pain in my left side. My jacket sleeve was already sticky with blood, and there was a crimson stain rapidly spreading across the green tweed Armani waistcoat I was wearing. What can I say, it was the 1980s.

A Life in Boxing

Frank and Fearless

A beautiful and detail-rich hardbound collection of Chicago Bulls history, containing essays, box scores, original reporting, archival photographs, and various memorabilia for one of NBA's most iconic franchises.

A Decade-by-Decade History

The Chicago Tribune Book of the Chicago Bulls

A photographic tribute to Hollywood's first glamour queen. Focusing on Gloria Swanson's sense of style and fashion, the book contains hundreds of personal and professional photographs, many never before published, and running biographical commentary by Stephen Michael Shearer, author of the definitive book of the star, Gloria Swanson: The Ultimate Star.

Hollywood's First Glamour Queen

Gloria Swanson

"From taxi window to dog's eye view, from near and only slightly afar, Jeremy's is a quixotic, idiosyncratic and quite extraordinary eye." -Robin MuirJeremy Hackett (born 1953) is a quintessentially British fashion designer and business entrepreneur known for his menswear brand Hackett, which opened its first store on London's Kings Road in 1983. He is widely considered an authoritative voice on men's classic fashion, and in addition to regularly contributing to magazines such as Men's Health and Forbes, Hackett has published a book of anecdotal critiques of men's style entitled Mr Classic. In this latest artistic endeavor and departure from fashion, Hackett, a born-and-bred Londoner, presents a photo diary of the city he knows and loves so well. From morning walks with his dogs to fly-on-the wall observations and brief encounters with interesting, immaculately dressed characters to architectural motifs and classic cars in unusual locations, My London is a singular window into Hackett's unique view of the British capital.

My London

On the morning of 4 July 1910, thousands of boxing fans stormed a newly built stadium in Reno, Nevada, to witness an epic showdown. Jack Johnson, the world's first Black heavyweight champion-and most infamous athlete in the world because of his race-was paired against Jim Jeffries, a former heavyweight champion then heralded as the "great white hope". It was the height of the Jim Crow era and spectators were eager for Jeffries to restore the racial hierarchy that Johnson had pummelled with his quick fists.
Transporting readers directly into the ring, artist Youssef Daoudi and poet Adrian Matejka intersperse dramatic boxing action with vivid flashbacks to reveal how Johnson, the self-educated son of formerly enslaved parents, reached the pinnacle of sport-all while facing down a racist justice system. Through a combination of breathtaking illustrations and striking verse, Last on His Feet honours a contentious civil rights figure who has for more than a century been denied his proper due.

Jack Johnson and the Battle of the Century

Last On His Feet

Shadow Boxers

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