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Plotke S: Anders erzählen

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Studien zu einer Mediävistischen Narratologie

Literaturtheorie

Während in der technischen Debatte um künstliche Intelligenz die Idee der Verkörperung (embodiment) seit langem von zentralem Interesse ist, fehlt ein vergleichbarer Ansatz im Bereich der kulturellen Produktion bislang. André Steiner stellt sich in seinem zweiten Band zum komplexen Erzählen dieser&nbsp;Herausforderung. Er greift den Begriff der Verkörperung aus den Neurowissenschaften auf und überträgt ihn als verkörperte Aktivität im Sinne Francisco Varelas auf die literarische Produktion. Damit adressiert er auch offen gebliebene Fragen des Vorgängers nach der Rolle der Literatur in einer immer komplexer werdenden Welt auf und entschlüsselt sie mit den Konzepten des narrativen Gehirns und der Diffraktion.

Von der fraktalen Erzählung zum literarischen Schreiben als verkörperter Aktivität

Komplexes Erzählen II

New Outline of General History of China

The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages

Historical Catastrophe Studies / Historische Katastrophenforschung

Cultural Reflections of Loss and Lament

When Cities Fall

Heimat ist nicht nur ein wichtiger Begriff und eine wirkungsmächtige Idee, Heimat ist immer auch soziale Praxis: Historische Akteure haben durch ihr Handeln immer wieder bestimmte Vorstellungen von Heimat in die Realität umgesetzt. Anhand von fünf ausgewählten Praktiken analysiert Johannes Schütz die Konstruktion von Heimat in Sachsen zwischen 1969 und 2000. Dabei fragt er nicht nur nach der Aneignung von Heimat, sondern betrachtet Prozesse der Heimatpraxis vor allem im Spannungsfeld zwischen Diktatur und Demokratie, das den Alltag der Menschen nach dem Zusammenbruch der DDR und der Eingliederung des Landes in die Bundesrepublik prägte.

Praktiken, Diskurse und Emotionen in Sachsen, 1969-2000

Heimat als soziale Praxis

"Jodie Marley’s William Blake’s Mysticism takes us on an exuberant journey of spiritualities, ranging from Dorothy Gott, the prophetic writer he encountered in 1789, to “Fiona Macleod,” the visionary identity of W.B. Yeats’s friend, William Sharp". — David Worrall, Nottingham Trent University, UK.
This book examines William Blake as a ‘mystic’ and the movements and authors that contributed to this definition during and after his lifetime, with a particular focus on his influence on late nineteenth- and early twentieth-century Celtic Modernist writers. The author W. B. Yeats was one of the first to present this view of Blake in depth, although his concept of the mystic prioritised the lone male practitioner and the occult. This study argues that the mystic and the esoteric in a community context impacted both Blake’s, and Yeats’, critical and cultural reception. It also offers the first extended literary examination of the Romantic prophet Dorothy Gott’s work alongside Blake’s, and the first analysis of Blake’s influence on Celtic Modernist writers George Russell and Fiona Macleod. This book will be of interest to scholars interested in representations of gender and spirituality in Romantic and Modernist literature and art, and in authors so far neglected in Blake studies.
Jodie Marley is a researcher and writer whose work focuses on Romanticism, reception, mysticism, and gender. Her research bridges the Romantic and Modernist periods, with a particular focus on Irish Modernism. She is a 2025 visiting research fellow at the University of Glasgow’s Archives and Special Collections and won a British Association for Romantic Studies (BARS) Stephen Copley Award to fund her research in December 2024. She received her Ph.D. from the University of Nottingham in 2023.
She has forthcoming book chapters in The Routledge Companion to William Blake&nbsp;(ed. Freeman) and&nbsp;Seán O’Casey in Context&nbsp;(ed. Moran). She has previously been published in&nbsp;the Bulletin of the John Rylands Library,&nbsp;VALA, and&nbsp;Good Horoscope. Two of her talks for the Global Blake initiative are publicly available. In 2019 she co-curated the Romantic Facts and Fantasies exhibition at Lakeside Arts, Nottingham, and helped organise the 2019 BARS conference.

The Legacy of Prophetic Women

William Blake’s Mysticism

Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde

Runica manuscripta: Die nordische Tradition

Die Geschichte der Frauen, die zurückschlagen

Fighting Like a Woman

Palgrave Studies in the History of Subcultures and Popular Music

This book breaks new ground by exploring regional scenes beyond London during the years 1965 to 1975.&nbsp; Whilst many accounts of this era have tended to focus on the Capital, John Griffiths journeys beyond its boundaries to assess how far the cultures usually implied to be exclusive to the metropolis in fact diffused into the English counties. The book examines both the ‘swinging period’ of post-1945 history (c. 1965-1967) and the years of the counter-culture c. 1968-1975,&nbsp; examining topics such as the rise of the boutique, alternative cinema, art festivals and art labs, and regional funding for the experimental, before moving on to consider the attitudes of regional newspapers to changes in society. In its latter sections the legacy of 1968 is considered, with specific focus on the rise of Women’s Liberation and Gay Liberation movements. It concludes with an examination of student life on the regional campus.&nbsp; This book argues that, contrary to many accounts that branded them as cultural deserts, the 1960s saw the ‘provinces’ rebranded as ‘regions’ and were increasingly up to speed with London culture.John Griffiths is Senior Lecturer on the History Programme at Massey University, New Zealand. He is the author of several articles that have appeared in internationally recognised journals such as Social History, Journal of Social History, Urban History and Contemporary British History. He is the author of Imperial Culture in Antipodean Cities (Palgrave, 2014) and the four-volume Empire and Popular Culture (2021-2022). He is a Fellow of the Royal Historical Society.

Beyond Swinging London

Counter-Cultural Lifestyles in Regional England, 1965-1975

Rechte Subkulturen in Ostdeutschland seit den 1970er Jahren

Staatsfeinde

Mental Health in Historical Perspective

This book explores the marginalisation of thousands of asylum patients who were removed from their home institutions in Scotland during the First World War to make way for soldiers. Examining what life was like for Scotland's mentally ill civilians from 1914-1934, the author explains why and how asylums were taken over by the War Office, and how this created a divide between civilians and soldiers, carved mostly by politicians and the media. The book sheds light on the painstaking process asylum doctors in Scotland went through to find homes for thousands of patients, and how they found ways to protect their health and wellbeing. Providing insights into the patient hierarchy within Scottish asylums, the author argues that soldiers were not the protected class of patient that politicians and the military tried to portray them as. Drawing from the words of Scotland’s asylum patients themselves, this important book highlights the voices of the mentally ill in Scotland during not only a tumultuous period for their nation, but for themselves.Jennifer Farquharson is an independent researcher specialising in early twentieth-century mental healthcare in Scotland, architectural history, and building conservation. She currently works in the heritage sector at Historic Environment Scotland, where she communicates specialist research to general audiences through books, online learning, exhibitions, films, and more. Jennifer was awarded her doctorate in history from Glasgow Caledonian University, in the UK, and is a member of the Society for the Social History of Medicine, the British Society for the History of Science, and an Associate Fellow of the Royal Historic Society.

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