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Bayly S: Acting Realism

Acting Realism

Theory and Practice from Garrick to Meisner and Beyond

Visions of the City

Arthur Miller's New York

Routledge Advances in Theatre & Performance Studies

This book examines the performance strategies used by contemporary Iranian artists and activists to reimagine "Iranian-ness" in the context of Iran's local, regional, and global position.

Contemporary Theatre, Art, and Music of Iran

At the Threshold

Shakespeare in the Theatre

The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe's four major Shakespearean works over the past four decades.

Shakespeare in the Theatre: Reduced Shakespeare Company

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

An Integrated Approach

Voice Training Through Acting and Movement

Stanislavsky And...

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. It provides new insights through historical research, unpublished and newly translated materials, and contemporary insights from diverse scholars and practitioners.

Stanislavsky and Gender

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

Focus on Dramaturgy

Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka's Chorus of Women, Complicite, Tan Dun, among others.

The Polyphony of Postdramatic Theatre

Sonorous Dramaturgy

Directing and Acting in Contemporary Theatre

The Question of Skill

Art as worldmaking is both a tribute to the distinguished art historian Alex Potts and a searching response to his important work on realism as a critical aesthetic, most notably the 2013 book Experiments in modern realism. The collection comprises twenty original essays by leading scholars in the field, written from a variety of theoretical and critical perspectives. They test Potts's recasting of realism, developed primarily through interpretations of European and American postwar art, against art produced in different media, places and periods, from eighth-century Chinese gardens to twenty-first-century video work by the Russian collective Radek Community. Individual chapters offer novel readings of classic instances of pictorial realism by Menzel and Eakins, and reconsider the question of nineteenth-century realism's historical antecedents. Overall, though, the volume has a contemporary orientation, in that it is concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. Featuring contributions from T. J. Clark, Thomas Crow, Briony Fer, Tamar Garb, Lisa Tickner and Anne M. Wagner, along with other established and emerging scholars, Art as worldmaking is a bold contribution to a central question in art theory and history. It is compelling reading for anyone concerned with art's truth value, or more broadly with conceptual problems of representation and the intersections of art and politics.

Acting Realism

Informations bibliographiques

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Informations bibliographiques

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