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Morrison Simon: A Kingdom and a Village

A Kingdom and a Village

A One-Thousand-Year History of Moscow

War, Culture and Society

Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. 

In this book, Jerôme de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base for a full exploration of the role culture in the formation of North and South Korean states.

Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.

Comparing North and South Korean Writing

Literature and Cultural Identity during the Korean War

A History of the United Kingdom as a Nuclear Power

A Very British Bomb

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: HistoriansâEUR(TM) and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

An Introduction

Print Culture and Communication in the Stuart World

With President Biden recently describing the Chinese premier Xi Jinping as ¿a dictator,¿ the shooting down of Chinese balloons in US airspace, the increasing of US military aid to Taiwan, and the banning of US exports of microchips to China, the American drumbeat for a new cold war with the world¿s second largest economy is getting ever louder.
This new found aggression towards China is profoundly mistaken, in the view of authors Jodie Evans and Mikaela Nhondo Erskog. Their crisply focused and richly informative new book, based on years of first-hand experience and extensive research, lays out an accessible history of China, examines its culture and current economic strategy, and in particular focuses on the outlook of the younger generation. It concludes that&nbsp; a strategy of peaceful co-existence will be far more beneficial for working people in both countries, especially for the many Chinese Americans resident in the US, and vital in reducing the risk of a cataclysmic military confrontation between two nuclear powers.&nbsp;&nbsp;

China Is Not Our Enemy

The compelling story of the inescapable return of Hong Kong to China, published for the 25th anniversary of the handoverBritish Hong Kong ended in the last minutes of 30 June 1997. Diplomacy Ends at Midnight traces the extraordinary twists and turns of Hong Kong's long drawn out, but unavoidable, reunion with China, when its 99-year leasehold on much of the colony's territory expired. 25 years ago, Britain did not want to return Hong Kong to its once and future owner, and most Hong Kongers didn't want them to either, but the choice was not theirs to make. Through exceptional archival research and interviews with many of the participants, Dalena Wright traces the intricate diplomacy by which the British sought to resist and then ultimately had to accept the inevitable reversion. The book tells the story of governors, prime ministers, presidents and Chinese leaders who believed for a century that ownership of the tiny entrepot was worth diplomatic standoffs. And when there were no more quarrels to be had, it explains how in the final years British diplomats and their political masters managed the reversion they had not wanted. For 99 years, while they waited for midnight, China and Britain - often as adversaries but occasionally as collaborators - watched Hong Kong grow into a glittering, world-class city. In the end it became a trophy that neither wanted the other to own. How Britain won and lost Hong Kong is the subject of this compelling new history.

The Long Return of Hong Kong to China

Diplomacy Ends at Midnight

Not since Antonia Fraser's major biography (1975) has there been a life of Cromwell so sympathetic to its subject and based on so many years of scholarship and research. As General Editor for Oxford University Press of the five-volume edition of all the recorded words (writings and recorded speech acts) of Oliver Cromwell, Professor Morrill is perfectly equipped to write this biography. He argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought. This was a product of his religious ideas, and, argues the author, in this Cromwell was entirely sincere. After the Siege of Drogheda he murdered 3,000 people and Catholic clergy and the religious were killed on sight. He cast a long shadow over Irish history which appears to many to verge on genocide, but with this and the signing of the act of execution of Charles I, Cromwell never doubted that he was doing God's will. Morrill's book sheds exciting new light on Cromwell, both political and religious, and is based on the latest scholarship of the highest quality. Morrill argues against contemporary critics and claims that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

The brave, bad man of British history

Oliver Cromwell

Studies in Early Medieval History

This study is a vital reassessment of neglected medieval ruler King Carloman, who is so often found in the shadow of Charlemagne. Te information we have about him, transmitted by the Carolingian narrative texts or documents, has rarely been investigated before now. Marco Stoffella draws on a wide range of sources including letters, charters and diplomas to show that Carloman played a central political role in the Frankish kingdom which he ruled for three years. Stoffella suggests that it was Carloman, not Charlemagne, who was the Frankish king who married Gerberga, the Lombard princess. This emerging hypothesis leads to a reconsideration of further aspects of both Carloman's and Charlemagne's early careers. Evidence from minor annals that have been relatively disregarded until now, together with a fresh scrutiny of Pippin's and Carloman's diplomas, suggests that it was possibly Carloman rather than Charlemagne who was Pippin's first-born son. Following this interpretation, Carloman, Charlemagne and Dynastic Rivalries in the Eighth Century reflects on the extent and successfulness of Carolingian royal and imperial propaganda which re-shaped the early stages of Charlemagne's career, stressing his authority and blaming Carloman and his followers for the conflicts that emerged in Francia and in Italy between 768 and 771. The pro-Charlemagne sources even obscured the fate of the young king, and completely ignored the destiny of his wife and children. These new findings and arguments are expertly framed here and are of huge significance to our understanding of Charlemagne's conquest of the Lombard kingdom and policy south of the Alps.

Carloman, Charlemagne and Dynastic Rivalries in the Eighth Century

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

A History of Myself

Red, Red Robin

After the German and Italian attack on Yugoslavia, Croatian fascists - the Ustasha - declared the independence of Croatia in April 1941. This short-lived state became one of the most significant theatres of genocide of wartime Europe, with these independent nationalists committing acts of violence against Serbs, Jews, and Roma.

Mass Violence in Western Yugoslavia during the Second World War

Intertwined Genocides

The targeted assassination of Major-General Qasem Soleimani on 3 January 2020 brought into sharp focus the expansion of Iran's irregular warfare capabilities and network of highly capable proxy actors. This network, overseen by the Quds Force of the Islamic Revolutionary Guards Corps (IRGC) and its mysterious and charismatic leader, has become a critical actor in shaping the Middle East. 
Painting the General fills a key gap in our knowledge of this phenomenon by exploring the role, image and framing of the Qods Force leader as a newly omnipotent and all conquering Iranian hero who has propped up the Islamic Republic's waning support internally and acted as a potent foreign policy symbol and rallying point externally. 
 
The book explores the multiple dimensions of Hajj Qasem's image, its construction, use and reception among different audiences. Bridging the gap between a traditional political biography and a work of comparative and regional politics, it places Soleimani within multiple frames of resonance, examining how his image and persona have been shaped by himself, by the regime and by outsiders to create a powerful and increasingly essential narrative which, over time, placed Soleimani as a key powerbroker in Iranian and regional politics. 
 
 Based on a newly developed analytical framework and fieldwork in Iran, Iraq and Lebanon the volume draws extensively on Persian and Arabic sources, as well as detailed exploration of the iconography used to frame Soliemani as a new, more secular Iranian hero who has resonance far beyond Iran's borders.

Qasem Soleimani, Iranian Propaganda and Shi'a Militia Politics

Painting the General

Anti-Semitism and Islamophobia are on the rise in twenty-first-century Europe, but these notions of the malevolent, conspiring Jew or Muslim are far more than a medieval trope. Over the last millennium, deep currents of exclusion have shaped not only modern relationships between majorities and minorities, but the distinctive Western relationship between state and society. This volume asks an important question: why is it that, in a period when Europe's Islamic south and Catholic and Orthodox east remained home to religiously diverse communities, the Western fringes of Latin Christendom instead rid themselves of Jews and Muslims, through exploitation, mass murder, deportations and enslavement? Ariel Salzmann identifies the intersecting structural and sociological roots of this peculiarly Western approach, from rapid consolidation of secular polities and commercial markets in the Crusades era; to the ideology and practice of ritualised, politicised violence against minorities; to distinctive forms of economic protectionism arising from the use of minorities and their resources as bargaining chips. 'The Exclusionary West' shows that the medieval exclusion of minorities is bound up with the very foundation of Western European nation-states, informing the basic rights of civil citizenship and shaping Western ideas of identity and belonging. These legacies retain their insidious but potent power today.

Medieval Minorities and the Making of Modern Europe

The Exclusionary West

A Kingdom and a Village

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