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A concise run-through of the key stages in type design, through the telling of ten engaging stories.

Karnes E: A Brief History of Type

A Brief History of Type

The development of typography through ten stories

Introduction 1: A Tale of Two Scripts (1400s) 2: The Sculptural Letter (1450s) 3: A Marriage in Metal (1470s) 4: Sizes and Styles (1520s) 5: A Quiet Revolution (1750s) 6: Typography Escapes the Book (1770s) 7: Looking Backward to Look Forward (1890s) 8: A New Typography for a New Age (1920s) 9: Display, Technology and Beyond Books (1960s) 10: Digital Diversity (1990s) Bibliography and Notes Further Reading Overview Timeline Glossary

Fashion in Action

What is cultural appropriation in fashion and how can understanding its causes, consequences and reoccurrences help us to challenge it in the future? As part of the Fashion in Action series of short books aimed at rallying readers on global issues in fashion, Benjamin Linley Wild highlights the long and complicated history of appropriation, guiding us on the pressing question of where we go next. Chapter one considers where we have been - what are the words we have used and what theories continue to frame and potentially hinder discussions about appropriation within the fashion industry? Chapter two moves on to where we are now - what does appropriation look like in the fashion industry and how can understanding this help both educators and consumers overcome the circularity of the current debates? Chapter three draws together the theories and their potential implications to unravel the riddle of appropriation and enable us to look to the future with suggested calls for action. This timely book equips readers with the tools to navigate and reshape the conversation around cultural appropriation, encouraging meaningful action for a more conscious and inclusive fashion industry.

Appropriation

Visual Cultures and German Contexts

Visual Cultures of Sex, 1871-1945

Erotic Art in Modern Germany

A Showcase of Contemporary Type Designs

Fine Specimens

still and moving • the tactile image

Ann Hamilton

A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genresThis landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter's painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the "new woman" and explore questions of gender identity. With over 70 full-color plates, plus a rich selection of Münter's photographs and later works, this publication not only traces Münter's pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877-1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter.

Gabriele Münter: Contours of a World

Publications of the Society for the Promotion of Byzantine Studies

Papers from the 54th Spring Symposium of Byzantine Studies

Material Religion in Byzantium and Beyond

Art and Experience, 1970-2001

Latino New York

A Natural History of the Studio

The untold stories of six women who loved Picasso

Hidden Portraits

The first monographic study of American artist Alison Knowles, a significant yet overlooked cofounder of the Fluxus movement. Alison Knowles stands out as the sole female artist among the founders of Fluxus, yet she has remained an enigmatic, underrecognized figure in the history of art. Performing Chance fills a gap in the record, bringing to light Knowles's transformative body of work as it evolved from abstract painting in the late 1950s, to silkscreens, print media, and performance in the early 1960s, to groundbreaking works in digital poetry, acoustical art, and large-scale installations in the late 1960s-70s. Through her access to previously unpublished archival materials and direct interviews with the artist, Nicole L. Woods provides close readings of pivotal works, disclosing the ways Knowles instituted formal tactics that moved beyond modernist painting, championed principles of indeterminacy and chance, and fostered sociopolitical consciousness. Situating Knowles's innovations in various media within the distinct cultural contexts of Wiesbaden, London, Paris, New York City, and Los Angeles, Performing Chance brings this key artist back to her rightful place as a leader of the postwar avant-garde and provides a nuanced history of the role of women artists in Fluxus and beyond.

A Brief History of Type

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