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Methods for Ecocritical Art History

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

Political Struggle and Activist Art in the Uk, 1960-Present

Grassroots Artmaking

What indigenous wisdom & marginalised people teach us about environmental action

Natural Connection

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

world of art

Origins, Practice, Reception

Impressionism

Anthem Studies in Wittgenstein

This book explores moments of philosophical embarrassment, focusing on Hume and Wittgenstein, who recognized how their critiques challenged the very foundations of philosophy. It examines how figures like the Vienna Circle and Quine redefined philosophy's aims, and how the later Wittgenstein warned against the pitfalls of scientism and self-deception.

Wittgensteinian Essays in Moral Psychology

Philosophical Embarrassment

Fighting Ecological Crisis from Within

Workers and the World

Routledge International Handbooks

The Routledge Handbook to Qualitative Accounting Research Methods

The Little Ice Age and the Fall of Ming China

The Price of Collapse

Routledge Studies in Environmental Justice

Environmental Struggles in Aotearoa New Zealand, Colombia and India

The Politics of Riverine Rights

Schizoanalytic Applications

Deleuzo-Guattarian philosophy provides crucial insights for assessing the post-neoliberal era in this cutting-edge volume of anti-capitalist scholarship. It maps the critical new assemblages emerging out of decades of neoliberalism to diagnose contemporary and future discontent. Working alongside other forms of inquiry into the post-neoliberal era, the volume proposes a novel combination of ethics and Deleuzo-Guattarian philosophy to understand the post-neoliberal era. Contributors argue that current critiques of neoliberalism ignore the determining role of colonialism and the accelerated threat of climate breakdown. They highlight the precariousness of our planetary existence and propose new forms of inquiry into Deleuzo-Guattarian becoming. Deleuze, Guattari and the Schizoanalysis of Post-Neoliberalism considers new modes of capitalism, societies built on exhaustion, digital power, education, agroforestry, as well as literary texts that characterise the post-neoliberal era. Alongside these critical positions, the volume uses an ethical framework to challenge dialectical divisions in neoliberal critique. In the process, the essays remap the antagonisms, discontents and tensions of current post-neoliberal becoming.

Deleuze, Guattari and the Schizoanalysis of Post-Neoliberalism

A Natural History of the Studio

Methods for Ecocritical Art History

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