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O’Hara H: 50 Film Ideas You Really Need
to Know

50 Film Ideas You Really Need to Know

"An Atonal Cinema theorises contemporary Palestinian cinema, utilizing contrapuntal dialogue as a mode of resistance with which to decentre and respond to texts from Europe, South America and Israel which have co-opted its images"--

Resistance, Counterpoint and Dialogue in Transnational Palestine

An Atonal Cinema

Videogames Go to the Movies explores the impact of videogames on cinema--and cinema on videogames--from the early 1980s to the present. Chapters consider:<ul> <li>the mediums' mutual framing of each other</li> <li>case studies of adaptation in both directions</li> <li>the flows and functions of contemporary transmedia entertainment</li> <li>experimentation and hybridization at the mediums' boundaries</li> <li>the fundamental transformations of fandom, production toosl, and resulting media forms that promise to shape the videogame-cinema relationship in the future</li> </ul>Informed by a detailed knowledge both of film theory and history and the technical and aesthetic particulars of digital interactive media, Videogames Go to the Movies introduces students to the theory and history of the relationship between videogames and films, while also addressing larger questions about new media culture and technology.

Videogames Go to the Movies

Downtime explores the history and aesthetics of slow motion, from its origins in early film to its prominence today.

The Twentieth Century in Slow Motion

Downtime

A celebration of the world's most cherished cinemas, from vintage movie houses to quirky start-ups.

Spectacular Cinemas from Hollywood to Hong Kong

Silver Screens

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

Animation: Key Films/Filmmakers

This open access book uncovers the untold story of the making of Cosgrove Hall Productions' most successful works, bookended by the many others that, together, shaped an animation company which generated a ground-breaking and lasting impact like no other. 

Any British child of the 1980s will remember Danger Mouse - 'the world's greatest secret agent' - and The Wind in the Willows, a series produced using stop frame puppets that faithfully recreated the world of Kenneth Grahame's Edwardian story in remarkable detail. What they may not realise is that these acclaimed series, seemingly so different in style and approach, were made simultaneously under one roof: that of Cosgrove Hall Productions, in the modest suburb of Chorlton-cum-Hardy in Manchester. As the first substantial academic study on this company, this book explores the history of Cosgrove Hall Productions by delving into the pipelines behind its two most successful properties.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com.

Of Mice and Toads

Cosgrove Hall Productions

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

1946-59

Post-war Adaptations

A fever-dream journal documenting the making of cinema's most infamous production, from the world's most infamously visionary director: Werner Herzog. In 1982, the visionary film director, Werner Herzog, released Fitzcarraldo, a lavish film about a would-be rubber baron who pulls a 320-ton steamship over a mountain. Hailed instantly by critics around the globe as a masterpiece, Fitzcarraldo won Herzog the 1982 Outstanding Director Prize at the Cannes Film Festival, affirming Herzog's reputation as one of the most revered and enigmatic filmmakers of his time. Conquest of the Useless is the diary Herzog kept during the making of Fitzcarraldo, compiled from June 1979 to November 1981. Emerging as if out of an Amazonian fever dream during filming, Herzog's writings are an extraordinary documentary unto themselves. Strange and otherworldly events are recounted by the filmmaker. The crew's camp in the heart of the jungle is attacked and burned to the ground; the production of the film clashes with a border war; and, of course, Herzog unravels the impossible logistics of moving a 320-ton steamship over a hill without the use of special effects. In his preface, Herzog warns that the diary entries collected in Conquest of the Useless do not represent "reports on the actual filming" but rather "inner landscapes, born of the delirium of the jungle." Thus begins an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.

Fever Dreams in the Jungle

Conquest of the Useless

The Korean Cinema Book

Routledge Advances in Horror

Vampires and the Making of the United States in the Twenty-First Century

World Cinema

Histories and Afterlives

Cinema and the Indian National Emergency

War, betrayal and espionage in 1980s Ethiopia: a classic of African literature that sealed its author's fate

Oromay

50 Film Ideas You Really Need to Know

Informations bibliographiques

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Informations bibliographiques

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