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"Forty-Four Esolangs is the first artist monograph of esolangs: "esoteric programming languages" created as personal expression rather than practical use"--

A riveting collection of one artist’s many approaches to esolangs—esoteric programming languages—showcasing the form’s limitless artistic potential. In Forty-Four Esolangs, Daniel Temkin challenges conventional definitions of language, code, and computer, showing the potential of esolangs—or esoteric programming languages—as pure idea art. The languages in this volume ask programmers to write code in the form of prayer to the Greek gods, or as a pattern of empty folders, or to type code in tandem with another programmer, each with one hand on the keyboard, their rhythm and synchrony signifying computer action. Temkin includes languages written over the past fifteen years, along with some designed especially for this book. Other pieces are left as prompts for the reader to simply consider or perhaps to implement on their own. Esolangs are a collaborative form. Each language is a complete world of thought, where esoprogrammers build on the work of esolangers to make new discoveries. The language Velato, for instance, asks programmers to write music as code; while the language creates constraints for the programmer, each programmer brings their own coding and musical sensibility to the language. Other pieces are pure poetic suggestion in the legacy of Yoko Ono’s event scores. These ask the programmer to, for example, follow the paths of the clouds over a single day and construct a language in response that uses those movements as code. Just as Ben Vautier claimed everything is art, this book blurs the lines between computation and everything else.

Temkin D: Forty-Four Esolangs

Forty-Four Esolangs

The Art of Esoteric Code

Painting on Stone and the Ecology of Early Modern Art

Sedimentary Aesthetics

This is the hotly anticipated debut art book from renowned illustrator and comic artist, Ramón Nunez. With years of extensive experience working in the comic, animation, and video-game industries, Ramon has carved out a unique artistic style and earned himself a reputation for creating captivating visual concepts and character art. His previous clients include top production companies including Riot Games, Sony Pictures Animation, and Dreamworks, and he has built a following of 609K fans on Instagram.In this book, he offers an insight to his world of art, where he likes to portray characters doing everyday activities in everyday places, such as eating at home or riding the subway. He has built a relatability in his art that appeals to fans, as they see themselves in his work. That said, he isn't afraid to introduce a bizarre situation or something unexpected to push the viewers' imagination!The book will feature personal details about Ramón's early life, education, and career, as well as step-by-step tutorials for readers to learn from his incredible style and skills. For long-standing fans or those newly discovering his artwork, Ramón's art book will be one that our audiences jump to own.

The Art of RamonN90: Life in Every Sketch

Designing an American Identity

Uncanny Revivals

How Central European Émigrés Transformed the British Twentieth Century

The Alienation Effect

Breaking New Ground

Parasol Press

Renaissance Lives

Francisco de Zurbarán and the Fabric of the World

Celtic Art Across the Ages

Seminar Papers

Academies of Art in Europe and the Americas, 1600-1900

The untold stories of six women who loved Picasso

Hidden Portraits

The Art of Fairy Tales

Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.&nbsp;The cover for issue 34 is by Simone Ferriero (aka Simz), a freelance comic-book artist and illustrator from Italy who has a huge 431K followers on Instagram. Simz is known for his drawings of ghost cats and modern-day witches, with a style inspired by Japanese cartoons and comics. He takes us through the creation of his cover, then we interview him about his career and his current creative plans.&nbsp;Also featured in this issue is Tom Booth (335K followers on Instagram) an art director, illustrator, and author, based in Brooklyn, New York. He has created characters for Simon &amp; Schuster, Netflix, Random House, and is known for his extensive work in children's literature. He talks to us about creating the video game Pine, for which he served as the artistic and narrative lead.

Character Design Quarterly 34

Global Artist

Frederic Church

Forty-Four Esolangs

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