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Stocks Elliot Jay: Fine Specimens

Fine Specimens

A Showcase of Contemporary Type Designs

A key introduction to critical and speculative design practice

History, Theory, and Practices

Critical Design in Context

Shaping Technology with Moral Imagination

Value Sensitive Design, second edition

An Exploration of Visual Thinking

Graphic Design Play Book 2nd Edition

The iconic bestseller, showcasing more than 500 of fashion's greatest names from A-Z

The Fashion Book

Art About NASA

Celebrating NASA's trailblazing journeys, Space: The Mission Patches uncovers the story of the space administration through the striking artwork of their historic insignias

Embark on another cosmic adventure and discover the striking artistry of NASA’s mission patches and logos. This beautifully illustrated book offers a visual tour of NASA’s heritage symbolism from the early Mercury missions of the 1960s to the rovers, orbital telescopes and brand-new lunar capsules of the 2020s.The countdown is underway! NASA’s first Moon landing since 1972 is now on the near horizon and this follow-up to the popular Space: Posters &amp; Paintings is the perfect way to prepare for take-off. Celebrating the achievements of the men and women who dared to venture into the beyond, Space Mission Patches uncovers the story of the space administration through the indelible artwork of their historic insignias. Perfect for space aficionados, design enthusiasts and kids old and young, this meeting of art and exploration is the definitive testament to the enduring legacy of NASA’s trailblazing journeys to the unknown.&nbsp;

A Collection Used by NASA

Space Mission Patches

A Reappraisal

Stephen Dwoskin Is

Women Graphic Designers is an edited anthology of 42 original and previously published essays featuring undervalued and marginalized female graphic designers from diverse global cultures who worked professionally during the 20th century.

Women are now the largest student body demographic in graphic design programs, yet in the twenty-first century the professional work of female designers is still underrepresented or ignored in the media and historical canons. Women Graphic Designers features illustrated essays of 41 undervalued and marginalized female graphic designers from diverse global cultures who worked professionally during the 20th century (1900–1999). Each essay critically explores each subject's challenges and alternative approaches when faced with professional roadblocks or personal and family dilemmas. With a broad range of contributors from around the world looking at the work of international graphic designers, this new collection is ideal for use on courses that expand the conversation beyond the traditional canon and look at design history holistically. This significantly important publication will celebrate the contribution women have made to the discipline of graphic design and help establish a more comprehensive, diverse and inclusive design history.

Rebalancing the Canon

Women Graphic Designers

Drawing from a rich body of archival documents, case studies and interviews, this book explores the ways in which graphic designers in China sought to establish graphic design as a profession and discipline from the 1980s to the present day. Yun Wang traces the impact of cultural, economic and social conditions on China's developing design industry in a period of rapid transformation, focusing on Beijing, Guangzhou and Shenzhen as industry centres. From the influence of the newly implemented reform and opening up policy in 1978, to membership of the World Trade Organization in 2001, and international events such as the 2008 Beijing Olympics, Wang maps the increased demand for design talent and the evolution of a creative industry. This book provides a critical and extensively researched narrative of how graphic design developed locally and regionally, through practice, in education and within the publishing landscape, and pays particular attention to the ways in which designers in different cities in the People's Republic of China intersected with international networks. Including material from interviews with over 50 designers and other stakeholders, archival research into graphic work, design journals and exhibition catalogues, and 100 illustrations and photographs throughout, this book provides an in-depth exploration of graphic design developments in recent decades. It also features personal and institutional accounts, in addition to the author's unique insight and reflections on the growing design industry in contemporary China.

Drawing from a rich body of archival documents, case studies and interviews, this book explores the ways in which graphic designers in China sought to establish graphic design as a profession and discipline from the 1980s to the present day. 

Yun Wang traces the impact of cultural, economic and social conditions on China’s developing design industry in a period of rapid transformation, focusing on Beijing, Guangzhou and Shenzhen as industry centres. From the influence of the newly implemented reform and opening up policy in 1978, to membership of the World Trade Organization in 2001, and international events such as the 2008 Beijing Olympics, Wang maps the increased demand for design talent and the evolution of a creative industry. This book provides a critical and extensively researched narrative of how graphic design developed locally and regionally, through practice, in education and within the publishing landscape, and pays particular attention to the ways in which designers in different cities in the People’s Republic of China intersected with international networks.

Including material from interviews with over 50 designers and other stakeholders, archival research into graphic work, design journals and exhibition catalogues, and 100 illustrations and photographs throughout, this book provides an in-depth exploration of graphic design developments in recent decades. It also features personal and institutional accounts, in addition to the author’s unique insight and reflections on the growing design industry in contemporary China.

Contemporary Chinese Graphic Design Practice

Ransom Note Sticker Book

Add feeling to your journal, collage or scrapbook with this collection of over 1000 expressive stickers. With over 1000 stickers conveying every possible emotion, this book is the perfect way to bring all the feels to your journal, collage or scrapbook. Packed full of memorable retro images from vintage sources, you can peel, stick, and capture any feeling more accurately than words ever could. From screaming, to laughing, crying and the ultimate eye roll, there's an image for every moment, memory or reaction. Skittledog Sticker Books are loved by junk journallers, collage artists and scrapbookers for their fun and imaginative range. Make sure to check out: The Ransom Note Sticker Book The Graffiti Alphabet Sticker Book Ye Olde Ransom Note Sticker Book. The Curious Collectables Sticker Book

A Sticker Book of Faces and Emotions!

All the Feels

With 30% new content and never-before-seen images, Michael Freeman brings his ground-breaking book, The Photographer's Eye, up to date with a fresh look and the latest developments in digital photography.

With 30% new content and never-before-seen images, Michael Freeman brings his ground-breaking book, The Photographer's Eye, up to date with a fresh look and the latest developments in digital photography.

Composition and Design for Better Photos

The Photographer's Eye (Definitive Edition)

Human–Computer Interaction Series

This book shows how HCI designers and practitioners can incorporate a somatic perspective or sensibility into interaction design. It demonstrates how experiential techniques can be used to support design and evaluation of user experience methods within HCI. Multiple examples are included using case studies to illustrate somatic approaches to the design of technology, contextualising the history of somatic methods within HCI and highlighting the relationships between user experiences and the application of somatic principles. The benefits and challenges of integrating somatic approaches in a technological context is illustrated and there is coverage of body-based somatic and somaesthetic strategies and how to apply these in research. The differences in epistemological assumptions are identified through contextual practice, discussion and case studies with a strong emphasis on multi-modal examples.

Experience as Skill: The Somatic Turn in Human-Computer Interaction

Fine Specimens

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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