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Dowd D: Reading Pictures

Reading Pictures

A History of Illustration

Routledge Interdisciplinary Perspectives on Literature

This book explores textual and visual representations of breast milk and breastfeeding across a range of literary and artistic genres, beginning with Classical mythology, moving through late-antique and medieval gynaecological texts on wet nursing, and ending with late-medieval hagiographical and mystical literature. It argues that, while the act of breastfeeding and the fluid of breast milk were often categorized as natural and nourishing, their meanings, uses and risks were also debated, problematized, and used to serve specific cultural, political and textual purposes.

This book explores textual and visual representations of breast milk and breastfeeding across a range of literary and artistic genres, beginning with Classical mythology, moving through late-antique and medieval gynaecological texts on wet nursing, and ending with late-medieval hagiographical and mystical literature. It argues that, while the act of breastfeeding and the fluid of breast milk were often categorized as natural and nourishing, their meanings, uses and risks were also debated, problematized, and used to serve specific cultural, political and textual purposes.This volume traces how representations of breast milk were shaped by the shifting projects specific to particular textual and artistic genres, historical and cultural movements, and opinions, fears and desires about the female body, the role of women, and infancy. In this sense, it focuses on the semantic flexibility of breast milk by illustrating the variety of messages it was used to articulate. More broadly, the author explores common metaphors and fantasies about breast milk that coalesce from this broad inquiry – in particular, the construction of the female body as the container of a vacillating economy of fluids of great significance. Although Greco-Roman and medieval representations of breast milk prove this significance to be complex and often contradictory, the notion that this female body fluid had the power to effect profound changes – both psychological and physical – among those who provided it, consumed it, or even witnessed its exchange attests to its enduring value as a material and symbolic medium. This book will contribute significantly to women’s and gender studies and to the history of the body. It will also benefit students and scholars specializing in mythology, the history of medicine, the representation of women in classical and medieval art, early-Christian and medieval hagiography, medieval mysticism, and Marian studies.

From Greco-Roman Myth to Medieval Mysticism

The History and Culture of Breast Milk

A Process Roadmap for Distinctive Products and Services

Differentiation by Design

Rethinking Art's Histories

Psychoanalysis, Politics and the Art of French Feminism

Counterpractice

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ludwig Heinrich Heydenreich und die Kunstgeschichte in Hamburg 1925-1928

Studieren bei Warburg und Panofsky

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Can qualitative ideas of place be adequately encompassed by the quantitative methods of digital and parametric design? This wide-ranging and multi-faceted book explores how designers and architects capture the deeper qualities of place though their practice. It provides a rigorous exploration of the nature of place and its role in design in parallel with a detailed analysis of the nature of parametricism. Parametric design aims to encompass all design criteria and values relating to how a building might be experienced by using algorithmic processes and computational technology. By inputting particular parameters, all elements could be reflected in the resulting design. Drawing on ideas and approaches from diverse, disciplinary perspectives, essays in this book argue for greater attentiveness to place in contemporary design practice, and consider the potential of parametric techniques to enhance the engagement with place in design contexts. Considering place beyond the designer's touch, chapters explore other creative disciplines such as literature, art and music, seeking commonalities across the realm of imaginative endeavour in the creation of a tangible sense of place, environment and experience. Authors also discuss notions of atmosphere and interiority, and consider the potential to extend beyond the bounded internality of architectural spaces and examine interiority through ecological systems, identity and urbanism. The book also explores ideas of home-making through various narrative, spatial, material and digital forms and the possibilities of parametric methods. By decentring existing anthropocentric understandings of place that privilege human perspectives, authors also consider other living perspectives and how design can support more-than-human places of the future.

Can qualitative ideas of place be adequately encompassed by the quantitative methods of digital and parametric design? This wide-ranging and multi-faceted book explores how designers and architects capture the deeper qualities of place though their practice. It provides a rigorous exploration of the nature of place and its role in design in parallel with a detailed analysis of the nature of parametricism. Parametric design aims to encompass all design criteria and values relating to how a building might be experienced by using algorithmic processes and computational technology. By inputting particular parameters, all elements could be reflected in the resulting design. Drawing on ideas and approaches from diverse, disciplinary perspectives, essays in this book argue for greater attentiveness to place in contemporary design practice, and consider the potential of parametric techniques to enhance the engagement with place in design contexts. Considering place beyond the designer’s touch, chapters explore other creative disciplines such as literature, art and music, seeking commonalities across the realm of imaginative endeavour in the creation of a tangible sense of place, environment and experience. Authors also discuss notions of atmosphere and interiority, and consider the potential to extend beyond the bounded internality of architectural spaces and examine interiority through ecological systems, identity and urbanism. The book also explores ideas of home-making through various narrative, spatial, material and digital forms and the possibilities of parametric methods. By decentring existing anthropocentric understandings of place that privilege human perspectives, authors also consider other living perspectives and how design can support more-than-human places of the future.

Critical, Archival and Digital Approaches to Contemporary Design

Place and Parametricism

This engaging and important book is a must-read for the design professionals, educators and policy-makers who will be instrumental in imagining and implementing the new techniques, capabilities and resources required to take design forward for the next fifteen years.

This engaging and important book is a must-read for the design professionals, educators and policy-makers who will be instrumental in imagining and implementing the new techniques, capabilities and resources required to take design forward for the next fifteen years.

Changing the World by Design

The New Design Agenda

This is the hotly anticipated debut art book from renowned illustrator and comic artist, Ramón Nunez. With years of extensive experience working in the comic, animation, and video-game industries, Ramon has carved out a unique artistic style and earned himself a reputation for creating captivating visual concepts and character art. His previous clients include top production companies including Riot Games, Sony Pictures Animation, and Dreamworks, and he has built a following of 609K fans on Instagram.In this book, he offers an insight to his world of art, where he likes to portray characters doing everyday activities in everyday places, such as eating at home or riding the subway. He has built a relatability in his art that appeals to fans, as they see themselves in his work. That said, he isn't afraid to introduce a bizarre situation or something unexpected to push the viewers' imagination!The book will feature personal details about Ramón's early life, education, and career, as well as step-by-step tutorials for readers to learn from his incredible style and skills. For long-standing fans or those newly discovering his artwork, Ramón's art book will be one that our audiences jump to own.

The Art of RamonN90: Life in Every Sketch

Matters of the Image introduces a new framework for thinking about digital images.

Matters of the Image introduces a new framework for thinking about digital images.

Designing Digital Images with Materiality, Energy, and Living Matter

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Reading Pictures

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Bibliografische Angaben

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