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Mabuse M: Finding My Own Rhythm / B

Finding My Own Rhythm

My Story

Let Go of Toxic Bonds and Build Healthy Ones

The One Who Broke You Can't Heal You

An illuminating exploration of fashion philosophy told by the brilliant Alessandro Michele, Creative Director of Gucci, and Emanuele Coccia, one of the most distinguished contemporary philosophers.

An illuminating exploration of fashion philosophy told by the brilliant Alessandro Michele, Creative Director of Gucci, and Emanuele Coccia, one of the most distinguished contemporary philosophers.

Untitled

A Life in Music

To Be Or Not To Be

The Death of Stalin

Master the Art of Starting Over and Change Your Life

Restart

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

The Definitive Biography

Sir Lewis

An Unorthodox Guide to Making Things Worth Making - The New York Times bestseller

Build

Rewriting the story of New Labour, Glen O'Hara challenges the prevailing narrative to present a more balanced and positive assessment. New Labour, new Britain? is the first book to examine both the intentions behind New Labour's domestic policies and their real-world effects, moving beyond the entrenched left-right debates that have dominated the party's legacy. The period from 1997 to 2007 marked a pivotal moment in modern British history, as New Labour sought to reshape Britain into a more cohesive and forward-thinking society. It saw the rise of socially liberal attitudes and flourishing public services under a government committed to rebuilding and investing in them. Yet New Labour's track record was far from flawless and its legacy remains complicated and contested. Through interviews with key players and rigorous archival research, O'Hara offers a new perspective on Tony Blair's years in power. Painting a fuller picture of New Labour's successes and challenges, he highlights its lasting impact on Britain and offers a thoughtful reassessment of its place in history.

How the Blair Governments Reshaped the Country

New Labour, New Britain?

In the aftermath of WWII Australia undertook a number of war crime trials, and yet despite detailed records about Japanese military sexual slavery during the New Guinea Campaign, 'enforced prostitution' was not among the crimes prosecuted. This book asks why, when enforced prostitution was listed as a war crime, and both Australian and civilian authorities had reported the Japanese 'comfort women' scheme of military sexual slavery, its perpetrators were never called to justice. Bringing unpublished evidence to light, and employing both English and Japanese archival sources, this book describes the nature and extent of the trafficking and sexual slavery of women in the Pacific theatre of war, and connects it to sexual exploitation and violence in post-war Japan, Korea, Vietnam, Afghanistan and Australia. Highlighting the ways in which cultural assumptions about Asian women influenced the perception and treatment of the so-called 'comfort women' by Australians, it argues that this prevented the prosecution of perpetrators for war crimes, and contends that these cultural assumptions have continued to influence the business, and tolerance, of sexual slavery in Australia today.

In the aftermath of WWII Australia undertook a number of war crime trials, and yet despite detailed records about Japanese military sexual slavery during the New Guinea Campaign, ‘enforced prostitution’ was not among the crimes prosecuted. This book asks why, when enforced prostitution was listed as a war crime, and both Australian and civilian authorities had reported the Japanese ‘comfort women’ scheme of military sexual slavery, its perpetrators were never called to justice. Bringing unpublished evidence to light, and employing both English and Japanese archival sources, this book describes the nature and extent of the trafficking and sexual slavery of women in the Pacific theatre of war, and connects it to sexual exploitation and violence in post-war Japan, Korea, Vietnam, Afghanistan and Australia. Highlighting the ways in which cultural assumptions about Asian women influenced the perception and treatment of the so-called ‘comfort women’ by Australians, it argues that this prevented the prosecution of perpetrators for war crimes, and contends that these cultural assumptions have continued to influence the business, and tolerance, of sexual slavery in Australia today.

Enforced Prostitution in the New Guinea Campaign, 1942-1945

Australia and the Comfort Women

Finding and losing yourself and accepting that it will happen again

Nobody Knows Me Worse Than I Do

For fans of Ben Macintyre, the gripping story of the assassination of Soviet revolutionary Leon Trotsky and the deadly game of cat and mouse that preceded it On August 20, 1940, Leon Trotsky invited a man he knew only as Jacques Mornard into his study. Mornard waited for Trotsky to sit, then smashed an ice pick he had hidden in his raincoat into his skull. &nbsp; For over a decade, Trotsky’s greatest enemy, Joseph Stalin, had been trying to arrange his murder. His agents had hunted him across Europe and into a lonely, bitter exile in Mexico. He had liquidated Trotsky’s family and friends, and yet Trotsky had always escaped his clutches. The man who changed this all was Ramón Mercader, a minor Spanish aristocrat and Soviet agent who had posed as Mornard, a dissolute Belgian playboy, and infiltrated Trotsky’s inner circle.&nbsp; In The Death of Trotsky, Josh Ireland traces the separate paths walked by each of these protagonists as they steadily draw closer and closer to that fateful encounter on August 20. Blending intimate historical detail and thrilling historical narrative, swinging from Moscow to Paris to Mexico, and taking in a cast of morally conflicted Russian spies, fanatical Mexican painters, and innocent American idealists, The Death of Trotsky delves into the lives of two fascinating, complex men locked in a life-or-death struggle that will bend the course of history.

The True Story of the Plot to Kill Stalin's Greatest Enemy

The Death of Trotsky

Finding My Own Rhythm

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Bibliografische Angaben

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