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Enander J: Facing Infinity

Facing Infinity

Black Holes and Our Place on Earth

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or 'othered' body and thinking through 'medieval things': such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference. This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor's area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or ’othered’ body and thinking through ’medieval things’: such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference.   This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor’s area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The Ashgate Research Companion to Medieval Disability Studies

The Politics of Test-Bed Urbanism

Smart as a City

Routledge Studies in the History of Science, Technology and Medicine

A century ago, the greatest pandemic since the Black Death engulfed the world. From spring 1918, a deadly form of influenza rapidly developed and struck hundreds of millions of people. By spring 1919, it had left 50 million dead. This book charts the enduring legacies of that cataclysmic year and tells the story of what happened after 1918. Not only did the pandemic haunt the individual and collective memories of survivors, it became a touchstone for generations tasked with protecting the health of nations and the international community.

A century ago, the greatest pandemic since the Black Death engulfed the world. From spring 1918, a deadly form of influenza rapidly developed and struck hundreds of millions of people. By spring 1919, it had left 50 million dead. This book charts the enduring legacies of that cataclysmic year and tells the story of what happened after 1918. Not only did the pandemic haunt the individual and collective memories of survivors, it became a touchstone for generations tasked with protecting the health of nations and the international community.

One Hundred Years of Pandemic Influenza

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

The Untold Story of Intoxicants and the Biological Subject in Nineteenth-Century Germany

Intoxicated Ways of Knowing

Examining French ideological novels, Louise Lyle charts the development of French hostility towards social Darwinism during the fin de siècle. Lyle argues that the antagonism of a wide range of authors from diverse literary schools was a consequence of and a response to historically specific insecurities relative to the state of the French nation. Grounded in the cultural history of biology, Lyle's study is an important contribution to literature and the history of science.

Examining French ideological novels, Louise Lyle charts the development and motivation of French hostility towards social Darwinism during the fin de siècle. Lyle argues that the antagonism of authors from diverse literary schools was a consequence of and a response to historically specific insecurities relative to the state of the French nation. She analyzes works by Emile Zola, foremost among the literary naturalists and an exponent of 'scientific republicanism'; right-wing reactionaries Maurice Barrès and Paul Bourget; anarchist sympathiser Octave Mirbeau; pro-natalists and commentators on women's issues, Colette Yver and Marcel Prévost; and anti-Anglo-Saxonists, including Gustave Le Rouge, le Capitaine Danrit, and J.-H. Rosny. Lyle also investigates the legacy of the incorporation of social Darwinism by these authors in the work of post-World War II writers Vercors and Romain Gary and in contemporary fiction by Michel Houellebecq and Maurice Dantec. Grounded in the cultural history of biology, particularly in France, Lyle's study is an important contribution to literature and the history of science.

Social Darwinism in the French Ideological Novel

The first annotated edition of the book that shocked the Victorian world and continues to generate controversy todayWhen Charles Darwin's The Descent of Man was published in 1871, the book was an immediate sensation. It presents Darwin's account of how we evolved from primates and expounds his theory of sexual selection, which he believed accounted for human origins and diversity. James Costa and Elizabeth Yale bring Darwin's Descent to new life in this authoritative annotated edition, shedding light on the cultural context in which the legendary naturalist developed his ideas and exploring how subsequent generations of scientists, scholars, and social reformers adapted them. Informative and in-depth commentaries accompany the text of The Descent of Man, enabling readers to engage with Darwin's ideas and contextualize them in light of our current understanding of human evolution and sexual selection. Costa and Yale show how Darwin's antislavery commitments and his beliefs in European superiority shaped his account of the evolution of human difference, and examine how Victorian beliefs about gender informed the development of his theory of sexual selection. They explain where Darwin's arguments about the origins of human differences line up with modern science-and where they don't. Spanning the boundaries of history and science, this fully annotated edition illuminates the rich cultural and scientific contexts underpinning Darwin's ideas and introduces his landmark book to a new generation of readers.

An Annotated Edition of Darwin’s Classic Work

The Descent of Man

Software Studies

On Software and Sovereignty

The Stack, 10th Anniversary Edition

Wind Energy: Societal and Human Impacts presents the theoretical basis for the various impacts of wind turbines on humans. These impacts include noise (in the audible, low-frequency, and infrasound ranges), visual effects (shadow flicker and light reflections), electromagnetic fields, vibrations and oscillations from wind turbines.

Wind Energy: Societal and Human Impacts

How We Entertained Ourselves Into a State of Emergency

Screen People

"Sails and Shadows is the first account of Portuguese voyaging ever to incorporate data and insights from modern sciences as well as from aged texts. Based on an impressive engagement with original sources in multiple European languages, it should stand (for a very long time) as the definitive English-language account of its subject, which is an important one for world history, maritime history, and European history."--J. R. McNeill, author of Mosquito Empires "Patricia Seed has produced an outstanding and truly original account of early Portuguese seaborne exploration down the west coast of Africa and to India. The book's great innovation is its deep and learned engagement with the growing field of climate history, which contextualizes Portuguese navigation, colonization, and settlement."--Jerry Brotton, author of Four Points of the Compass: The Unexpected History of Direction

How the Portuguese Opened the Atlantic and Launched the Slave Trade

Sails and Shadows

Heart of Science

Facing Infinity

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