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Currier J: Ethics, Information, and
Technology

Ethics, Information, and Technology

Information Policy

On the genesis of digital authoritarianism in the Russian Internet space, from peace to war. How did the authoritarian dynamic that is currently plaguing the Russian Internet (Runet) come to be in a digital space that was initially free? Digital Authoritarianism in the Making seeks to provide insight into the policies regulating the Runet, re-situating them within their historical context starting in the early 2010s and ending with the start of the full-scale war against Ukraine in February 2022. It offers a political sociology of the Russian digital space, looking at the actors who have sought to occupy it: access providers, developers, journalists, activists, web professionals, and mobilized citizens. Informed by five years of original fieldwork, the book explores online resistance and lesser-known social and technical practices used to circumvent constraints. While the Runet's shift towards authoritarianism is specific to Russia, this model is also expanding in all the regions where Moscow is extending its influence. This book is a must read for all those who pay attention to the coercive uses of the Internet, in Russia and beyond.

Repression and Resistance on the Russian Internet

Digital Authoritarianism in the Making

A Practical Guide to Advocacy, Marketing and Promotion

Championing Your School Library

Building Solidarity During This Crisis (and the Next)

Mutual Aid

A Guide for Librarians, Teachers, and Readers

Classic Fairy Tales and Modern Retellings

History, Ideas, Applications

Information Science

Global Challenges, Local Politics and Strategy Development

The Strategic Positioning of Academic Libraries

New Approaches to Sound, Music, and Media

"This cross-disciplinary collection provides the first comprehensive study of library music practices in the 1960s and 1970s. Library music was inexpensive, off-the-shelf music available to license for a small fee. It was widely used in television and film as a cheaper alternative to commissioned soundtracks. This book addresses questions about creativity, authorship and agency: How and in what conditions were library music tracks written, recorded and disseminated? Why has anonymity traditionally been such an important aspect of library music? How can we interpret the contemporary revival of library music and the phono-archaeological practices of collectors, reissue record labels, musicians and DJs?"--

This cross-disciplinary collection provides the first comprehensive study of library music practices in the 1960s and 1970s. 
 
 Library music was inexpensive, off-the-shelf music available to license for a small fee. It was widely used in television and film as a cheaper alternative to commissioned soundtracks. The book pays attention to the different individuals, groups, organisations and institutions involved in making library music, as well as to its transnational sites of production (from continental recording studios to regional cutting rooms). It addresses questions of distributed creativity, collective authorship, and agency. 

 Combining empirical and theoretical research, the book unveils the modus operandi of a highly secretive yet enduringly significant cultural industry. By drawing attention to the cultural ubiquity and intersectionality of library music, the collection also shifts emphasis from individual film and TV composers to the invisible community of music publishers, writers, and session musicians. It argues that the latter were collectively responsible for fashioning much of the sonic identity of 1960s and 1970s film and television. As well as providing a nuanced understanding of historical library music cultures, the collection shows how they continue to inform contemporary audiovisual cultures.

Library Music and Screen Cultures in the 1960s and 1970s

Anonymous Sounds

Charting the Discipline

The Information Literacy Handbook

A Practical Guide

PhD Thesis by Publication in Social Science Research

The Children’s Literature Selection Handbook, K–8

Learn how to take an apolitical, unbiased stance to support students as they pursue research, literature connections, maker activities, and civic engagement projects in their communities, nationally, and globally.

This book outlines school and public library programs, activities, and collaborative projects that will help students learn how to accomplish their goals in their communities. Highlighting the role of the librarian in fostering critical thinking and problem-solving skills, the book explores controversial topics to qualify and expand best practices.

By incorporating the programs in the book, librarians can help students learn how to have reasoned arguments inside and outside of the classroom and to become responsible members of society. UN Sustainable Development Goals are addressed, making this book not only based in community but global in scope. Numerous examples of youth activism from volunteering to protest marches are explained and are broad enough to be applied not only to current trends but also to future causes.

Cultivating Change Makers

Youth Social Action in the Library

Beyond the BBFC explores local film censorship activity across Britain and Northern Ireland, from the earliest days of cinema to the rise of home video in the 1980s. This study delves into the diverse and often idiosyncratic systems used to regulate film at the local level, highlighting the motivations and mechanisms behind these efforts. Drawing on archival material from regions including Aberdeen, Bexhill, Belfast, Wakefield and Cheltenham as well as across Wiltshire, Gloucestershire, Somerset, Cornwall, Glamorgan and Berkshire, the book uncovers the wide variation in censorship practices. Local approaches ranged from independently appointed censors to committees who provided stringent scrutiny of all contentious titles. It charts how thesedifferent interventions operated, the reasons they endured or why they came to an abrupt end. Placing local censorship within the broader context of national bodies like the British Board of Film Classification (BBFC), the Home Office, the Greater London Council, and The Public Morality Council, the book reveals how place and context uniquely shaped censorship practices. This detailed, historical exploration provides new insights into British local film censorship and how it contributed to debates about film and cinema taking place across the 20th century.

Local and Regional Film Censorship in the Uk

Beyond the Bbfc

Ethics, Information, and Technology

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