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Currier J: Ethics, Information, and
Technology

Ethics, Information, and Technology

Five Factors That Improve Employee Engagement and Satisfaction

Creating Healthy Library Workplaces

A media scholar&nbsp;critically examines how US establishment media ran interference for Israel’s genocide in Gaza, with reporting that called the Flour Massacre “aid-related deaths,” and the Tent Massacre a “tragic mistake.” Over eight months, media coverage aligned with Israeli military narratives, condoning Israeli war crimes and the massacres of Palestinians as the world responded in outrage.
The Complicit Lens&nbsp;scrutinizes US media's portrayal of Israel’s war on Gaza post-October 7, 2023 Hamas attacks, contrasting it with social media reports and international news coverage. It reveals how reporting mystified Israeli bombings, used passive language to deflect blame, and repeated Israeli talking points. The analysis identifies consistent war tropes and atrocity propaganda—beheaded babies and mass rape—used to justify Israeli actions and obscure culpability.&nbsp;Israeli violence was presented as defensive and justified, either by the October 7 attacks, or by claims that Israel was targeting Hamas fighters and commanders not civilians. Later reporting included false claims that war crimes and massacres were mistakes or accidents.
The book&nbsp;documents the targeted killings of journalists and aid workers, underreported in US media, and critiques the editorial censorship that avoided terms like "genocide" and "massacre" for Palestinian deaths. As global protests against the Gaza genocide rose, the book also analyzes the biased media portrayal of these uprisings, particularly those led by young people and Jewish organizations. Examining specific incidents and language, the book exposes how media coverage facilitated the ongoing genocide in Gaza.&nbsp;

US Media Coverage of Israel's Genocide in Gaza

The Complicit Lens

Libraries and Social Justice

Libraries and Care-experienced Children and Young People

Art, Culture, and Education

Neoliberalism and Free Speech

Beyond the BBFC explores local film censorship activity across Britain and Northern Ireland, from the earliest days of cinema to the rise of home video in the 1980s. This study delves into the diverse and often idiosyncratic systems used to regulate film at the local level, highlighting the motivations and mechanisms behind these efforts. Drawing on archival material from regions including Aberdeen, Bexhill, Belfast, Wakefield and Cheltenham as well as across Wiltshire, Gloucestershire, Somerset, Cornwall, Glamorgan and Berkshire, the book uncovers the wide variation in censorship practices. Local approaches ranged from independently appointed censors to committees who provided stringent scrutiny of all contentious titles. It charts how thesedifferent interventions operated, the reasons they endured or why they came to an abrupt end. Placing local censorship within the broader context of national bodies like the British Board of Film Classification (BBFC), the Home Office, the Greater London Council, and The Public Morality Council, the book reveals how place and context uniquely shaped censorship practices. This detailed, historical exploration provides new insights into British local film censorship and how it contributed to debates about film and cinema taking place across the 20th century.

Local and Regional Film Censorship in the Uk

Beyond the Bbfc

A Practical Guide

Activities for Evidence-Based Practice in Healthcare

The School and Youth Librarians’ Intellectual Freedom Toolkit

Protecting Children’s Information Access

School Libraries at the Heart of Learning, Connection, and Belonging

A Sense of Place

Decolonizing the Public Library

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

The Message

Medical Library Association Books Series

Understanding the Grant Process from Start to Finish

The Librarian's Grants Handbook

Ethics, Information, and Technology

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