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Stuart Blaney: Equality and Freedom in
Rancière and Foucault

Equality and Freedom in Rancière and Foucault

American Philosophy Series

John William Miller and Other Navigators of the Critical Turn in American Philosophy

The Reinvention of Idealism

Two Images and the Philosophy in Between

Wilfrid Sellars's Metaphilosophy

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

Gao Pian's Trials of Allegiance

The Fall of the Tang

Philosophy of the History of Philosophy

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

New Kierkegaard Research

The Faith to Be

Kierkegaard's Ontology

A Semantic Account of Perception

Existence and Illusion

'Unforgettable'SUNDAY TIMES'Courageous'OBSERVER'One of the most important books to be published in years' SARA COLLINS'There are few writers with Li's power'DOUGLAS STUARTThe best book I have read this year' DAVID NICHOLLS'I will return to it for the rest of my life' CHARLOTTE WOODA remarkable, defiant work of radical acceptance from acclaimed Pulitzer Prize finalist Yiyun Li as she considers the loss of her son James.'There is no good way to say this,' Yiyun Li writes at the beginning of this book.'There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.'There is no good way to say this - because words fall short. It takes only an instant for death to become fact, 'a single point in a timeline'. Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving. As Li writes, 'The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.' Things in Nature Merely Grow is a testament to Li's indomitable spirit.As seen in the New Yorker, Vanity Fair, LA Times, TIME, and the Paris Review.'To state that this courageous book is a testament to love is an understatement. One is left altered by it'OBSERVER'A story of loss that is unlike any other book I've read ... an unforgettable monument to endurance'SUNDAY TIMES'Resolutely unsentimental, and yet it might wind you with its emotional force'GUARDIAN'A memoir unlike others, strange and profound and fiercely determined not to look away'NEW YORK TIMES'An extraordinary book' SARAH MOSS'A manifesto of living, not dying, and of how we endure the most unimaginable things' SINÉAD GLEESON, in THE WEEK'A profound look at how a parent continues to live in a world without her children'TIME'A book unlike any I've read, that brims with rare clarity and intelligence, with love and care. It will stay with me for a long time' CECILE PIN

Things in Nature Merely Grow

Postphenomenology and the Philosophy of Technology

An Arendtian Approach to Political Philosophy of Technology

Technopolitical Mediation

New Critical Humanities

Engaging with the concept of contestation, this collection highlights tensions that emerge from various modes of contestation and outlines a negative ideal theory of contestation in relation to politics.

Refusal, Disobedience, Resistance, Decolonization

Philosophizing Contestation

State-Society Relations and Patterns of Chinese Politics

Politics of Legitimacy

Equality and Freedom in Rancière and Foucault

Weitere Titel zum Thema