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English for the Financial Sector

MacKenzie I: English for the Financial
Sector English for the Financial Sector

English for the Financial Sector Teacher's Book

Providing at least 50 hours of classroom material, this course builds financial language and teaches students about key financial concepts. English for the Financial Sector also focuses on the communication skills necessary for working effectively within the industry. It covers a wide range of financial topics, including retail and investment banking, accounting, trade finance, and mergers and acquisitions. A Student's Book and Teacher's Book are also available.

English for the Financial Sector helps learners to prepare for a career in finance and enables those already working in the industry to improve their financial English.

English for the Financial Sector Audio CD

Big Cat Read On

Title 3 02/26

Title 5 02/26

Christopher Isherwood Inside Out

Small Boats and Sea Spray

Afloat

Examining the rise of Irish crime novels in the twenty-first century, Maureen Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O'Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Although several Irish writers produced crime novels before 2000, most of these books were set outside Ireland and brought out by non-Irish publishing houses. This situation changed radically in the early years of the twenty-first century when numerous novels and series set in Ireland and written by Irish authors were published and began generating strong sales at home and abroad. Maureen Reddy examines this phenomenon, analyzing the conditions that gave rise to it and the commonalities among the novels. Reddy places what she calls Hibernian Noir in the context of the social and economic conditions in Ireland from 1998 to 2012 and relates that period to the post-World War I United States that gave rise to hardboiled detective fiction. As Reddy shows, Irish hardboiled fiction participates in the genre’s tradition of placing previously marginalized individuals in positions of narrative authority. At the same time, Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O’Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Contesting Irishness in Crime Fiction

Noir and the Irish Nation

War and Belonging in Auden’s England

The Island

Title 6 02/26

Rochester and the pursuit of pleasure, the fourth full-length study of Rochester's work since David Vieth's pioneering edition of The Compete Poems (1968), is the first to bring together a reading of John Wilmot's poetry, dramatic works, and letters. The book provides a reading of Rochester's work in a biographical context. Though a biographical interpretation is fraught with risks, theoretically and in terms of the surviving literary and biographical material, in doing so, Carver shows the role that biography plays in interpreting Rochester's work and illuminates a central problem in Rochester criticism: the relationship of poet to his speakers. This in turn reveals that Rochester's works cluster about a central theme - the pursuit of pleasure - a complex process in which many of Rochester's mid-seventeenth century contemporaries were engaged. No longer sure under the old dispensation of their duties - familial, political, religious, or artistic - they sought new grounds for their motivations. For Rochester this pursuit of pleasure has its roots in Christianity. Rochester's work reflects his Christian and God-fearing upbringing and provides evidence of an excessive preoccupation with, and, at the end of his life, acceptance of Christianity. As the various speakers and Rochester himself pursue pleasure by courting king, wife, mistresses, and the craft of writing, they in humorous, perverse, and even criminal ways court God.

Rochester and the Pursuit of Pleasure

This story is part of Reading Champion, a series carefully linked to book bands for children starting to read independently

English for the Financial Sector Teacher's Book

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Bibliografische Angaben

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