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Mariana Matamoros Cárdenas

Julián Andrés Villamil Sánchez

El círculo vicioso entre desigualdad y vulnerabilidad al cambio climático en Colombia

An Independent, Financial Times, and Irish Times Book of the Year! A couple's search for a rural paradise on the Caribbean coast takes a sinister turn in this darkly ironic modern classic. When J. and Elena swap the parties and culture of the city for a simpler life on Colombia's remote Caribbean coast, they expect to find an Eden to call their own. Their plan is to lead the good life, self-sufficient and close to nature. But from the very start, each day brings small defeats and imperceptible dramas, which gradually turn paradise into hell... A satire of hippyism, ecological fantasies, and of the very idea that man can control fate, In the Beginning Was the Sea is a searingly ironic account of man's confrontation with nature and with himself. In amongst the mango groves, the young couple's surroundings inexorably claim back every inch of the 'civilisation' they brought with them, leaving them to question how they will survive in this new environment when they themselves remain unchanged. And, as their relationship breaks down--and the horror unfolds--who can they count on if not each other? Based on a true story, In the Beginning Was the Sea is a menacing, darkly funny tale of human weakness, the terrifying power of nature, and what happens when our dreams meet their fateful reality.

In the Beginning Was the Sea

The Times best thrillers for April 2026'A propulsive thriller' Irish Independent 'A tense, fast-paced thriller about moral compromise' i PAPER 'Tom Bradby has created a magnificent woman in Dr Laura Strong. [A] powerfully entertaining novel' Literary ReviewLife for Dr Laura Strong shouldn't be this hard. Nights working thankless A&amp;E shifts. A much-loved disabled brother to look after. Loan sharks at her door. She needs a miracle to stop her life collapsing around her.The arrival of South American coffee magnate Rafael Fernandez appears to be the answer to her prayers. A devoted father with a sick son requiring a 24/7 care, he is prepared to pay any price for expertise he can trust.But if something appears to be too good to be true, then it probably is. Behind the façade of Rafa's gilded existence lies a dark family history which he has been doing his best to avoid - until the death of his estranged father brings it crashing back into his - and Laura's - world.What had at first seemed to be a remarkable escape from an impossible situation now threatens to destroy everything Laura cares about. Friendless and far from home, she must rely on her own instincts to find a way out of this terrifying new landscape. Sometimes it's easier to trust the devil you know...

Red Scorpion

Sandra Cristina Riascos

Álvaro Enríquez Martínez

Oscar Martin Rosero Sarasty

Oscar Martin Rosero Ecoe Ediciones

Condiciones, dimensiones y modelos de éxito

Gestión del conocimiento en empresas

Cambridge Studies in Law and Society

This book examines the Colombian experiment with robust rights protections and traces how those rights came to be meaningful in citizens' everyday lives, allowing them to claim access to goods like healthcare. It develops a novel approach to legal mobilization that is both relational and interactive.

This book examines the Colombian experiment with robust rights protections and traces how those rights came to be meaningful in citizens' everyday lives, allowing them to claim access to goods like healthcare. It develops a novel approach to legal mobilization that is both relational and interactive.

Embedding Social Rights Through Legal Mobilization

The Social Constitution

Aus der Reihe: e-fellows.net stipendiaten-wissen

A market analysis of the opportunities, requisites, and challenges of the municipal green bonds market in Colombia

Should Colombian Cities Issue Green Bonds?

Juan José Ramos

Reflexiones para emprepymes

Juan Pablo Gallego

Notas en defensa del Estado de derecho

Justicia en arenas movedizas

NATIONAL BESTSELLER • A coming-of-age comedy. A telenovela-worthy drama. A moving family saga. All in a phone call you won’t want to hang up on. “A portrait of love, heartache, and hilarity that transcends its medium.”—Elle “Brilliant . . . Melissa Mogollon did not come to play.”—Kiley Reid, New York Times bestselling author of Such a Fun Age LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE This Random House Book Club edition includes an author’s note, a playlist, and a discussion guide. “Yes, hi, Mari. It’s me. I’m over my tantrum now and calling you back . . . But first—you have to promise that you won’t tell Mom or Abue any of this. Okay? They’ll set the house on fire if they find out . . .” Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate. Abue is so one-of-a-kind she’s basically in her own universe, and while she often drives Luciana nuts, they’re the only ones who truly understand each other. So when Abue, normally glamorous and full of life, receives a shocking medical diagnosis during the storm, Luciana’s world is upended. When Abue moves into Luciana’s bedroom, their complicated bond intensifies. Luciana would rather be skating or sneaking out to meet girls, but Abue’s wild demands and unpredictable antics are a welcome distraction for Luciana from her misguided mother, absent sister, and uncertain future. Forced to step into the role of caretaker, translator, and keeper of the devastating family secrets that Abue begins to share, Luciana suddenly finds herself center stage, facing down adulthood—and rising to the occasion. As Luciana chronicles the events of her disrupted senior year of high school over the phone to Mari, Oye unfolds like the most fascinating and entertaining conversation you’ve ever eavesdropped on: a rollicking, heartfelt, and utterly unique novel that celebrates the beauty revealed and resilience required when rewriting your own story.

NATIONAL BESTSELLER • A coming-of-age comedy. A telenovela-worthy drama. A moving family saga. All in a phone call you won’t want to hang up on. “A portrait of love, heartache, and hilarity that transcends its medium.”—Elle “Brilliant . . . Melissa Mogollon did not come to play.”—Kiley Reid, New York Times bestselling author of Such a Fun Age LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE This Random House Book Club edition includes an author’s note, a playlist, and a discussion guide. “Yes, hi, Mari. It’s me. I’m over my tantrum now and calling you back . . . But first—you have to promise that you won’t tell Mom or Abue any of this. Okay? They’ll set the house on fire if they find out . . .” Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate. Abue is so one-of-a-kind she’s basically in her own universe, and while she often drives Luciana nuts, they’re the only ones who truly understand each other. So when Abue, normally glamorous and full of life, receives a shocking medical diagnosis during the storm, Luciana’s world is upended. When Abue moves into Luciana’s bedroom, their complicated bond intensifies. Luciana would rather be skating or sneaking out to meet girls, but Abue’s wild demands and unpredictable antics are a welcome distraction for Luciana from her misguided mother, absent sister, and uncertain future. Forced to step into the role of caretaker, translator, and keeper of the devastating family secrets that Abue begins to share, Luciana suddenly finds herself center stage, facing down adulthood—and rising to the occasion. As Luciana chronicles the events of her disrupted senior year of high school over the phone to Mari, Oye unfolds like the most fascinating and entertaining conversation you’ve ever eavesdropped on: a rollicking, heartfelt, and utterly unique novel that celebrates the beauty revealed and resilience required when rewriting your own story.

A Novel

Afrontar las crisis ambientales

La reciente popularización de la noción de Antropoceno tuvo la virtud de configurar un campo interdisciplinar de estudios
y discusiones orientado por el reconocimiento de la irreversibilidad de los efectos de la acción humana en el mundo,
enfatizando en el colapso ambiental planetario y el peligro de extinción de la vida sobre la tierra.
Inscribiéndose en él, con las lentes de la teoría y la filosofía política contemporáneas, y valiéndose de herramientas literarias, visuales, históricas y ficcionales, este ensayo parte del reconocimiento de la centralidad de la imbricación global
entre capitalismo y desarrollo técnico para la comprensión del presente, al tiempo que apuesta por un pensamiento relacional y trans-escalar. Así, recupera críticamente ciertas modulaciones del Antropoceno -Capitaloceno, Tecnoceno-trazando líneas de diálogo con nociones clave como poder, gubernamentalidades, deseo o algoritmos. Al mismo tiempo, explora creativamente sus contrapuntos conceptuales -Chtluceno, Negantropoceno, Terraformación-, como herramientas capaces de abonar una reconstrucción emancipatoria y post-antropocéntrica de la noción de sujeto, movimiento clave para estar a la altura de los desafíos del presente.

Trazas para afrontarlos con respons-habilidad

Antropoceno y desafíos (tecno)políticos

This elegantly designed publication explores Oscar Murillo’s ambitious reimagining of Monet through a contemporary lens. 
 What happens when the radical beauty of Claude Monet’s late paintings meets the political tensions of the present? Interdisciplinary artist Oscar Murillo explores that question in a sweeping body of work that reimagines perception, power, and place through the language of mark-making. At its core is surge (social cataracts)—a series of large-scale, visually arresting paintings that echo Monet’s Grainstacks, Houses of Parliament, and Water Lilies, while confronting the political dimension of seeing and not seeing by positing darkness as a space of speculation for a new reading of impressionism. These works appear alongside further paintings by Murillo as well as his long-running Frequencies project, created in collaboration with schoolchildren across the globe, and participatory pieces that extend his practice beyond the studio and into the public realm. The result is a layered meditation on visibility, landscape, and the politics of artistic labor—across borders and generations. Designed with a modern flair to reflect the energy and ambition of the project, the book includes full-bleed plates, striking installation photography, and images from community-based projects. Both a record of a major artistic undertaking and a reflection of Murillo’s socially engaged approach, it offers an immersive look at a practice that is as materially rich as it is conceptually urgent.

El círculo vicioso entre desigualdad y vulnerabilidad al cambio climático en Colombia

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