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Produkt vom BFSG ausgenommen: Hersteller ist Kleinstunternehmen

Javier Pittavino

El Bitcoin y el amor

Transkription ist ein smarter, witziger und wendiger Roman über uns und die Geräte, die unsere Gefühle, Erfahrungen und Beziehungen formatieren - und immer tiefer in das eingreifen, was wir für uns selbst halten.
Er reist an die US-amerikanische Ostküste, um das letzte Interview mit seinem neunzigjährigen Mentor Thomas zu führen, diesem überlebensgroßen Urgestein der Kunstszene, Vater seines besten College-Freundes. Vor dem Termin fällt ihm allerdings im Hotel das Smartphone ins Klo, und er kommt ohne Aufnahmegerät zum Interview. Was er aus Gründen, die ihm selbst nicht klar sind, nicht zugeben kann oder will. Daraus entwickelt sich eine turbulente Geschichte mit bizarren Folgen, das emotionale Drama - nicht nur - dreier Männer, die mit der Frage kämpfen, was es heißt, in dieser unseren wackeligen Wirklichkeit (was ist das eigentlich, Wirklichkeit?), ein guter Freund, ein guter Vater und überhaupt ein guter Mensch zu sein.

Transkription
 ist ein smarter, witziger und wendiger Roman über uns und die Geräte, die unsere Gefühle, Erfahrungen und Beziehungen formatieren – und immer tiefer in das eingreifen, was wir für uns selbst halten.
 
 Er reist an die US-amerikanische Ostküste, um das letzte Interview mit seinem neunzigjährigen Mentor Thomas zu führen, diesem überlebensgroßen Urgestein der Kunstszene, Vater seines besten College-Freundes. Vor dem Termin fällt ihm allerdings im Hotel das Smartphone ins Klo, und er kommt ohne Aufnahmegerät zum Interview. Was er aus Gründen, die ihm selbst nicht klar sind, nicht zugeben kann oder will.
 
 Daraus entwickelt sich eine turbulente Geschichte mit bizarren Folgen, das emotionale Drama – nicht nur – dreier Männer, die mit der Frage kämpfen, was es heißt, in dieser unseren wackeligen Wirklichkeit (was ist das eigentlich, 
 Wirklichkeit
 ?), ein guter Freund, ein guter Vater und überhaupt ein guter Mensch zu sein.

Roman | »Der beste Schriftsteller seiner Generation« The New York Times

Transkription

The first major account of this transformative period in the history of Great Britain Between 1990 and 2020, the United Kingdom experienced tension between unparalleled social change and a pragmatic political culture which sought continuity, compromise and gradualism. Thatcher’s legacy was slowly digested, Blair’s ‘New Labour’ thoroughly scrutinized and the decision was made after forty-seven years to leave the European Union. The UK’s long-established major institutions—monarchy, parliament and the union between England, Scotland, Wales and Northern Ireland—were sorely tested. Yesterday provides the first fully documented history of this pivotal time in Great Britain. Was the UK in decline? Brian Harrison points to Britain’s unsuccessful adventures in Iraq and Afghanistan and its relative economic decline, underfunded hospitals, sink schools, over-filled prisons and terrorism of both Irish and Islamic varieties. Yet there were successes. Harrison shows how the UK’s participatory institutions outmanoeuvred terrorism and precariously surmounted regional, intergenerational, ethnic and social-class tensions. This vibrant, creative society saw major improvements in time, place and recruitment for work, as well as growth and innovation in conservation, digitization, tourism, consumerism, sport and the arts. Some changes were revolutionary: in family life and relations between the generations, and in the ever-changing electronic media. And if religious observance was in decline, immigrants were introducing new faiths and even a revived religious fervour while attitudes to health and death were changing fast. A panoramic and wide-ranging analysis by a scholar at the height of his powers, Yesterday paints an evocative, richly textured portrait of a people who were shedding their complacency and insularity and bracing themselves to face a very different but promising future.

The United Kingdom from Thatcher to Covid

Yesterday

Literatur in der digitalen Gesellschaft

Literatur im Internet bedeutet oft Genrefizierung. Dabei werden Leser*innen mehr und mehr zu Nutzer*innen: Sie lesen, bewerten sowie empfehlen Bücher und schreiben eigene Geschichten in digitalen Netzwerkstrukturen - die selbst wiederum die Nutzer*innen 'lesen', indem sie Daten aufzeichnen und vorschlagen, welche Titel als nächstes ins Leseprofil passen. Wie nehmen Nutzer*innen und Fans Einfluss auf diese Prozesse? Wie können Sie ihre Interessen bewahren und Agenden durchsetzen? Und inwiefern sind sie dabei durch ihre Mitwirkung an der Durchsetzung neuartiger Konsumkulturen Formen von Ausbeutung ausgesetzt? Anke Dyes wirft anhand von Liebesromanen einen Blick auf digitale Kulturen des Lesens und analysiert die Interdependenzen zwischen Mensch und Algorithmus.

Literatur im Internet bedeutet oft Genrefizierung. Dabei werden Leser*innen mehr und mehr zu Nutzer*innen: Sie lesen, bewerten sowie empfehlen Bücher und schreiben eigene Geschichten in digitalen Netzwerkstrukturen – die selbst wiederum die Nutzer*innen »lesen«, indem sie Daten aufzeichnen und vorschlagen, welche Titel als nächstes ins Leseprofil passen. Wie nehmen Nutzer*innen und Fans Einfluss auf diese Prozesse? Wie können Sie ihre Interessen bewahren und Agenden durchsetzen? Und inwiefern sind sie dabei durch ihre Mitwirkung an der Durchsetzung neuartiger Konsumkulturen Formen von Ausbeutung ausgesetzt? Anke Dyes wirft anhand von Liebesromanen einen Blick auf digitale Kulturen des Lesens und analysiert die Interdependenzen zwischen Mensch und Algorithmus.

Die Entwicklung von der Leser*in zur Nutzer*in am Beispiel von Liebesgeschichten in digitalen Netzwerken

Multiple Minds One Body – Liebe und Identität als Metadaten

*SELECTED AS ONE OF APPLE'S BEST BOOKS FOR 2025**PEOPLE MAGAZINE FICTION BOOK OF THE WEEK*Funny, fierce and life-affirming, TABLE FOR ONE is a love letter to you. If in doubt, date yourself.***'It's funny, sharp ... All about championing self-love'DAILY MAIL'A fast-paced, funny and touching story about smart young women'ELIZABETH GILBERT'It's a fabulous read'RUTH JONES'Funny, warm yet galvanising'JENNIE GODFREY'Joyful and affirming, this is a dopamine hit of a book'CLAIRE DAVERLEY'A zippy, pleasurable read'PANDORA SYKES***Willow is having quite the yearOne moment she's checking off life's milestones - the steady partner, the successful career, the grown-up house - the next she isn't, questioning where it all went wrong.With her life transformed beyond recognition, and friends busy 'moving forwards', Willow has never felt more alone.But she's in good company.And when inspiration arrives from an unlikely place - opening Willow's eyes to a new way of living - she rekindles the most important relationship of all: the one with herself ...***PRAISE FOR EMMA GANNON:'Culturally relatable, powerful and funny!' 真真真真真'Fantastic and super relatable' 真真真真真'I felt like I was reading it as a reflection of my life'真真真真真'A lovely read with emotional and relatable themes throughout' 真真真真真'Comforting, funny, uplifting, emotional and ultimately just like a big hug in book form' 真真真真真'...a masterful look into the trap your Instagram feed can become. A satisfying story of personal growth' EVENING EXPRESS'Warm, charming and keenly observed, Table for One is a delicious read. Emma Gannon artfully captures the complexities that we face across our lives, all the while demonstrating the power of unlikely friendships to make them easier. I devoured it' ALICE VINCENT'Gannon is good on the confusing messiness of modern life - and the way women are bombarded with conflicting messages. But my favourite part is Willow's relationship with her Aunt Carla - deeply poignant and touching' NATASHA POLISZCZUK

Table for One

Director’s Cut Kitchen

<div>Immerse yourself in the wonderful world of Wes Anderson with 55+ recipes inspired by his films, characters, and signature aesthetic. In The Wes Anderson Cookbook—the debut title in the Director’s Cut Kitchen series—you’ll embark on a wondrous culinary adventure: an edible tribute to the charm, wit, and whimsy of filmmaker Wes Anderson’s inimitable creations, from his first film,&nbsp;Bottle Rocket, to his series of Netflix shorts, to his latest film, The Phoenician Scheme. While you can’t book a stay in one of the Grand Budapest Hotel’s timeworn rooms, buy a ticket for the Darjeeling Limited, or enroll in the fabled Rushmore Academy, you can experience all those places—and the memorable characters who inhabit them—through the foods and flavors that loom large in Anderson’s films as props, symbols, and uncredited&nbsp;dramatis personae. &nbsp; The Wes Anderson Cookbook is a carefully crafted homage to the director’s visual and narrative style, with vibrant design elements that echo his iconic aesthetics. With an introduction about the director, his oeuvre, and the role foods play in his films, the book contains 59 full-color, beautifully illustrated recipes, from main dishes and snacks to drinks and desserts; each explains its connection to a particular movie or scene, adding layers of storytelling and fun facts for film buffs.&nbsp; Enjoy recipes such as: <ul><li>Midge’s Dinette Waffles from Asteroid City</li><li>Private Compartment Savoury Snacks from The Darjeeling Limited</li><li>Purloined Chicken Salad from Fantastic Mr. Fox</li><li>The Royal Negroni from The Royal Tenenbaums</li><li>Grilled Jaguar Shark Steaks with Cream Sauce from The Life Aquatic with Steve Zissou</li><li>Mendl’s Courtesan au Chocolat from The Grand Budapest Hotel</li></ul> With menus for viewing parties, a complete filmography, and Easter eggs galore, this book is as much a visual feast as a literal one. More than just a collection of recipes, this is a collector’s item that celebrates the art of both cinema and cooking. With its unique premise of turning the lens on the director, rather than on a specific film, its visually stunning design appeals to both film fans and foodies alike. It’s an immersive journey through the cinematic world of Wes Anderson, bringing film scenes to life through food. Director’s Cut Kitchen is a series of unofficial cookbooks that explores the intersection of food, film, and creativity, focusing on the distinctive styles of celebrated film directors. Each book features newly created recipes inspired by a director’s unique cinematic universe, with dishes inspired by memorable scenes or conceptually linked to the films’ moods, aesthetics, and themes. The series brings together the best of food and film, offering fans a way to engage with their favorite directors in a fun, tangible—and delicious—way. The result is a playful and engaging collection that appeals to cinephiles, foodies, and pop culture enthusiasts alike.</div>

Whimsical Recipes Inspired by the Director and His Films

The Wes Anderson Cookbook

A rulebook for tackling phone overuse and reclaiming our lives Phones are bad for us. They are making us nearsighted, causing painful back and neck problems, and robbing us of the sleep and physical activity necessary for robust physical and mental health. Worse still, they are driving a widespread rise in depression, self-harm and suicide, especially among young people. Yet, even if we know that there's an urgent collective need to get off our phones, we are stymied by the scale of the problem and by the many highly addictive ways in which our phones distract us, delight us and pull us back in. Phone Rules is part of the movement to disrupt phone overuse, showing us how we can wean ourselves off our devices. Investigative journalist Luc Rinaldi gives us a playbook of five insightful rules to resist our phones, along with helpful strategies to put them into action. He is not merely an outside observer trying to understand 'kids these days', but a smartphone-using, video game-playing, millennial member of the generation for whom the Phone Rules most urgently apply. This is our invitation to join the resistance. Together we can discover new mental space and productivity, deepen our engagement with the people and things that matter most and reclaim our lives.

Five simple steps to save yourself, your family and the planet

Phone Rules

Step into the irresistibly cute world of the Fuzzballs and discover a joyful guide to creativity, kindness, friendship, and self¿care packed with activities and feel¿good fun to dip into anytime.&nbsp; &nbsp; Fuzzballs’ Guide to a Super Cute Life invites you to immerse yourself in the wonderfully whimsical lives of Whisky the cat, Ollie the bunny, Timmy the tiger, and their friends, as they share their tips for living life the Fuzzballs way. &nbsp; &nbsp; With color¿coded sections and a lively, easy¿tönavigate format, you can jump straight into the activities that suit your mood, whether you want to draw, relax, bake, or reflect.&nbsp; &nbsp; For example, there are:&nbsp;<ul><li>Quizzes and personality tests to find out which Fuzzball you’re most like.&nbsp;</li><li>Comics and short stories featuring the Fuzzballs’ funny and heartwarming adventures.&nbsp;</li><li>Creative drawing guides to help you draw their favourite characters or design your own.&nbsp;</li><li>Simple, kid¿friendly recipes for delicious treats like cookies and ice cream.&nbsp;</li><li>Guides to friendship, kindness, and everyday life.&nbsp;</li><li>Gentle wellbeing tips focused on mindfulness, creativity, gratitude, rest, and self¿care.&nbsp;</li><li>Games and activities designed for both solo fun and sharing with friends.&nbsp;</li></ul> Fun, bright and bursting with personality, Fuzzballs’ Guide to a Super Cute Life is a playful companion for all readers ages 11+. &nbsp; &nbsp; Let the Fuzzballs show you how to live your cutest life.

Fuzzballs Guide to a Super Cute Life

Nick Clegg, formerly one of Meta's most senior executives, presents a blueprint for reforming Big Tech while preserving the essential openness of the internet 'Warns of the dangers posed to a free and open global internet by an age of autocrats and a titanic power struggle over AI' Guardian As democracies seek to curb the power of Big Tech, as authoritarian regimes like China and Russia isolate their populations from the internet, and as the AI race supercharges divisions between competing nations, the most powerful tool for bringing us together risks being dismantled. Taking us behind the scenes at Meta, and drawing on his unique experience on the world stage of both tech and politics, Nick Clegg sets out where Big Tech has gone wrong and the radical reforms that are needed if global platforms are to ensure their long-term future. But he also shows that many of the charges against them are overstated or simply untrue, and presents a blueprint for the international cooperation that is needed if we are to preserve what makes them so vital to our future: their potential to empower and improve billions of lives. Radical, reasonable, deeply felt and disarmingly honest, How To Save the Internet reminds us how much we stand to lose on our current path - and how much we might yet gain from a global, open internet. 'Entertaining . . . lucid, detailed . . . there is much to agree with' Spectator 'Studded throughout [with] good analyses of the political situation around technology' Observer 'A gripping and timely book. Nick Clegg writes with clarity, authority and urgency' Peter Frankopan, author of The Silk Roads 'A wake-up call we cannot afford to ignore' Tony Blair 'A vital read' Reid Hoffman, co-founder of LinkedIn

The Threat to Global Connection in the Age of AI and Political Conflict

How to Save the Internet

An Instant New York Times Bestseller!A candid, funny, and occasionally devastating culinary memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedyIn this moving, hilarious, and insightful bestselling memoir, Laurie Woolever traces her path from a small-town childhood to working within the high-stakes celebrity chef culture at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there's more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain.Behind the scenes, Laurie's life is frequently chaotic, a high-functioning addict's often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all-from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli-while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood.As the food world careens toward an overdue reckoning and Laurie's mentors face their own high-profile descents, she is confronted with the questions of where she belongs in a story of both workplace toxicity and personal recovery, and how to hold on to the parts of her life's work that she truly values: care and feeding.This is a story of keeping it together, until several successive implosions-careers, marriages, reputations, lives-show that control is an illusion.<ul><li>An Unflinching Addiction Memoir: A raw and darkly funny account of binge drinking, bad decisions, and the slow journey toward sobriety in an industry that runs on excess.</li></ul><ul><li>Women in the Culinary World: A candid exploration of what it takes to carve out a space as a woman in kitchen culture.</li></ul><ul><li>A Cultural Reckoning: Witness the food world's overdue reckoning from the inside, as high-profile figures face their own descents and hard questions must be answered.</li></ul>

An Instant New York Times Bestseller! A candid, funny, and occasionally devastating memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedyIn this moving, hilarious, and insightful bestselling memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there’s more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain.Behind the scenes, Laurie’s life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all—from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli—while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood.As the food world careens toward an overdue reckoning and Laurie’s mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life’s work that she truly values: care and feeding.

A Memoir

Care and Feeding

Welcome to Taipei, Taiwan. The Chinese Civil War is now long over, but its shadow still haunts the city's lost souls. A masterwork of Chinese short fiction - now published in the UK for the very first time - Taipei People follows the lives and losses of those who fled to Taipei after the 1949 Communist takeover of China. Threaded through with yearning and nostaglia, brimming with lost loves and half-forgotten faces, with dark pasts and darker presents, this collection of fourteen tales is an ode to a city of exiles. These are stories for anyone who has ever left home, for anyone who has had to say goodbye, and for all those who were not able to. 'A master of portraiture' Henry Miller 'The highest achievement in the contemporary Chinese story' Patrick Hanan

Taipei People

DLAschriften/DLAwritings (ehemals: marbacher schriften. neue folgen)

Who decides what good literature is? And in which spaces are these decisions made in a digitized world?

Literary judgement is the starting point for the evaluation, selection and even canonization of a literary work. In the 18th century, educated citizens exchanged ideas, formed public opinion, and promoted common narratives in debates about literature. Today, criticism is shaped in many diverse public spheres and sub-spheres, operating in an economy regulated by attention and in a globalized book market. What does this mean for the roles of critic, author, and reader?
»Literary Judgement and the Fora of Criticism« addresses questions relating to the forms, functions, and significance of literary judgement; the conditions and consequences for criticism in the current media landscape; the medialization of criticism as review and its rhetorical and generic effects; the ascription and dissemination of literary value for a growing but&nbsp;diverse global readership; the implications and consequences for writer, critic, and reader of the digitization of criticism.
With contributions by: Amit Chaudhuri, Phillipa Chong, James English, Florencia Garramuño, Richard Jacquemond, Mats Jansson, Christopher Odhiambo Joseph, Rebecka Kärde, Daniel Kehlmann, Zóltan Kulcsár-Szabó, Camille Laurens, B. Venkat Mani, Laura McGrath, Mark McGurl, Ronya Othmann, Irina Prokhorova, Sandra Richter, Lionel Ruffel, Gisèle Sapiro, Zeruya Shalev, Galin Tihanov, Juan Gabriel Vásquez, Magnus William-Olsson and Xu Xi.

Der Band erscheint vollständig in englischer Sprache.

Who decides what good literature is? And in which spaces are these decisions made in a digitized world?

Literary judgement is the starting point for the evaluation, selection and even canonization of a literary work. In the 18th century, educated citizens exchanged ideas, formed public opinion, and promoted common narratives in debates about literature. Today, criticism is shaped in many diverse public spheres and sub-spheres, operating in an economy regulated by attention and in a globalized book market. What does this mean for the roles of critic, author, and reader?
»Literary Judgement and the Fora of Criticism« addresses questions relating to the forms, functions, and significance of literary judgement; the conditions and consequences for criticism in the current media landscape; the medialization of criticism as review and its rhetorical and generic effects; the ascription and dissemination of literary value for a growing but&nbsp;diverse global readership; the implications and consequences for writer, critic, and reader of the digitization of criticism.
With contributions by: Phillipa Chong, James English, Florencia Garramuño, Richard Jacquemond, Mats Jansson, Christopher Odhiambo Joseph, Rebecka Kärde, Daniel Kehlmann, Zóltan Kulcsár-Szabó, Camille Laurens, Mark McGurl, Ronya Othmann, Sandra Richter, Lionel Ruffel, Gisèle Sapiro, Zeruya Shalev, Galin Tihanov, Juan Gabriel Vásquez, Magnus William-Olsson and Xu Xi.

Der Band erscheint vollständig in englischer Sprache.

Literary Judgement and the Fora of Criticism

Wir scrollen, liken und posten - und verlieren dabei unmerklich uns selbst. Dieses Buch ist eine schonungslos ehrliche Reise durch die Welt von Social Media: persönlich, reflektiert und direkt. Es zeigt nicht nur, was diese digitale Realität mit uns macht, sondern auch, wie wir uns daraus befreien können - ohne komplett auszusteigen.

Ausstieg oder Kontrolle? So machst du dich frei und bleibst trotzdem dabei

FUCK SOCIAL MEDIA

El Bitcoin y el amor

Weitere Titel zum Thema