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Caplan L: Dreaming in Ensemble

Dreaming in Ensemble

How Black Artists Transformed American Opera

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst’s operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

Why X Matters S.

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence &nbsp; From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. &nbsp; Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up!

Why Sound Matters

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

The untold story of how America's brightest academic minds revolutionized intelligence analysis at the CIAIn the early days of the Cold War, the United States faced a crisis in intelligence analysis. A series of intelligence failures in 1949 and 1950, including the failure to warn about the North Korean invasion of South Korea, made it clear that gut instinct and traditional practices were no longer sufficient for intelligence analysis in the nuclear age. The new director of the Central Intelligence Agency, Walter Bedell Smith, had a mandate to reform it.Based on new archival research in declassified documents and the participants' personal papers, The Intelligence Intellectuals reveals the neglected history of how America's brightest academic minds were recruited by the CIA to revolutionize intelligence analysis during this critical period. Peter C. Grace describes how the scientifically sound analysis methods that they introduced significantly helped the United States gain an advantage in the Cold War, and these new analysts legitimized the role of the recently created CIA in the national security community. Grace demonstrates how these professors--such as William Langer from Harvard, Sherman Kent from Yale, and Max Millikan from MIT--developed systematic approaches to intelligence analysis that shaped the CIA's methodology for decades to come.Readers interested in the history of the Cold War and in intelligence, scholars of intelligence studies, Cold War historians, and intelligence practitioners seeking to understand their craft's foundations will all value this insightful history about the place of social science in national security.

Social Scientists and the Making of the CIA

The Intelligence Intellectuals

Revelations on Stage

Bliss and Dance

The essential companion to Toni Morrison's work, written by Namwali Serpell, 'one of the most innovative and intelligent writers today' (Financial Times)A giant in American letters, and one of our most beloved writers, Nobel laureate Toni Morrison has inspired generations. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Serpell puts it, 'she is our only truly canonical black, female writer-and her work is complex.' In On Morrison, Serpell brings her unique experience as both an award-winning writer and a professor of literature at Harvard University, to illuminate Morrison's masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre-her fiction, poetry, dramatic works, and criticism-with contextual guidance, archival discoveries, and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant black American authors of all time, but also on how to read great works of literature. Stylish, edifying, and electrifying in its intelligence, this dialogue on the page between two artist-readers is literary criticism at its very best. 'Stunning reconsiderations of Morrison...incisive, tender, and also honest and unsparing' HANIF ABDURRAQIB, author of A Little Devil in America

On Morrison

Focus on World Music Series

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers.The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers. The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music

A History of New York City from 1933 to 1945

Gotham at War

Music and Sound on the International Screen

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

1940s to 1980s

Music, Ideology, and Commerce in European Popular Cinema

Minnesang ist eine zentrale Gattung der mittelhochdeutschen Literatur und dazu - wegen der Kürze der Gattung der überschaubaren Textlage ein sehr beliebtes Prüfungsthema.

Minnesang ist eine zentrale Gattung der mittelhochdeutschen Literatur und dazu – wegen der Kürze der Gattung der überschaubaren Textlage ein sehr beliebtes Prüfungsthema.

Eine Einführung

Minnesang

Dreaming in Ensemble

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema