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Grossman Vasily: Dispatches from the
Frontline / LF

Dispatches from the Frontline

Stalingrad, Treblinka, Berlin - 1941-45

A Close Secret

Women in Allied Naval Intelligence in the Second World War

The Audacious Allied Bombing of Venice

Operation Bowler

Three Stories

Love and Enchantment

BFI Film Classics

A new edition of the BFI Film Classic on Claude Lanzmann's epic documentary Shoah (1985).

Shoah

The Making and Unleashing of the Atomic Bomb - By The People Who Were There

The Devil Reached Toward the Sky

War, Empire and the Struggle for a New World

1945: The Reckoning

Untitled Mark Smith

Why I Write

An illuminating reflection on the creative process from acclaimed fiction writer, essayist, and translator Lydia Davis &nbsp; When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable.&nbsp;Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why. &nbsp; In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended. &nbsp; Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

Into the Weeds

Hail Mary

A military history of Russia from its beginnings to today

Forged in War

The disappearance of the Hohenzollern family from the history of Germany in November 1918 as the Kaiser fled into Dutch exile is one of the most startling, rapid instances of a once all-powerful royal family becoming almost overnight irrelevant and marginal. Except this is not exactly what happened. Stephan Malinowski's German bestseller is an extraordinary work of recovery. It suited both the Weimar Republic and then the Third Reich to view the Hohenzollerns with contempt, and yet the royal family's hatred of the former and approval of the latter were for millions of Germans a significant factor in their own view of their country and its government. With forensic and often shocking detail, Malinowski shows that, far from being ridiculous, marginal figures the Hohenzollerns lay at the heart of Germany's ongoing nightmare. Despite formally losing power, the members of the royal family remained prominent, catastrophically allowing many other conservative Germans to stay distanced from the new republic and to eventually betray conservative traditions and values. Battered from both left and right, the Republic collapsed in 1933 in part because conservative forces, fearful of both Communism and Fascism, had abandoned their own principles just as much as the leading members of former royal family had, who were themselves beguiled by and fooled by Hitler. This is an important and shocking book, as well as a devastating picture of an inadequate and trivial royal family painfully underequipped to fulfil its role.

A History of Collaboration

The Hohenzollerns and the Nazis

Russian Strategy and Power

Russian Strategy in the Middle East and North Africa

Dispatches from the Frontline

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema