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DiMucci D: Dion

Dion

The Rock and Roll Philosopher

Jewish Lives

She Made the Earth Move

Carole King

My true story of surviving Auschwitz and the horrors of the Holocaust, the Sunday Times bestseller

A Mother's Promise

How a Doll Remade the World

Barbieland

Before Anna Delvey, before the Tinder Swindler, there was 'Hipster Grifter' Kari Ferrell

You'll Never Believe Me

A Memoir

Fire in Every Direction

Society disables us more than autism ever could

A Memoir and Manifesto About Autism

Danny's People

Black music has long played a dominant role in American music and has frequently been taken over and popularized by white musicians. This book presents an overview of this influence, as well as discussions of how white musicians, corporations, and entrepreneurs appropriated, adapted, and even stole this music. It addresses why and how this occurred throughout recent history and in a variety of musical idioms. Examples discussed include the convoluted history of the minstrel era, Black pop and rock artists, white blues, jazz, rhythm and blues, and hip-hop musicians. Further examination into American music then reveals how Black musicians rebelled against the white domination of swing music, and how African Americans have influenced classical music compositions and performance styles. The book highlights the prevalence and importance of Black music in virtually every American music style, the often-hidden or little-noticed interactions of Black and white musicians, and it answers questions about how the music business succeeded in monetizing Black musical styles to market this music to mass audiences.

A History of Black Musical Influence and Appropriation in the United States

We All Come Home Alive

Media, Culture and Social Change in Asia

This book explores in detail how the extraordinary global success of Korean pop music - K-Pop - has been received in Europe. Focusing on the United Kingdom, Germany and Austria, it discusses the motivations and characteristics of K-Pop fans, examines the role of new media, cultural polices and global creative industries, and relates K-Pop fandom to the multicultural and cosmopolitan milieu of much of Europe. The book concludes by assessing how far K-Pop fandom is part of a new global popular youth culture.

This book explores in detail how the extraordinary global success of Korean pop music – K-Pop – has been received in Europe. Focusing on the United Kingdom, Germany and Austria, it discusses the motivations and characteristics of K-Pop fans, examines the role of new media, cultural polices and global creative industries, and relates K-Pop fandom to the multicultural and cosmopolitan milieu of much of Europe. The book concludes by assessing how far K-Pop fandom is part of a new global popular youth culture.

K-Pop Fandom in the Age of Globalization

Asian Pop Music in Cosmopolitan Europe

Empty Pockets, Wide Eyes

Strange Things Are Happening

Dion

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