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Könnecke O: Diggers, Dozers, and Dumpers

Diggers, Dozers, and Dumpers

Lingua Historica Germanica

The series publishes studies and sources on the history of the German language and literature from the beginnings of the tradition in the 8th century to more recent linguistic history. It publishes philologically high-quality linguistic and literary studies and editions, as well as works that deal with aspects of linguistics and literary studies in equal measure. Thematically, the whole range of diachronic and synchronic issues is welcome: Variations and varieties, language change, norm and usage, language criticism, language contact, empiricism and theory, production and reception, manuscripts and prints. Publication formats include monographs as well as edited volumes. The preferred language of publication is German. The LHG is edited by three members of the Gesellschaft für germanistische Sprachgeschichte (GGSG): - Stephan Müller, Professor of Older German Language and Literature at the University of Vienna - Claudia Wich-Reif, Professor of the History of the German Language and Linguistic Variation at the Rheinische Friedrich-Wilhelms-Universität Bonn - Arne Ziegler, Professor of German Language with special emphasis on Historical Linguistics and Variety Linguistics at the Karl-Franzens University of Graz Co-founder and co-editor from 2016-2019 was Jörg Riecke, Professor of German Linguistics with a special focus on language history at Ruprecht-Karls-Universität Heidelberg (+2019)

Das Übersetzen mittelhochdeutscher Texte ist im akademischen Alltag einerseits eine viel geübte Praxis, andererseits stellt das intralingual-diachrone Übersetzen einen methodisch noch immer recht wenig reflektierten Sonderfall innerhalb der Translatorik dar. Das hängt auch mit der rezenten altgermanistischen Fachtradition zusammen, in der sich zweisprachig-synoptisch angelegte Textausgaben als Haupttypus etabliert haben, worin sich die Übersetzungen ins Neuhochdeutsche meist einen nur geringen Eigenwert beimessen und sich stattdessen in zum Originaltext hinführender und ihm ‚dienender‘ Funktion sehen. Das steht in Kontrast zu einem translationswissenschaftlichen Verständnis, nach dem die Übertragung in eine andere Sprache den Ausgangstext zu ersetzen hat. Die Beiträge des vorliegenden Bandes beleuchten aus literaturwissenschaftlicher, sprachhistorischer und übersetzungswissenschaftlicher Perspektive die theoretischen Grundlagen, Strategien und Funktionsbestimmungen des diachronen Übersetzens. Neben methodischer und fachgeschichtlicher Reflexion loten Fallstudien den Prozess des Verstehens und Übertragens zwischen philologischer Reflexion, hermeneutischer Kompetenz und Kreativität aus.

Mediävistische, translationswissenschaftliche und linguistische Perspektiven auf das Übersetzen aus dem Mittelhochdeutschen

Deutsch diachron übersetzen

Staatsverschuldung, COVID-19 und die massiv gestiegenen Zinsen stellen die internationalen Wirtschafts- und Finanzsysteme vor große Herausforderungen. In stürmischen Zeiten wird die private und institutionelle Kapitalanlage und damit das Investmentrecht immer bedeutsamer. Ziel des vorliegenden Handkommentars ist es, trotz der Dynamik und Komplexität der regulatorischen und steuerlichen Bestimmungen ein hilfreicher Ratgeber bei allen Praxisfragen zu sein.

Der Handkommentar soll aufgrund seiner Aktualität und Handlichkeit auch in der 4. Auflage die erste Quelle sein, die Leser:innen bei aufsichtsrechtlichen oder steuerlichen Fragestellungen zu Rate ziehen.

Die 4. Auflage enthält
<li>BMF-Schreiben zum Investmentsteuergesetz und zur Besteuerung von Spezial-Investmentfonds
</li><li>die investmentrechtlichen Änderungen der aktuellen Jahressteuergesetze sowie
</li><li>die Umsetzung der Richtlinie (EU) 2019/1160 zur Änderung der Richtlinien 2009/65/EG und 2011/61/EU im Hinblick auf den grenzüberschreitenden Vertrieb von Organismen für gemeinsame Anlagen im Kapitalanlagegesetzbuch.
 
Die Autoren
Dr. Achim Döser, LL.M. (Tulane Univ.), Rechtsanwalt, Frankfurt a.M. | Florian Geuder, Rechtsanwalt, Frankfurt a.M. | Ruben Heusel, Kleinostheim | Dipl.-Kfm. Patrick Jendrusch, Vice President - Product Tax DWS Investment | Dr. Jürgen Kuhlmann, Rechtsanwalt und Steuerberater, Frankfurt a.M. | Jürgen Nagler, Rechtsanwalt und Steuerberater, Frankfurt a.M. | Andreas Patzner, Rechtsanwalt und Steuerberater, Frankfurt a.M. | Ingolf Schneider-Deters, Rechtsanwalt, Frankfurt a.M. | Stefan Schönhöffer, Wiesbaden | Dr. Christian Widera, Regierungsrat, Hessische Finanzverwaltung Frankfurt a.M.
</li>

Staatsverschuldung, COVID-19 und die massiv gestiegenen Zinsen stellen die internationalen Wirtschafts- und Finanzsysteme vor große Herausforderungen. In stürmischen Zeiten wird die private und institutionelle Kapitalanlage und damit das Investmentrecht immer bedeutsamer. Ziel des vorliegenden Handkommentars ist es, trotz der Dynamik und Komplexität der regulatorischen und steuerlichen Bestimmungen ein hilfreicher Ratgeber bei allen Praxisfragen zu sein.

Der Handkommentar soll aufgrund seiner Aktualität und Handlichkeit auch in der 4. Auflage die erste Quelle sein, die Leser:innen bei aufsichtsrechtlichen oder steuerlichen Fragestellungen zu Rate ziehen.

Die 4. Auflage enthält
BMF-Schreiben zum Investmentsteuergesetz und zur Besteuerung von Spezial-Investmentfonds
die investmentrechtlichen Änderungen der aktuellen Jahressteuergesetze sowie
die Umsetzung der Richtlinie (EU) 2019/1160 zur Änderung der Richtlinien 2009/65/EG und 2011/61/EU im Hinblick auf den grenzüberschreitenden Vertrieb von Organismen für gemeinsame Anlagen im Kapitalanlagegesetzbuch.
 
Die Autoren
Dr. Achim Döser, LL.M. (Tulane Univ.), Rechtsanwalt, Frankfurt a.M. | Florian Geuder, Rechtsanwalt, Frankfurt a.M. | Ruben Heusel, Kleinostheim | Dipl.-Kfm. Patrick Jendrusch, Vice President – Product Tax DWS Investment | Dr. Jürgen Kuhlmann, Rechtsanwalt und Steuerberater, Frankfurt a.M. |  Jürgen Nagler, Rechtsanwalt und Steuerberater, Frankfurt a.M. | Andreas Patzner, Rechtsanwalt und Steuerberater, Frankfurt a.M. | Ingolf Schneider-Deters, Rechtsanwalt, Frankfurt a.M. | Stefan Schönhöffer, Wiesbaden |  Dr. Christian Widera, Regierungsrat, Hessische Finanzverwaltung Frankfurt a.M.

Kapitalanlagegesetzbuch | Investmentsteuergesetz

Investmentrecht

An anthology of the very best Russian short stories, from the 19th century to today, selected by Sergei Lebedev, author of Untraceable. In A Hundred Voices, celebrated novelist Sergei Lebedev draws together one hundred of the finest Russian-speaking writers from across the centuries. From Alexander Pushkin and Nikolai Gogol, Leo Tolstoy and Vladimir Nabokov, to Nadezhda Mandelstam and Olga Slavnikova, Natalya Meshchaninov and Alla Gorbunova, the new, fresh voices of Russia today rub shoulders with the greats of the past. Together these hundred writers, their hundred voices, sing out together to create a glorious chorus of three centuries of Russian short stories. Reviews for Sergei Lebedev: 'One of Russia's most interesting young novelists' Anne Applebaum 'Lebedev is arguably the best of Russia's younger generation of writers' New York Review of Books 'One of modern Russia's finest writers' Philippe Sands

An anthology of the very best Russian short stories, from the 19th century to today, selected by Sergei Lebedev, author of Untraceable.

Russian Short Stories from the 19th to the 21st Centuries

Defiant Voices

Brief Encounters

In a single afternoon's walk, Virginia Woolf captures the infinite life of a garden... A couple pause among the flowerbeds, their thoughts drifting apart. A woman's mind fixes on a small, troubling mark on the wall. A chance meeting becomes an imagined life, rich with longing and regret. In six luminous, experimental stories, Virginia Woolf remakes the short story as a space of transcendence. Moving fluidly between inner lives and outward scenes, Kew Gardens captures moments of consciousness as they shimmer, fracture and pass, revealing the beauty and strangeness of everyday existence. Includes the stories: Kew Gardens, The Mark on the Wall, An Unwritten Novel, Monday or Tuesday, The String Quartet and Blue &amp; Green BRIEF ENCOUNTERS: classic novellas and captivating stories, to be read in a single sitting or savoured over days

Kew Gardens

The shocking true story of the German monarchy's collaboration with the Nazis - an award-winning bestseller in Germany **AWARDED THE GERMAN NON-FICTION PRIZE 2022** 'Malinowksi's work is a near-masterpiece, relating a story not synthesised in this way before, and about which any number of self-serving myths exist' Simon Heffer, Daily Telegraph The disappearance of the Hohenzollern family from the history of Germany in November 1918 as the Kaiser fled into Dutch exile is one of the most startling, rapid instances of a once all-powerful royal family becoming almost overnight irrelevant and marginal. Except this is not exactly what happened. Stephan Malinowski's German bestseller is an extraordinary work of recovery. It suited both the Weimar Republic and then the Third Reich to view the Hohenzollerns with contempt, and yet the royal family's hatred of the former and approval of the latter were for millions of Germans a significant factor in their own view of their country and its government. With forensic and often shocking detail, Malinowski shows that, far from being ridiculous, marginal figures the Hohenzollerns lay at the heart of Germany's ongoing nightmare. Despite formally losing power, the members of the royal family remained prominent, catastrophically allowing many other conservative Germans to stay distanced from the new republic and to eventually betray conservative traditions and values. Battered from both left and right, the Republic collapsed in 1933 in part because conservative forces, fearful of both Communism and Fascism, had abandoned their own principles just as much as the leading members of former royal family had, who were themselves beguiled by and fooled by Hitler. This is an important and shocking book, as well as a devastating picture of an inadequate and trivial royal family painfully underequipped to fulfil its role.

A History of Collaboration

The Hohenzollerns and the Nazis

Towed by Toad

Hop back on the road with Toad! In this fun-fueled follow-up to the Geisel Honor award-winning picture book Towed by Toad, from Caldecott Medal honoree Jashar Awan, Toad discovers that everyone makes mistakes, even tow truck drivers! For fans of Little Blue Truck and Frog and Toad. Little ones. Big ones. Everyone makes mistakes . . . even Toad! Toad and his tow truck are on the go, racing to the rescue of anyone who needs help on the road. But still, Toad always obeys the rules and NEVER makes mistakes. He waits patiently for the green light. Wait for it . . . wait for it . . . GO! . . . Uh oh. What happens when Toad does make a mistake? After all, everyone makes mistakes — what really matters is how you fix them!

Hop back on the road with Toad! In this fun-fueled follow-up to the Geisel Honor award-winning picture book Towed by Toad, from Caldecott Medal honoree Jashar Awan, Toad discovers that everyone makes mistakes, even tow truck drivers! For fans of Little Blue Truck and Frog and Toad. Little ones. Big ones. Everyone makes mistakes . . . even Toad! Toad and his tow truck are on the go, racing to the rescue of anyone who needs help on the road. But still, Toad always obeys the rules and NEVER makes mistakes. He waits patiently for the green light. Wait for it . . . wait for it . . . GO! . . . Uh oh. What happens when Toad does make a mistake? After all, everyone makes mistakes — what really matters is how you fix them!

Toad on the Go

“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • FINALIST FOR THE EDMUND WHITE AWARD FOR DEBUT FICTION AND THE VERMONT BOOK AWARD • LONGLISTED FOR THE DUBLIN LITERARY AWARD AND THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

A Novel

Good Girl

Gorgeously illustrated and with a classic feel, this story celebrates bravery, hope and the marvels of the natural world. When the dark rider on a horse arrives, Marlo's bravery is the only thing standing between Tree Thing and certain destruction ... An unmissable tale from award-winning Piers Torday. Once, in a faraway land, a green thing squeezed out of the earth. The mysterious Tree Thing, which changes Marlo's life forever. Nothing grows in Marlo's valley, and it's a struggle to survive. But when his squirrel Rinti finds a glowing emerald acorn, it grows into a miraculous Tree Thing. Tree Thing changes everything, bringing life and hope. And when the shadowy Rider arrives with an axe, Marlo needs all his bravery and ingenuity to stand between triumph and disaster. From the acclaimed, award-winning Piers Torday comes an unforgettable fable for all ages, a brilliantly illustrated story for young and old.

A highly illustrated story by an award-winning author

Tree Thing

'There's a taut urgency throughout... joy and humour too... These poems testify to the resilience of the artists, and the role that poetry still has to give voice and bear witness in times of crisis' Rishi Dastidar, GuardianA deeply moving poetry anthology exploring loss and survival by Palestinian writers living in Gaza and the West Bank You Must Live brings together some of the most remarkable poets living and writing in Palestine today, from renowned international prize winners to talented emerging voices. Composed over the past few years and gathered under desperate conditions, these poems, which appear in the original Arabic alongside English translations, are haunted by the long spectre of occupation, transforming laments for lost family, friends and places into a new vision of home. This is a poetry of witness and profound lyric imagination, attuned to the hidden beauty of the natural landscape, the music of sparrows under crowded skies, the electricity of complex desire, daring to conceive a dazzling future beyond dispossession and military siege. You Must Live is the latest entry into the rich tradition of Palestinian poetry, negotiating the interplay between aesthetics and politics, the individual and the collective, to provide a glimpse into the full interiority of Palestinian life. 'A light beam of a collection in our dark hours...This is a landmark work, a center from which myriad new ways of thinking and being will flourish' Ocean Vuong, author of Night Sky With Exit Wounds

New Poetry From Palestine

You Must Live

THE INSPIRATION BEHIND THE MAJOR DOCUMENTARY COMING SOON IN 2026 Karl Lagerfeld ran Chanel for 35 years, reinventing it from a brand nearing bankruptcy with only one boutique back to one of the top fashion houses in the world. But who was the man behind the myth? In this deliciously entertaining book, the author draws on his personal relationship with Lagerfeld to take us inside the most exclusive rooms in the fashion industry, behind the catwalk, and into a world of brilliantly talented artists, stylish socialites, and famous stars-some of the most elusive and unforgettable figures of fashion's inner circle for the past four decades. Journalist and author William Middleton spent years working in Paris for Women's Wear Daily, W, and Harper's Bazaar, interviewing and socialising with Lagerfeld many times over the years, getting to intimately know not only his work and his professional journey, but also what the elusive designer kept private from the world.

The Extraordinary Life of Karl Lagerfeld

Paradise Now

A mischievous picture book about a peculiarly shaped fish and his hilarious adventures

Bum Fish

A fabulously funny tale... with a hint of BITE!

 Mabel's parents loved their daughter very much.
 But they also knew that Mabel was the kind of child who did things.
 You know ... THINGS.
 But every time Mabel's parents asked, "Why did you do this?!"
 Mabel would reply, "Actually, the ALLIGATOR did it."
 Join Mabel's parents as they try to uncover the truth. Is Mabel
 the culprit, or is she hiding a SNAPPY secret in her bedroom...

 <ul>
 <li>Perfect for fans of Jon Klassen's This Is Not My Hat
 and Peter Bentley and Sara Ogilvie's Meet the Parents</li>

 <li>Kael Tudor is the author of a whole host of hilarious books including
 One Goose, Two Moose and It's Not My Cookie</li>

 <li>Isobel Lundie is the illustrator of Waterstones Book of the Month
 author Louie Stowell's first picture book, A Midsummer Night's
 Drama</li>
 </ul>

Actually, the Alligator

Diggers, Dozers, and Dumpers

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