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Sentís E: Diálogo con el tabaco

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Casanoviana

Luni Editrice

Soliloquio di un pensatore. Testo italiano a fronte

A fiercely intelligent, funny, and much-needed reality check&nbsp;on the state of heterosexual women. The Last Straight Woman is a call to set aside the baggage of what female heterosexuality evokes, in favour of a definition of what it actually entails: women liking men. No more, no less. That a woman is straight implies nothing about how conventional or submissive she is. It does not mean she wants to be accommodating to men generally. Using that simple definition as its launching point, the book moves to the history of women’s desire for men, and how it is ultimately separate from much of the history of marriage. Phoebe then turns to the sexual revolution of the late 1960s, and to second-wave feminist critiques of heterosexuality—a pattern that repeated itself when early-2000s sex positivity gave way to post-#MeToo reticence. One sees men’s desires pitted against women’s need for safety, with women’s own lusts all but forgotten. She examines the ways everyone from queer theorists to evolutionary psychologists has cast doubt on the authenticity of women’s interest in men, as well as the frustratingly widespread notion that female sexuality is fundamentally about wanting others to find you attractive. She makes sense of a society where many young adults are 2SLGBTQI+ but a lot of the women so identifying lead effectively heterosexual lives. Is it men these women have gone off, or just the confining gender roles associated with being a straight lady? The Last Straight Woman offers a way forward for straight women. In lieu of the sexy woman men are gazing at, why not be the woman too busy gazing at sexy men to have bothered with her own looks? Phoebe offers not a self-improvement PowerPoint, but rather an assortment of characters from 1990s British sitcoms, a rare world where the frumpy but horny straight lady had her day. She does not demand that 21st century women model themselves after supporting characters from long-forgotten television shows but rather merely consider the possibility that straight women are all one argyle sweater-vest away from true liberation.

A fiercely intelligent, funny, and much-needed reality check&nbsp;on the state of heterosexual women. The Last Straight Woman is a call to set aside the baggage of what female heterosexuality evokes, in favour of a definition of what it actually entails: women liking men. No more, no less. That a woman is straight implies nothing about how conventional or submissive she is. It does not mean she wants to be accommodating to men generally. Using that simple definition as its launching point, the book moves to the history of women’s desire for men, and how it is ultimately separate from much of the history of marriage. Phoebe then turns to the sexual revolution of the late 1960s, and to second-wave feminist critiques of heterosexuality—a pattern that repeated itself when early-2000s sex positivity gave way to post-#MeToo reticence. One sees men’s desires pitted against women’s need for safety, with women’s own lusts all but forgotten. She examines the ways everyone from queer theorists to evolutionary psychologists has cast doubt on the authenticity of women’s interest in men, as well as the frustratingly widespread notion that female sexuality is fundamentally about wanting others to find you attractive. She makes sense of a society where many young adults are 2SLGBTQI+ but a lot of the women so identifying lead effectively heterosexual lives. Is it men these women have gone off, or just the confining gender roles associated with being a straight lady? The Last Straight Woman offers a way forward for straight women. In lieu of the sexy woman men are gazing at, why not be the woman too busy gazing at sexy men to have bothered with her own looks? Phoebe offers not a self-improvement PowerPoint, but rather an assortment of characters from 1990s British sitcoms, a rare world where the frumpy but horny straight lady had her day. She does not demand that 21st century women model themselves after supporting characters from long-forgotten television shows but rather merely consider the possibility that straight women are all one argyle sweater-vest away from true liberation.

On Desiring Men

The Last Straight Woman

The Che Guevara Library

A biography of Karl Marx and Friedrich Engels by Che Guevara, revealing Che’s fervent interest in studying their lives and writing. Che Guevara wrote this biographical introduction to Marx and Engels after his 1965 mission to Africa. He studied the writing of the German revolutionaries intensively, and in his travels he immersed himself in the classic works of Marxism. He sought to draw lessons and inspiration from Marx and Engels, and noted: “The Cuban Revolution takes up Marx at the point where he put aside science to pick up his revolutionary rifle.” &nbsp; Many of Che’s comments about Marx might also refer to Che himself, such as his observation: “Such a humane man whose capacity for affection extended to all those suffering throughout the world, offering a message of committed struggle and indomitable optimism, has been distorted by history and turned into a stone idol.” &nbsp; With his tremendous grasp of theory and his own practical experience, Che observes Marx’s evolution through his own view of radical change in Cuba, considering how it might apply to other countries after they achieve their definitive liberation from colonialism. &nbsp;

A biography of Karl Marx and Friedrich Engels by Che Guevara, revealing Che’s fervent interest in studying their lives and writing. Che Guevara wrote this biographical introduction to Marx and Engels after his 1965 mission to Africa. He studied the writing of the German revolutionaries intensively, and in his travels he immersed himself in the classic works of Marxism. He sought to draw lessons and inspiration from Marx and Engels, and noted: “The Cuban Revolution takes up Marx at the point where he put aside science to pick up his revolutionary rifle.” &nbsp; Many of Che’s comments about Marx might also refer to Che himself, such as his observation: “Such a humane man whose capacity for affection extended to all those suffering throughout the world, offering a message of committed struggle and indomitable optimism, has been distorted by history and turned into a stone idol.” &nbsp; With his tremendous grasp of theory and his own practical experience, Che observes Marx’s evolution through his own view of radical change in Cuba, considering how it might apply to other countries after they achieve their definitive liberation from colonialism. &nbsp;

A Biographical Introduction

Marx & Engels

“Lewis blew me away with their debut novel . . . an absolute hoot.” —The New York Times Book Review “A scorchingly brilliant, wildly funny, and deeply moving epic.” —John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile,&nbsp;Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

“A scorchingly brilliant, wildly funny, and deeply moving epic.”&nbsp;—John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile,&nbsp;Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

A Novel

Canon

Flannery O'Connor on Writing

INSTANT USA TODAY BESTSELLER "Bridesmaids meets Emily Henry." —Alison Cochrun, author of The Charm Offensive and Kiss Her Once For Me "For the people who think more bridesmaids should kiss." —London Sperry, author of Passion Project From the author of I’ll Get Back To You, a "sparkling sapphic romance" (Bridget Morrissey) about two nemeses who must put aside their animosity to plan the wedding of the summer On the surface, Alice has her life together. She's got a job in music she loves; she's firmly sober; and she's grateful to be back in the good graces of her ex-girlfriend-once-best-friend-now-literal-only-friend Gin. Just in time, too, because Gin's getting married this summer! And Alice gets to be a bridesmaid. If only the maid-of-honor wasn't Renee Roberts: Type-A, the opposite of her in every way, and a long-time Alice-hater who's clung to her animosity like a leech. Every second Alice spends around Renee makes her feel like who she used to be, rather than the person she’s spent years trying to make herself into—and she doesn’t want to be reminded of her younger self any more than she wants to be thinking, more constantly than she wants to admit, about Renee: her hair, her lips, her wit.... No, Alice has her own stuff to figure out. She still loves music, but her career feels directionless. She’s grieving the loss of her father just a year ago, to alcohol. And then she finds out that her mother's started to date her father’s ex-bandmate, which sends her reeling…and with the wedding just around the corner, she doesn't want to bother Gin about any of it. It's pure chance that Renee runs into Alice, just when she needs someone the most—and suddenly, everything shifts. Neither of them are what they assumed the other to be. Over the days and nights they’re spending helping Gin throw a DIY summer wedding of epic proportions, Alice and Renee discover that though they have nothing in common—that might be precisely what each of them need. Heartfelt and hopeful, For the Bride is a banter-filled sapphic romance with deep emotional resonance about found family, second chances, and finding love in the unexpected.

INSTANT USA TODAY BESTSELLER "Bridesmaids meets Emily Henry." —Alison Cochrun, author of The Charm Offensive and Kiss Her Once For Me "For the people who think more bridesmaids should kiss." —London Sperry, author of Passion Project From the author of I’ll Get Back To You, a "sparkling sapphic romance" (Bridget Morrissey) about two nemeses who must put aside their animosity to plan the wedding of the summer On the surface, Alice has her life together. She's got a job in music she loves; she's firmly sober; and she's grateful to be back in the good graces of her ex-girlfriend-once-best-friend-now-literal-only-friend Gin. Just in time, too, because Gin's getting married this summer! And Alice gets to be a bridesmaid. If only the maid-of-honor wasn't Renee Roberts: Type-A, the opposite of her in every way, and a long-time Alice-hater who's clung to her animosity like a leech. Every second Alice spends around Renee makes her feel like who she used to be, rather than the person she’s spent years trying to make herself into—and she doesn’t want to be reminded of her younger self any more than she wants to be thinking, more constantly than she wants to admit, about Renee: her hair, her lips, her wit.... No, Alice has her own stuff to figure out. She still loves music, but her career feels directionless. She’s grieving the loss of her father just a year ago, to alcohol. And then she finds out that her mother's started to date her father’s ex-bandmate, which sends her reeling…and with the wedding just around the corner, she doesn't want to bother Gin about any of it. It's pure chance that Renee runs into Alice, just when she needs someone the most—and suddenly, everything shifts. Neither of them are what they assumed the other to be. Over the days and nights they’re spending helping Gin throw a DIY summer wedding of epic proportions, Alice and Renee discover that though they have nothing in common—that might be precisely what each of them need. Heartfelt and hopeful, For the Bride is a banter-filled sapphic romance with deep emotional resonance about found family, second chances, and finding love in the unexpected.

For the Bride

Nyland Dokumente

Die landläufige Vorstellung, dass ein Autor am Schreibtisch sitzt und sich in aller Ruhe seiner schriftstellerischen Tätigkeit widmet - auf Paul Schallück (1922-1976) trifft sie nicht zu. Der Autor, dessen schriftstellerische Karriere in den 1950er Jahren einsetzte, war ein literarischer Arbeiter im ureigensten Sinn. Obwohl seine Romane, Erzählungen und Hörspiele erfolgreich waren und Schallück seinerzeit zu den bekanntesten Autoren Deutschlands zählte, musste er auf Gedeih und Verderb veröffentlichen und Autorenlesungen absolvieren, um seinen Lebensunterhalt zu bestreiten.

Blieb beim geforderten Pensum überhaupt Zeit zum Reisen? Im Falle Paul Schallücks waren es in den seltensten Fällen Erholungsreisen. Wenn er unterwegs war, dann meist im Zusammenhang mit seiner Tätigkeit für den Rundfunk oder um Reportagen zu verfassen, die er annehmen musste, weil das Tagesgeschäft es erforderte. Schallück war aber auch als Mitglied von Schriftstellerorganisationen häufig unterwegs, etwa auf Tagungen der Gruppe 47, des Grünwalder Kreises oder im Rahmen seiner politisch-sozialen Tätigkeit.

Rechnet man all dies zusammen, wird man von einer intensiven Reisetätigkeit sprechen können, wobei Aufenthalte in den USA, Frankreich, Israel und der damaligen Sowjetunion Höhepunkte in Schallücks Lebenslauf darstellten. Seine ausführlichen Berichte zeigen symptomatisch seinen genauen und wachen Blick für die gesellschaftlichen und sozialen Zustände seiner Zeit.

Berichte, Briefe, Feuilletons

Paul Schallück unterwegs

a Roxane Gay Book Club Pick, 2024

We're Alone

Als Autor hat Wiard Raveling sich jahrzehntelang mit Fragen zur Sprache, Sprachtheorie und -geschichte auseinandergesetzt. Das ist auch ein Ergebnis der Unterrichtstätigkeit. Als Fremdsprachenlehrer vermittelnd zwischen Sprachen und Kulturen unterwegs, studiert Raveling die Zwischentöme im Meer der deutschen Dialekte: Minderheitensprachen, die Aussprache fremder Namen im Alltag und in den Medien wie im Witz und lustigen Zitaten. Hybridsprachliche Kommunikation kommt vielfältig vor.

Essays zur Einführung in die hybridsprachliche Kommunikation

Versuch und Irrtum - Trial and Error

Explore Lao food through 95 approachable, flavor-packed recipes from the popular food content creator behind Saeng’s Kitchen. “Saeng Douangdara brings Laos to the table with recipes that are bold, soulful, and alive with memory. This book belongs on every shelf where flavor, family, and food history matter.”—Andrew Zimmern In Lao kitchens, every dish tells a story and every bite excites. The food culture of Laos has historically been preserved through oral tradition, and in this essential guide to Lao cooking, personal chef Saeng Douangdara draws on his expertise and the food knowledge passed down from his family to share the beauty and history of Lao cuisine. Discover the rich flavors of Laos through 95 recipes for dips, small plates, rice dishes, fermented foods and salads, laab, noodles, soups and stews, not-too-sweet desserts, and modern twists on traditional recipes, including: • Thum Khao Poon (Cold Vermicelli Noodle Salad) • Som Moo (Fermented Pork Sausage) • Galabao (Pork Steamed Buns) • Khanom Mantone (Steamed Cassava Cake) • and more! The Lao Kitchen dives into the heart of Lao foodways—often overlooked but deeply rooted in Southeast Asian traditions. Through thoughtful essays and memories connected to each recipe, Saeng tells his story as a member of the Lao diaspora, exploring his roots through food. Bold, flavorful, deeply personal, and featuring gorgeous photography from Laos and Saeng’s own kitchen, The Lao Kitchen is a celebration of community, the connection that food brings, and what it means to cook from the heart.

Explore Lao food through 95 approachable, flavor-packed recipes from the popular food content creator behind Saeng’s Kitchen. “Saeng Douangdara brings Laos to the table with recipes that are bold, soulful, and alive with memory. This book belongs on every shelf where flavor, family, and food history matter.”—Andrew Zimmern In Lao kitchens, every dish tells a story and every bite excites. The food culture of Laos has historically been preserved through oral tradition, and in this essential guide to Lao cooking, personal chef Saeng Douangdara draws on his expertise and the food knowledge passed down from his family to share the beauty and history of Lao cuisine. Discover the rich flavors of Laos through 95 recipes for dips, small plates, rice dishes, fermented foods and salads, laab, noodles, soups and stews, not-too-sweet desserts, and modern twists on traditional recipes, including: • Thum Khao Poon (Cold Vermicelli Noodle Salad) • Som Moo (Fermented Pork Sausage) • Galabao (Pork Steamed Buns) • Khanom Mantone (Steamed Cassava Cake) • and more! The Lao Kitchen dives into the heart of Lao foodways—often overlooked but deeply rooted in Southeast Asian traditions. Through thoughtful essays and memories connected to each recipe, Saeng tells his story as a member of the Lao diaspora, exploring his roots through food. Bold, flavorful, deeply personal, and featuring gorgeous photography from Laos and Saeng’s own kitchen, The Lao Kitchen is a celebration of community, the connection that food brings, and what it means to cook from the heart.

Lao Flavors and Stories Told Through Family Recipes

The Lao Kitchen

Das stelle man sich mal vor: Ein schicksalhaftes Ereignis hat die Menschheit ausradiert, Außerirdische betreten die Erde und finden nur dieses Exemplar der "Resthelden". Welches Bild würden sie sich eigentlich von uns Menschen machen? 
Auf jeden Fall würden sie staunen. So wie der Autor selbst unaufhörlich staunt und uns mit diesem Staunen ansteckt. Verwegen stößt er in seinen "Neuen Mitschriften vom Altern" bis zur Grenze des Despektierlichen vor, überschreitet sie jedoch nie und kann so sagen, was sich andere nicht zu sagen trauen. Dabei schlägt er manch kühnen Bogen: von hochgezogenen Schultern zu deutscher Schuld, von Onkel Horsts Zwergwyandottenhahn zu Identität oder vom König David zum glücklichen Berliner Elektriker, der die Liebe mit Wechselstrom vergleicht. 
Es ist dieser feine, deftige Humor und eine große Liebe zum Menschen an und für sich, die Christoph Seidler sogar Worte finden lassen für den Schrecken der Kriege unserer Zeit. Für das Sterben, das Lieben und das Loslassen. Das Skurrile und das Groteske. Welche Facetten auch immer, er umarmt sie alle und macht sie so erträglich, und wir können uns darin wiederfinden und gemeinsam lachen und weinen: über dieses großartige, unzulängliche, krumme Geschöpf namens Mensch.

Neue Mitschriften vom Altern

Resthelden im Licht

Limbus Preziosen

Kaum jemand wäre besser geeignet, über das Leben im Hotel zu schreiben, als Joseph Roth. Der neben Stefan Zweig wohl bekannteste österreichische Autor der ersten Hälfte des 20. Jahrhunderts war ein besonderes schriftstellerisches Talent, dem die Ideen scheinbar mühelos aus der Feder flossen; sein umfangreiches Werk zeugt davon. Denn Joseph Roth war - auch getrieben von ständiger Geldnot, die sich spätestens seit seinem erzwungenen Gang ins französische Exil nach Paris noch verschärfte - ein Vielschreiber. Neben Romanen entstanden über die Jahre mehrere tausend Seiten an Glossen, Reportagen und Feuilletons für verschiedene Zeitungen, pointiert-nüchterne Beobachtungen zu allen möglichen Themen, immer mit einem wohlwollend-ironischen Blick auf seine Umgebung.
So entstanden die in diesem Band versammelten Hotel-Geschichten auch als Artikelserie für die Frankfurter Zeitung, wo die Texte in kurzer Abfolge Anfang 1929 erschienen sind. 'Ich bin ein Hotelbürger, ein Hotelpatriot', schreibt Roth, und nichts scheint seinem Blick zu entgehen. Roth weiß, worüber er schreibt, denn er war nicht nur ein großer Reisender, sondern auch ständiger Hotelgast.

Feuilletons

Leben im Hotel

Diálogo con el tabaco

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