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Sentís E: Diálogo con el tabaco

Diálogo con el tabaco

Explore Lao food through 95 approachable, flavor-packed recipes from the popular food content creator behind Saeng’s Kitchen. “Saeng Douangdara brings Laos to the table with recipes that are bold, soulful, and alive with memory. This book belongs on every shelf where flavor, family, and food history matter.”—Andrew Zimmern In Lao kitchens, every dish tells a story and every bite excites. The food culture of Laos has historically been preserved through oral tradition, and in this essential guide to Lao cooking, personal chef Saeng Douangdara draws on his expertise and the food knowledge passed down from his family to share the beauty and history of Lao cuisine. Discover the rich flavors of Laos through 95 recipes for dips, small plates, rice dishes, fermented foods and salads, laab, noodles, soups and stews, not-too-sweet desserts, and modern twists on traditional recipes, including: • Thum Khao Poon (Cold Vermicelli Noodle Salad) • Som Moo (Fermented Pork Sausage) • Galabao (Pork Steamed Buns) • Khanom Mantone (Steamed Cassava Cake) • and more! The Lao Kitchen dives into the heart of Lao foodways—often overlooked but deeply rooted in Southeast Asian traditions. Through thoughtful essays and memories connected to each recipe, Saeng tells his story as a member of the Lao diaspora, exploring his roots through food. Bold, flavorful, deeply personal, and featuring gorgeous photography from Laos and Saeng’s own kitchen, The Lao Kitchen is a celebration of community, the connection that food brings, and what it means to cook from the heart.

Explore Lao food through 95 approachable, flavor-packed recipes from the popular food content creator behind Saeng’s Kitchen. “Saeng Douangdara brings Laos to the table with recipes that are bold, soulful, and alive with memory. This book belongs on every shelf where flavor, family, and food history matter.”—Andrew Zimmern In Lao kitchens, every dish tells a story and every bite excites. The food culture of Laos has historically been preserved through oral tradition, and in this essential guide to Lao cooking, personal chef Saeng Douangdara draws on his expertise and the food knowledge passed down from his family to share the beauty and history of Lao cuisine. Discover the rich flavors of Laos through 95 recipes for dips, small plates, rice dishes, fermented foods and salads, laab, noodles, soups and stews, not-too-sweet desserts, and modern twists on traditional recipes, including: • Thum Khao Poon (Cold Vermicelli Noodle Salad) • Som Moo (Fermented Pork Sausage) • Galabao (Pork Steamed Buns) • Khanom Mantone (Steamed Cassava Cake) • and more! The Lao Kitchen dives into the heart of Lao foodways—often overlooked but deeply rooted in Southeast Asian traditions. Through thoughtful essays and memories connected to each recipe, Saeng tells his story as a member of the Lao diaspora, exploring his roots through food. Bold, flavorful, deeply personal, and featuring gorgeous photography from Laos and Saeng’s own kitchen, The Lao Kitchen is a celebration of community, the connection that food brings, and what it means to cook from the heart.

Lao Flavors and Stories Told Through Family Recipes

The Lao Kitchen

Einleitung (Anfang):

Kann 'Sprechen über Technik' etwas sein, das selbst Geschichte hat, oder ist der "Verlauf" des Sprechens über Technik immer nur Begleiterscheinung "anderer" Geschichte? Gesetzt, es gäbe sie, dann wäre die Frage: Von wann bis wann will man sie erzählen? Wo doch 'Technik' seit Urgedenken zum Menschsein gehört und Menschen sich schon immer darüber austauschten. Betrachtet werden soll im Folgenden nur jene Zeitspanne, da man von "moderner" industrieller Technik spricht und nicht etwa jene Jahrhunderte oder Jahrtausende zuvor, die man mit "natürliche Technik" übertiteln könnte. (Etwa weil sie betrieben wurde durch die Kraft der Nutztiere, oder weil sie die Werkstoffe vornehmlich aus dem gegebenen Bestand der umgebenden Natur entnahm.) Im strengeren Sinne ist die Wortbildung 'Techn-ik' selber erst ein Abkömmling der Epoche der Neuzeit. (Interessant wäre, diese Schreibweise 'Techn-ik' im Schriftlichen ab jetzt beizubehalten, um damit jene im Zuge der Neuzeit entstandene charakteristische "Gestalt" der modernen Zeit, die neben anderen, früheren, bzw. möglichen anderen, zukünftigen, Gestalten steht, zu markieren. Es zöge freilich Irritation nach sich, so dass es vorläufig, und auch in dieser hier vorliegenden Arbeit, bei der gegenwärtig "vertrauten" Schreibweise dieses Wortes, also bei 'Technik', bleiben soll. Insofern geht es im Folgenden um 'Technik' und um eine Geschichte über das Sprechen, das hierdurch aufkam.) Man sieht die Kürze der betreffenden Zeitspanne: Gerade einmal 150 bis 200 Jahre sind es. Im deutschsprachigen Raum gibt es den entscheidenden Aufschwung hinein in die Ära der industriellen Technik etwa ab Mitte des 19. Jahrhunderts. Zuvor, bis in die Goethezeit, blieben die Wirtschaftsstrukturen noch weitgehend ländlich agrarisch und damit feudalistisch geprägt, obgleich freilich ein J. Watt das Prinzip der Dampfmaschine bereits ein Jahrhundert zuvor gefunden hatte.
Es soll nur eine bestimmte Art und Weise des 'Sprechens über Technik' betrachtet werden. Nicht jedes 'Sprechen über Technik' im Sinne 'Sich-Austauschen über irgendeine Maschine oder Anlage' ist von Interesse. Eine Eingrenzung wird von Nöten sein. Zuallererst aber ist zu fragen: Inwiefern haben wir gegenwärtig einen verlässlichen Begriff, was Geschichte heute kennzeichnet oder ausmacht? Mit diesem letzten Punkt sollen die Ausführungen beginnen.
Der spezifische Blickwinkel lautet also: 
Konturen einer Geschichte des Sprechens über Technik

Essay

Konturen einer Geschichte des Sprechens über Technik

INSTANT #1 NEW YORK TIMES BESTSELLER • In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, “like towing a wrecked car across town at midnight.” It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you—as a twenty-five-year-old—are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it—even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her—because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again—if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame—from selling the pilot of Girls to the present—in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain—and begins to control your every move—being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

INSTANT #1 NEW YORK TIMES BESTSELLER • In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, “like towing a wrecked car across town at midnight.” It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you—as a twenty-five-year-old—are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it—even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her—because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again—if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame—from selling the pilot of Girls to the present—in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain—and begins to control your every move—being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

A Memoir

Famesick

'A bookworm's delight' Sara Collins 'Funny, warm and charming' Marian Keyes 'Like butter on toast: perfect' Caitlin MoranA love letter to all those who come alive when they pull a new treasure off the shelf, stay up late reading just one more page and pack their suitcases with clothes wedged between books instead of the other way around.From well-worn literary classics to steamy bonkbusters, gripping thrillers, young adult novels and other not-so-guilty pleasures Bookish brims with literary insights, wry observations and stellar recommendations. This is an ode to the bookish places - from local libraries to bookshops big and small - and the stories that make us who we are.'Comforting, funny and moving - Bookish is wonderful to curl up with on good days and bad' Sali Hughes 'An affectionate, warm guide on the healing power of reading' i News 'Mangan makes for a wonderfully incisive critic and can pick apart a George Orwell with the same perspicacity with which she can, say, a Jack Reacher' ObserverREADERS LOVE BOOKISH'A perfect read for all of us under the spellbinding influence of books!' 'I found myself laughing at her wit and nodding in agreement at the books she loves' 'Perfect book for bookworms and you'll feel as if you've found your tribe.' 'This is a book which will fill every bookworm's heart with joy!' 'A perfect read for all of us under the spellbinding influence of books!' 'Would again make a perfect gift for any bookish bookworm' 'If you love books - and I mean really, really, love them, you should buy this book.' 'I have never felt more seen.'

A Love Letter to Reading

Bookish

A handsome new volume devoted to the most important works by Manet, a pivotal figure in Impressionism and widely considered the first of the modern artists. With over 100 seminal paintings, this book celebrates the artist who bridged the transition from Realism to Impressionism and is seen as giving rise to Modernism. Combining painterly technique with strikingly modern images of contemporary life, much of Manet’s work documented daily life in Paris, depicting scenes ranging from the recently built boulevards with their sidewalk cafes, industrial marvels such as the railways, and pleasure grounds ranging from newly landscaped parks to horse racing. He also painted provocative scenes of the demimonde in popular bars and cabarets. Included here are popular and iconic works such as Le Déjeuner sur l’herbe,&nbsp;with its shocking juxtaposition of a nude woman amid fully dressed men, and Olympia, Manet’s modern reworking of Titian’s Venus of Urbino that Parisian society initially rejected as scandalous. Little has been published on Manet recently, so this comprehensive survey is long overdue. His bold style, muscular brushwork, frank subject matter, and compositions that pushed boundaries and confronted societal norms continue to influence and inspire today’s young artists.

This is a richly illustrated new volume devoted to the most important works by Édouard Manet —a pivotal figure in the emergence of Impressionism and widely considered the first modern artist. With nearly one hundred seminal paintings, this publication celebrates the artist who paved the way for the Impressionist movement and the rise of modernism. Combining a radical technique with contemporary subjects, Manet’s groundbreaking works engage with modern Paris, depicting its new boulevards and fashionable parks and cafés along with a range of urban types, from ragpickers and prostitutes to barmaids and elegant Parisians. Included here are the artist’s iconic scenes of modern life such as Luncheon on the Grass, with its shocking juxtaposition of a female nude and a pair of fully dressed men, and Olympia, a modern reworking of Titian’s Renaissance masterpiece, Venus of Urbino, that scandalized Paris in the 1860s and established Manet as the leader of the avant-garde. This book also explores Manet’s artistic legacy in the work of subsequent generations of artists, from Cézanne and Picasso to contemporary artists including Nicole Eisenman.

The Great Works

Manet

36 ways to improve your writing Two writers show you how to turn a worthy sentence into a memorable one. Starting where The Elements of Style leaves off, Good Writing can improve your book, your essay, your memo, your blog post, speech, or script. These essential rules for persuasive language work on any type of writing, and anyone can learn them quickly. Each rule is accompanied by examples and a lively pair of essays, the first by Neal Allen, who developed the list of tips over the course of his journalism and corporate careers; the second by his wife, Anne Lamott, acclaimed author of Bird by Bird and nineteen other nonfiction works and novels. The authors don’t always agree on the specifics, but they are passionate about making better sentences. As Neal writes, “These rules economize, favor the plainspoken and the specific, keep the reader’s attention sharp, and in other ways show respect for the audience’s time and desire for novelty.” Some rules are fundamental: Use strong verbs. Remove the boring stuff. Twist clichés. Some are more subtle: Draw on all five senses. Give your sentence a finale. Along the way, Good Writing addresses practicalities such as finishing projects despite challenges, trusting editors, and knowing when to break the rules to serve your story. Whether you're a novice writer or a seasoned author, this entertaining guide will revolutionize your approach to crafting sentences.

36 Ways to Improve Your Sentences

Good Writing

The Che Guevara Library

En una carta a su madre en 1954, un joven Ernesto Guevara escribió: "Las Américas serán el teatro de mis aventuras de una manera mucho más significativa de lo que yo hubiera creído". En America Latina se&nbsp;narra la historia de esas aventuras, trazando la evolución del Che desde el joven e impresionable estudiante de medicina al "guerrillero heroico", asesinado a sangre fría en Bolivia. A lo largo de diecisiete años, esta antología se nutre de los archivos personales de su familia y ofrece lo mejor de los escritos del Che: ejemplos de su periodismo, ensayos, discursos, cartas e incluso poemas. A medida que el Che documenta sus primeros viajes por América Latina, su participación en las revoluciones guatemalteca y cubana, y su ascenso a la prominencia internacional bajo el mando de Fidel Castro, vemos cómo su ferviente compromiso con la justicia social moldeó y fue moldeado por el continente al que llamó hogar. Casi la mitad de este libro se publica por primera vez y es anterior a la llegada del Che a Cuba con la expedición guerrillera de Fidel Castro en 1956. También se incluyen sus notas para su libro inacabado, The Social Role of Doctors in Latin America.

En una carta a su madre en 1954, un joven Ernesto Guevara escribió: "Las Américas serán el teatro de mis aventuras de una manera mucho más significativa de lo que yo hubiera creído". En America Latina se&nbsp;narra la historia de esas aventuras, trazando la evolución del Che desde el joven e impresionable estudiante de medicina al "guerrillero heroico", asesinado a sangre fría en Bolivia. A lo largo de diecisiete años, esta antología se nutre de los archivos personales de su familia y ofrece lo mejor de los escritos del Che: ejemplos de su periodismo, ensayos, discursos, cartas e incluso poemas. A medida que el Che documenta sus primeros viajes por América Latina, su participación en las revoluciones guatemalteca y cubana, y su ascenso a la prominencia internacional bajo el mando de Fidel Castro, vemos cómo su ferviente compromiso con la justicia social moldeó y fue moldeado por el continente al que llamó hogar. Casi la mitad de este libro se publica por primera vez y es anterior a la llegada del Che a Cuba con la expedición guerrillera de Fidel Castro en 1956. También se incluyen sus notas para su libro inacabado, The Social Role of Doctors in Latin America.

Despertar de un continente

América Latina

Nobel laureate and Pulitzer Prize–winning author of Beloved Toni Morrison investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious. In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racial identity—these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of their authors’ own deepest fears, insecurities, and longings. With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with—without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?” To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. With a foreword by her son Ford Morrison and an introduction by her Princeton comparative literature colleague Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

Nobel laureate and Pulitzer Prize–winning author of Beloved Toni Morrison investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious. In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racialidentity—these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of their authors’ own deepest fears, insecurities, and longings. With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with—without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?” To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. With a foreword by her son Ford Morrison and an introduction by her Princeton comparative literature colleague Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

Reflections on the American Canon

Language as Liberation

'He created his own universe and became its star' David Cronenberg, Guardian Andy Warhol carried a camera with him everywhere he went and, taken from ten years of extraordinary shots, his America aspires to the strange beauty and staggering contradictions of the country itself. Exploring his greatest obsessions - including image and celebrity - he photographs wrestlers and politicians, the beautiful wealthy and the disenfranchised poor, Capote with the fresh scars of a facelift and Madonna hiding beneath a brunette bob. He writes about the country he loves, wishing he had died when he was shot, commercialism, fame and beauty. An America without Warhol is almost as inconceivable as Warhol without America, and this touching, witty tribute is the great artist of the superficial at his most deeply personal.

America

“Lewis blew me away with their debut novel . . . an absolute hoot.” —The New York Times Book Review “A scorchingly brilliant, wildly funny, and deeply moving epic.” —John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile,&nbsp;Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

“A scorchingly brilliant, wildly funny, and deeply moving epic.”&nbsp;—John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile,&nbsp;Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

A Novel

Canon

Come and meet Shere Hite—the feminist hero whose notorious work revolutionized how we think about sex, marriage, and the female orgasm... Despite being one of the leading thinkers of the second wave feminist movement, today Shere Hite is little known, little written about, and, unsurprisingly, little read. Her groundbreaking book, The Hite Report, was the first feminist exploration of the link between sex and male power. It sold millions of copies when first published in 1976 and revolutionized the way people thought about marriage and the female orgasm. How, then, did it, and Hite, disappear from public consciousness?&nbsp; Using original research material and sharp cultural analysis, Rosa Campbell explores Hite’s complicated life and literary legacy. Campbell expands on Hite’s ideas about sex — namely, that sex is sexist — and tracks Hite through her fraught childhood, her struggles working in the porn industry, and her eventual cancellation by the far-right Evangelical movement. All the while, Campbell holds Hite and The Hite Report to account for their own failings and absence of intersectionality.&nbsp; In a post-Dobbs, post-MeToo world, this book’s examination of shifting ideological movements is essential to understanding both the current feminist movement, as well as how conservative, reactionary, counter-mobilization efforts can silence even the most successful of women. Contains 8 black and white vintage photos.

Come and meet Shere Hite—the feminist hero whose notorious work revolutionized how we think about sex, marriage, and the female orgasm... Despite being one of the leading thinkers of the second wave feminist movement, today Shere Hite is little known, little written about, and, unsurprisingly, little read. Her groundbreaking book, The Hite Report, was the first feminist exploration of the link between sex and male power. It sold millions of copies when first published in 1976 and revolutionized the way people thought about marriage and the female orgasm. How, then, did it, and Hite, disappear from public consciousness?&nbsp; Using original research material and sharp cultural analysis, Rosa Campbell explores Hite’s complicated life and literary legacy. Campbell expands on Hite’s ideas about sex — namely, that sex is sexist — and tracks Hite through her fraught childhood, her struggles working in the porn industry, and her eventual cancellation by the far-right Evangelical movement. All the while, Campbell holds Hite and The Hite Report to account for their own failings and absence of intersectionality.&nbsp; In a post-Dobbs, post-MeToo world, this book’s examination of shifting ideological movements is essential to understanding both the current feminist movement, as well as how conservative, reactionary, counter-mobilization efforts can silence even the most successful of women. Contains 8 black and white vintage photos.

Shere Hite and the Hite Report

The Book That Taught the World to Orgasm and Then Disappeared

Florida Humanities Partnership Publications

Writers spanning genre and geography come together to show the strength and diversity of Florida’s literary landscape today In recent years, a rising generation of Florida writers has joined forces with established legends to create a literary renaissance. All This Beauty introduces this community, making the case that Elizabeth Bishop’s “state with the prettiest name” is also one of the best at producing and nurturing talent. This book demonstrates the depth and extent of Florida’s literary genius. Edited by Kristen Arnett and P. Scott Cunningham, this expansive anthology brings together poems, short fiction, and essays from 66 writers. Yael Valencia Aldana, Derrick Austin, Frankie de la Cretaz, Patricia Engel, Dionne Irving, Amy Suzanne Parker, Avni Vyas, and many others conjure widely varying experiences of the state, from Gulf beaches to South Florida nightlife, from muscadine grapevines to college gamedays and Major League Baseball. Together, they present a Florida that is more than the stereotypes of “weird” or “wild”—it is messier, deeper, and far more compelling. This anthology shows that between the headlines, Florida writers continue to affirm the beauty, complexity, and culture that make the state unique. In these pages, people who truly love Florida claim the privilege of defining it. All This Beauty invites readers to see Florida as its contributors do: a place of contradiction and connection, alive with imagination and possibility. Funding for this publication was provided through a grant from Florida Humanities with funds from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this publication do not necessarily represent those of Florida Humanities or the National Endowment for the Humanities.

An Anthology of Contemporary Florida Writers

All This Beauty

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