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Pease B: Destabilising Manhood and
Masculinity

Destabilising Manhood and Masculinity

Unbecoming Men in a Violent Gender Order

This is the first encyclopedia devoted exclusively to medieval women’s writing&nbsp;globally. Focusing on the thousand-year period between 500-1500, this comprehensive reference work addresses a long-standing gap in scholarship on women writers from this period. It challenges current understandings of the literary tradition of women by incorporating early writers and texts that remain marginal and by expanding definitions of textual composition to include more collaborative&nbsp;and contextual&nbsp;activities.&nbsp;This encyclopedia also presents women in context of the global Middle Ages.&nbsp;Entries extend beyond works written in England, Scotland, Ireland,&nbsp;and Wales to include works by women from Europe, Africa,&nbsp;and Asia. By locating medieval women’s writing within its cultural, social, religious,&nbsp;and political contexts,&nbsp;The Palgrave Encyclopedia of Medieval Women’s Writing&nbsp;in the Global Middle Ages&nbsp;will be an ideal entry point for students and researchers coming into the field, and a valuable resource for established scholars.

The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages

'Entertaining and moving...I came to love these four women as though they were my sisters' TRACY CHEVALIER 'I ADORED it. What a fantastic read. My book of the year' JILL MANSELL - They knew they were changing history. They didn't know they would change each other. Oxford, 1920. For the first time in its 1000-year history, the world's most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship. Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way - and her own friends - for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won't be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone - even The Eights - if she is to succeed. But Oxford's dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever. The Eights is a captivating debut novel about sisterhood, self-determination, courage, and what it means to come of age in a world that is forever changed. - 'Beautifully captures the power of friendship ... A pleasure to read' PIP WILLIAMS, author of A Dictionary of Lost Words 'I so enjoyed The Eights' CLARE CHAMBERS, author of Small Pleasures

The Eights

Laura Mulvey's importance and influence as a feminist filmmaker and theorist are explored in depth with critical essays by scholars, new conversations with filmmakers and thinkers, and previously unpublished writings by Mulvey herself.

Feminist Legacies

Laura Mulvey

The spiky revenge narrative from Lolita's perspective

The Crustacean

Environmental Cultures

Developing an innovative model for climate change mitigation and adaptation, this book translates feminist theory into practice, bringing together climate justice and community engagement to demonstrate how we can gradually change the world as the world changes us.

Feminist Practice for Climate Change

How to Weather Together

Genders and Sexualities in the Social Sciences

The Social and Political Lives of Gender Nonconforming People in India

Beyond Transgender

The Margellos World Republic of Letters

The instant bestseller from Djamila Ribeiro that sparked a major Black feminist movement in Brazil &nbsp; “Part theory, part manifesto, part history. . . . [Where We Stand] has the makings of a truly modern feminist classic.”—Literary Hub, “Most Anticipated Books of 2024” &nbsp; In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of “speaking place.” A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking. &nbsp; Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro invites all of us to recognize where we stand, to imagine geographies&nbsp;different from those we’ve inherited, and to speak a more humane world into being.

Where We Stand

Reihe: Wie wir leben wollen

Frauen sind heute alles - Erfinderinnen, Unternehmerinnen, Präsidentinnen. Doch je ambitionierter, erfolgreicher und unabhängiger eine Frau ist, desto mehr hakt es in der Partnerschaft. Ob beim Dating oder in der Ehe - bricht die Rollenverteilung mit den Normen, bleiben diese beeindruckenden Frauen manchmal lieber alleine, statt sich kleiner machen zu müssen. Viele Männer fühlen sich überfordert vom ungewohnten Beziehungsgefälle und verweigern sich einem Update der Rollenbilder.&nbsp;Bianca Praetorius betrachtet den Drahtseilakt der Liebe aus feministischer Perspektive: Warum haben Männer Angst vor starken Frauen? Und was passiert, wenn Frauen&nbsp; 'nach unten' daten? Sie spricht mit betroffenen Frauen und Männern, porträtiert Paare jenseits von Rollenklischees, zeigt den Stand der Forschung und lässt Paartherapeut:innen zu Wort kommen. Ihr Buch liefert wichtige Denk- und Debattenanstöße und entwickelt die Vision gleichberechtigter Partnerschaften - damit die 'Female Success Penalty' nicht der letzte Endgegner im Kampf gegen das Patriarchat bleibt.&nbsp; 'Zu wenige Männer sind bereit, eine wirklich gleichberechtigte Beziehung zu führen.&nbsp;Wo liegt das Problem, und wie können wir das lösen? Bianca Praetorius hat dazu einige sehr kluge Ideen.' KRISTINA LUNZ 'Erfolgreiche Frau? Gern. Solange ich erfolgreicher bin... So ähnlich erwischte ich mich selbst beim Lesen und schämte mich. Hinter der Scham entdeckte ich dank Biancas klugen Fragen einen unfassbaren Beziehungsschatz.' WALDEMAR ZEILER

Warum starke Frauen mutige Männer brauchen | Schluss mit der Female Success Penalty

Beziehungsgefälle

Feminist Lessons From Five Revolutionary Women

Red Valkyries

Lover Girl

A Year in Motherhood Around the World

Four Mothers

*Longlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

Destabilising Manhood and Masculinity

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