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Leonard A: Four Mothers / B

Four Mothers

A Year in Motherhood Around the World

100 poems for the first 100 days of life

Tender

Grundthemen der Literaturwissenschaft

Die Zeit, als unter der Bezeichnung 'Adaptionen' vor allem Literaturverfilmungen verstanden und wissenschaftlich untersucht wurden, ist lange vorbei. Andere Medien als Literatur und Film sowie andere Adaptionsprozesse als der klassische Medienwechsel sind insbesondere seit den späten 1990er Jahren immer stärker in den Fokus der sog. Adaptation Studies gerückt. Das vorliegende Handbuch bietet als erstes deutschsprachiges Werk einen umfassenden Überblick über die Formen, Konzepte und Praktiken von Adaption, die in diesem Zusammenhang zum Gegenstand literatur-, kultur- und medienwissenschaftlicher Forschung geworden sind. Es präsentiert die derzeit aktuellen Fragestellungen und Theorien des Faches ebenso wie dessen Beschäftigung mit verwandten Phänomenen wie z.B. Übersetzung und Serialität. Neben der Betrachtung von Adaption als einem textlichen, kulturellen und nicht zuletzt ökonomischen Phänomen lotet der Band außerdem gezielt das Potenzial von Adaptionskonzepten aus anderen geistes- und naturwissenschaftlichen Disziplinen für die Literaturwissenschaft aus. Das Buch ermöglicht Studierenden, Lehrenden und Forschenden somit einen fundierten Einblick in die Themen und Fragestellungen der Adaptation Studies.

This handbook offers a broad overview of characteristic adaptation processes within and between media, and current academic issues in the theoretical understanding of adaptation. It describes the concepts, practices, and forms of adaptation and their role as cultural phenomena while also examining concepts of adaptation from other disciplines of relevance to literary studies.

Grundthemen der Literaturwissenschaft: Adaption

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Participation programs have certainly been introduced to a number of museums and as this book will show, some have been tremendously successful. Yet, for the most part, participation has been limited and the bulk of engagement has tended to be around new forms of publication from within rather than discussions with diverse audiences. Based on research conducted with international museums over the past 6 years, this book explores three key areas: engagement, participation, and co-creation as the keystones for understanding the value of the "social" museum. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. This book develops models for new partnerships, based on critical analysis of both the impact of social media and evaluations of some of the most successful examples in the sector to date. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

Rewrites the history of the development of film and TV industries and cultures through questions of gender during the critical decade of the 1970s Spain.

A feminist cultural history of Spain of the 1970s, exploring the work of women in the audio-visual industries who joined the workforce in significant numbers over this decade of Transition.

Leading Women in Spanish Cinema and Television, 1970-1980

Turning discord into dialogue and building better relationships in work and life

The Art of Disagreeing

Cultural Spaces

Chinatowns is a highly readable book highlighting the unique features of the different Chinatowns surveyed, explaining how a unique culture developed and outlines their basic cultural, social, and political features from Europe to Southeast Asia.

Chinatowns is a highly readable book highlighting the unique features of the different Chinatowns surveyed, explaining how a unique culture developed and outlines their basic cultural, social, and political features from Europe to Southeast Asia.

Chinatowns

Dopamine Kids

This book takes readers through the major events and debates in the modern history of the Republic of Turkey. Beginning with the collapse of the Ottoman Empire at the end of WWI and the victory of nationalist forces in 1923, it relays the key turning points, issues and trends in the Republic's history. It gives readers a strong grounding in the political history as well as historiographical debates including: - the nation building process and nationalisms; - the development of political Islam - the impact on Turkey of the Cold War - decolonisation - the role of the army in politics and the dominance of the coup in historiography - class structure - human rights - civil society - secularism - the Ottoman legacy The book incorporates the very latest thinking on the study of Turkey into its narrative, covering essential issues hitherto left out of introductory texts which prioritise security such as migration (both internal within Turkey and out of and into Turkey); economic models; Turkey's geostrategic position; energy resources and policies; the environment; gender: and entertainment culture including sport. Each of the book's 13 chronological chapters includes a chronology of major events and a further reading and sources section which include Turkish short stories, novels or poems in translation, online open access sources, films and documentaries and text boxes containing, poetry, film posters, newspaper headlines, short biographies, adverts, and information on specific events such as the introduction of TV feature throughout the text to aid learning. Breaking with the Cold War paradigm and its focus on the coups and security as well as approaches to Turkey which over emphasise the Ottoman past, this book offers readers a new assessment of the Republic which reflects the diverse approaches to its history prevalent in current scholarship.

A History from 1918 to the Present

The Republic of Turkey

Routledge Foundations in Linguistic Anthropology

Language, Gender, and Sexuality

Women's freedom is a myth. Or so we're told. If there is one thing that right and left can agree on, it's that this is a very bad time to be female. Misogyny is everywhere and, as the right would have it, thanks to a big fat liberal lie known as the sexual revolution, it is worse than ever. The death of courtship, duty and marriage are nails in the coffin of female happiness. The left has its own muddled ideas about sex, duty and marriage, but it knows this: girls' and women's bodies are an inventory of pain and suffering that needs to be outed, from period pain to menopause to endometriosis. Indeed, the narrative of female bodily disadvantage is so extreme that experts are beginning to admit it is at least partially responsible for the 5,000 per cent rise in girls reporting to gender clinics claiming to be boys. Increasingly, in the schemes of both right and left, women's agency is vanishing. In both, they are fragile, eminently breakable, and constantly facing a risk of permanent damage. Fear is everywhere and yet we're at a moment and a place in which women have never ever had it so good. This book is a call for women - and society - to get back in touch with the joy, freedom and power that Zoe and her female peers, evidently born in a lucky window (post-feminism, pre-Internet), saw opening up before them and, to some degree, have realised.

Why Sex, Money and Power Are Great for Women

Good Slut

Four Mothers

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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