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I May Destroy You meets It Follows: a short, sharp, shock of a novel about an act of violence, a woman haunted by the memory of what happened, and her lover with a plan for revenge.

Stuckes P: Dead Animals / B

Dead Animals

'A brilliant, chilling, furious novel. Real, relatable, and unputdownable' Rachel Long

"A powerful novel set in a Hong Kong that feels remarkably universal." —Mohsin Hamid, author of Exit West "A dazzling, page-turning novel...Gripping, specific, important, and highly satisfying.” —Elif Batuman, author of The Idiot and Either/Or A powerful, award-winning novel that follows the lives of two women as democracy starts to crumble in Hong Kong On a weekend morning, college roommates Ah Lei and Panda wake up with very different reactions to the night before. They have been chased and tear-gassed in the streets of their city after joining tens of thousands of others to protest a national security law that would effectively spell the end of democracy in Hong Kong. Ah Lei can’t get out of bed, her heart heavy with the lingering images of the police and the violence on the streets, and her worries about the future of her hometown. Panda, whose resistance is no less ardent, puts on a sundress, lines her eyes, and urges Ah Lei to join her for brunch. While the demonstrations rage, the routine of life also persists for Ah Lei, Panda, and people in their orbits. They attend family gatherings, fight with their mothers, try and fail to focus at work on Mondays, and make time for dinner dates and app hookups. But the looming political tension and anxiety for the future transform such everyday encounters. In the span of a few months, life as they know it seems to become a mirage: the comfort of air-conditioned shopping malls is disrupted by bloodshed; tear gas and the sounds of rubber bullets amid neon signs strangely evoke happier memories of summer night fireworks. Gigi L. Leung’s visceral novel Everyday Movement reveals existential questions that interrupt normal life: belonging, patriotism, and the meaningfulness of an electoral democracy, as well as the pampering sense of normalcy created by consumerism. Fiery and tender, Leung’s writing captures the heartbreak, turmoil, and rebirth in bearing witness to and engaging with a shattering reality.

A powerful, award-winning novel that follows the lives of two women as democracy starts to crumble in Hong Kong On a weekend morning, college roommates Ah Lei and Panda wake up with very different reactions to the night before. They have been chased and tear-gassed in the streets of their city after joining tens of thousands of others to protest a national security law that would effectively spell the end of democracy in Hong Kong. Ah Lei can’t get out of bed, her heart heavy with the lingering images of the police and the violence on the streets, and her worries about the future of her hometown. Panda, whose resistance is no less ardent, puts on a sundress, lines her eyes, and urges Ah Lei to join her for brunch. While the demonstrations rage, the routine of life also persists for Ah Lei, Panda, and people in their orbits. They attend family gatherings, fight with their mothers, try and fail to focus at work on Mondays, and make time for dinner dates and app hookups. But the looming political tension and anxiety for the future transform such everyday encounters. In the span of a few months, life as they know it seems to become a mirage: the comfort of air-conditioned shopping malls is disrupted by bloodshed; tear gas and the sounds of rubber bullets amid neon signs strangely evoke happier memories of summer night fireworks. Gigi L. Leung’s visceral novel Everyday Movement reveals existential questions that interrupt normal life: belonging, patriotism, and the meaningfulness of an electoral democracy, as well as the pampering sense of normalcy created by consumerism. Fiery and tender, Leung’s writing captures the heartbreak, turmoil, and rebirth in bearing witness to and engaging with a shattering reality.

Everyday Movement

British Library Tales of the Weird

A neglected twentieth-century classic, chilling and literary, returning to print for the first time since the 1950s.

The Black Fox

A #1 NEW YORK TIMES BESTSELLER.In this twisty thriller from New York Times bestselling author Colleen Hoover, a frustrated author looks for her muse in a remote hideaway, but what she finds defies all expectations...and reality.Her words used to set the page on fire. But a viral backlash over her latest film adaptation forced Petra Rose to take a hiatus, resulting in missed deadlines and an overdue mortgage. Branded a fraud and fame-hungry opportunist, she learned the hard way what happens when the internet turns on you. And she's been uninspired to write ever since.Now, with her next suspense novel outlined and savings nearly gone, she retreats to a secluded lakeside cabin, hoping to find inspiration. It's Petra's last-ditch attempt to save her career--and herself.Then he shows up.Detective Nathaniel Saint arrives with disturbing news, his presence igniting a creativity in her she thought long since burned out. Petra's words return in a rush, and her fictional cop character begins to mirror the very real cop who's becoming her muse.Their "research" sessions blur the lines between fantasy and reality. Each glance, every touch pulls Petra deeper into a world she thought she'd never lose herself in again. She's never felt more alive. But inspiration this powerful comes at a cost.When Saint starts taking his role in her career a little too seriously, Petra's forced to confront the chaos she created. But doing so could cost her more than the reputation she's been trying to salvage. The reputation the world wrote for her--the reputation only she can reclaim.

A Novel

Woman Down

"Superb ... a perfect horror for our imperfect age.” – The New York Times AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER They were never girls, they were witches . . . . They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, frightened, and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by the adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid . . . and it’s usually paid in blood. In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).

Witchcraft for Wayward Girls

This book provides an overview of male violence against women and the failure of the legal system. Male violence against women is pervasive. From the bedroom to the boardroom; from the home to the hospital; from the court to the care home, women are subject to male violence. The legal response to this is weak. The violence is either invisible or downplayed. This book explains why and how the law can do better. It explores how violence in different settings reinforces and magnifies the abuse in others. Too often violence against women is considered in silos (sexual assault; domestic abuse; street harassment, etc.). The book argues that they must be seen on a continuum. It brings out the common themes, but also the subtle differences in context between the scenes of violence. In doing so it argues that we cannot understand an incident of male violence against women without understanding the broader context within which that takes place. The book claims that the legal response to male violence against women downplays the severity of the harm or even fails to recognise it. This is a must-read for those interested in criminal law, gender politics, and feminist approaches to law. It is only when the true nature of the problem is grasped that the law can start to provide an effective response to it. This book shows how a better and more effective law can be found.

This book provides an overview of male violence against women and the failure of the legal system. 

Male violence against women is pervasive. From the bedroom to the boardroom; from the home to the hospital; from the court to the care home, women are subject to male violence. The legal response to this is weak. The violence is either invisible or downplayed. This book explains why and how the law can do better. 

It explores how violence in different settings reinforces and magnifies the abuse in others. Too often violence against women is considered in silos (sexual assault; domestic abuse; street harassment, etc.). The book argues that they must be seen on a continuum. It brings out the common themes, but also the subtle differences in context between the scenes of violence. In doing so it argues that we cannot understand an incident of male violence against women without understanding the broader context within which that takes place. The book claims that the legal response to male violence against women downplays the severity of the harm or even fails to recognise it. 

This is a must-read for those interested in criminal law, gender politics, and feminist approaches to law. It is only when the true nature of the problem is grasped that the law can start to provide an effective response to it. This book shows how a better and more effective law can be found.

Law, Ethics, and Policy

Male Violence Against Women

From the New York Times bestselling author of Evvie Drake Starts Over and Flying Solo, a podcast producer agrees to host a new series about modern dating—but will the show jeopardize her chance at finding real love? “Romantic, smart, and exactly the book we all need right now. I adored this.”—Annabel Monaghan, author of Nora Goes Off Script “You’ll sink into this story and never want it to end.”—Elissa Sussman, author of Funny You Should Ask Cecily Foster loves to make podcasts. She fiercely protects her colleagues, dearly adores her friends, and never misses dinner with her sister. But after a disastrous relationship with a colleague who stole her heart and her ideas, she’s put romantic love on hold. When the boss who’s disappointed her again and again finally offers her the chance to host her own show, she wants to be thrilled. But there’s a catch—actually, two catches. First, the show will be about Cecily’s dating life. And second, she has to follow the guidance of influencer and newly minted relationship coach Eliza Cassidy, whose relentlessly upbeat attitude seems ready-made for social media, not real life. Cecily would rather do anything other than put her singledom on display (ugh) or take advice from the internet (UGH). But when her boss hints that doing the show is the only way to protect a friend’s job, she realizes she has no choice. To make matters more complicated, once she’s committed to twenty blind dates of Eliza’s choosing, Cecily finds herself unable to stop thinking about Will, a photographer she helped to rescue a very big and very lovable lost dog. Even though there are sparks between the two, Will’s own path is uncertain, and Eliza’s skeptical comments about Cecily’s decision-making aren’t helping. On the one hand, Will seems great. But on the other hand . . . don’t they all? As Cecily struggles to balance the life she truly desires and the one Eliza wants to create for her, she finds herself at a crossroads. Can Cecily sort through all the advice and find a way to do what she loves without losing herself in the process?

From the New York Times bestselling author of Evvie Drake Starts Over and Flying Solo, a podcast producer agrees to host a new series about modern dating—but will the show jeopardize her chance at finding real love? “Romantic, smart, and exactly the book we all need right now. I adored this.”—Annabel Monaghan, author of Nora Goes Off Script “You’ll sink into this story and never want it to end.”—Elissa Sussman, author of Funny You Should Ask Cecily Foster loves to make podcasts. She fiercely protects her colleagues, dearly adores her friends, and never misses dinner with her sister. But after a disastrous relationship with a colleague who stole her heart and her ideas, she’s put romantic love on hold. When the boss who’s disappointed her again and again finally offers her the chance to host her own show, she wants to be thrilled. But there’s a catch—actually, two catches. First, the show will be about Cecily’s dating life. And second, she has to follow the guidance of influencer and newly minted relationship coach Eliza Cassidy, whose relentlessly upbeat attitude seems ready-made for social media, not real life. Cecily would rather do anything other than put her singledom on display (ugh) or take advice from the internet (UGH). But when her boss hints that doing the show is the only way to protect a friend’s job, she realizes she has no choice. To make matters more complicated, once she’s committed to twenty blind dates of Eliza’s choosing, Cecily finds herself unable to stop thinking about Will, a photographer she helped to rescue a very big and very lovable lost dog. Even though there are sparks between the two, Will’s own path is uncertain, and Eliza’s skeptical comments about Cecily’s decision-making aren’t helping. On the one hand, Will seems great. But on the other hand . . . don’t they all? As Cecily struggles to balance the life she truly desires and the one Eliza wants to create for her, she finds herself at a crossroads. Can Cecily sort through all the advice and find a way to do what she loves without losing herself in the process?

Back After This

#1 NEW YORK TIMES BESTSELLER • “After his spectacular Lincoln in the Bardo, Saunders returns . . . with a new novel even more spectacular than the last.”—Los Angeles Times A “daring” (Time) novel from the #1 New York Times bestselling, Booker Prize–winning author of A Swim in a Pond in the Rain and Tenth of December, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next “Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future. With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

#1 NEW YORK TIMES BESTSELLER • “After his spectacular Lincoln in the Bardo, Saunders returns . . . with a new novel even more spectacular than the last.”—Los Angeles Times A “daring” (Time) novel from the #1 New York Times bestselling, Booker Prize–winning author of A Swim in a Pond in the Rain and Tenth of December, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next “Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future. With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

Vigil

It's Not too Late to Build Toward a Better Future!Rick Caruso has earned a reputation for being a problem solver--somebody who's not afraid of facing big challenges. From his appointment to Water Commissioner and later Police Commissioner in Los Angeles to his bold real estate ventures, Caruso made the decisions he felt were right, even in the face of staunch adversity. In Its Not Too Late, Caruso shares the lessons he learned from his experiences while offering us all a path forward to a better future. At a time when more importance is placed on choosing sides than actually getting things done (let alone done right), Caruso offers refreshing perspective and will teach you how to let go of false divisions, and instead to embrace the search for actual answers and solutions.Togetherness, brotherhood, sisterhood, faith in each other, respect for each other, the ideals preached in almost every faith on Earth are the way forward, no matter how difficult the climb in front of us may seem. And ultimately, the only way we will get back on that path is for each of us to step up, with integrity, in whatever small way we can: for our kids, for our communities, for our country, and for each other.

It’s Not too Late to Build Toward a Better Future!

The Power of Finding Steadfast Solutions

It's Not Too Late

Um Inspektor Tada loszuwerden, lehnt Hauptkommissar Suwabe dessen Kündigung ab und versetzt ihn stattdessen in die zweite Usobuki-Ermittlungseinheit - eine Abteilung, die sich ausschließlich mit Papierkram rund um den Auftragsmörder beschäftigt. Dabei stößt Tada auf einen ehemaligen Ermittler, der ebenfalls immun gegen Usobukis Kräfte zu sein scheint. Doch von seinem früheren Ich ist kaum etwas übrig. Tada setzt alles daran, ihm zu helfen.

Undetectable Murderer 07

Critical University Studies

How the cult of capitalism reshaped the American university--and hollowed it out from within.Over the past several decades, American universities have been remade as engines of entrepreneurial ambition. Technology transfer offices, business incubators, pitch competitions, innovation hubs, and leadership centers now sit at the heart of campus life, radically altering how institutions describe their purpose, structure curricula, and imagine student success. The Start-Up Factory argues that this shift has come at a steep cost.James Rushing Daniel traces the rise of entrepreneurialism in higher education and shows how universities came to embrace the figure of the founder as both ideal and benefactor. Business leaders--many of them major donors--are celebrated as singular visionaries, their values imported into academic life and framed as models for intellectual work. This reverence, Daniel argues, has narrowed the university's sense of public responsibility for distorted academics, and transformed institutions into finishing schools for aspiring entrepreneurs. Moving across policy and historical documents, institutional rhetoric, teaching materials, site visits, and interviews, The Start-Up Factory documents how entrepreneurial thinking has reshaped the pedagogy, culture, and mission of the American university.The consequences of this entrepreneurial focus extend far beyond campuses. By promoting the myth of the self-made billionaire, universities help legitimize extreme inequality and normalize forms of power that undermine democratic life. At a moment of deep institutional crisis, when the influence of the billionaire class on college campuses is increasingly absolute and the future of higher education is uncertain, The Start-Up Factory offers a clear-eyed account of how universities arrived here--and why reclaiming their autonomy has become an urgent task.

How Entrepreneurialism Captured Higher Education

The Start-Up Factory

'If you wanted to end your life instantly, perfectly, you needed practice and preparation.' A sculptor and architect cross paths once in Seoul, and they meet again in Tokyo. The sculptor has decided she is going to die. She is learning to prepare a fatal serving of blowfish. This was how her grandmother killed herself, in front of her husband and child. Delicate, artful but with a sense of guaranteed finality. The architect's life has been marred by death. His elder brother leapt to his death from the fifth floor of an apartment building. He too is pondering his own exit from this life. For the woman, the man is a pitstop on the road to her own suicide. For the man, the woman is a way to forestall his death and offer him an exit. Through the impressions they leave on each other, they reflect on their own lives. Taking readers through various urban spaces of Seoul and Tokyo, Blowfish delves into the inner lives of two people contemplating their failures in love and art. What truly makes life worth living?

An award-winning and movingly introspective exploration of life, art and love from South Korea

Blowfish

Dead Animals

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