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David Alekhuoghie: A Reprise

The Shankill&nbsp;acts as a portrait of a place and the people within it. As a roughly a mile long road in Belfast, Northern Ireland, The Shankill is home to a working class, Protestant community. This title tells the unique story of how a prideful and resilient community has endured a complex and troubled history.&nbsp;

A Portrait of Pride and Resiliance

The Shankill

A Portrait of John Singer Sargent

Beyond Beauty

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

Storytelling and Image Making From MTV to Movies, Madison Avenue to the New Digital Explosion

The Visualist

Covering a half-century of dramatic change in the socio-political and arts scene, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nations reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist–– a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself.

50 Years: No End in Sight

Retrospective

Family Amnesia&nbsp;tells the story of the artist's great grandfather, grandfather and parent’s migration through collages, archival images, photographs, documents and historical anti-Chinese propaganda illustrations. The 1882 Chinese Exclusion Act set the backdrop for racial discrimination that has seeped into countless immigrant families. From operating a small hand laundromat, to working long hours for low wages in garment factories, generations of Yu’s family have worked tirelessly to overcome these obstacles.&nbsp;While the artist’s family migration story is shared by many Asian Americans this book provides an evocative first hand testimony of the challenges posed by racial discrimination.

Chinese American Resilience

Family Amnesia

Find out how to transform the ordinary into something extraordinary with this guide to minimalist photography. With advice on composition, balance, shape and texture, this book takes inspiration from the masters of minimalism to demonstrate how stripping a subject down to its very essence can help you craft beautifully bold and unique images. Illustrated with the finest examples of the style from the likes of Fan Ho, Imogen Cunningham, Michael Kenna, Berenice Abbott, William Eggleston and Horst P. Horst, this book guides you through the key techniques that define minimalism and provides easy-to-follow advice for how to create your own minimalist images that are visually striking in their simplicity.

Find out how to transform the ordinary into something extraordinary with this guide to minimalist photography. With advice on composition, balance, shape and texture, this book takes inspiration from the masters of minimalism to demonstrate how stripping a subject down to its very essence can help you craft beautifully bold and unique images. Illustrated with the finest examples of the style from the likes of Fan Ho, Imogen Cunningham, Michael Kenna, Berenice Abbott, William Eggleston and Horst P. Horst, this book guides you through the key techniques that define minimalism and provides easy-to-follow advice for how to create your own minimalist images that are visually striking in their simplicity.

50 techniques for capturing beauty in simplicity

The Minimalist Photographer

Born just fourteen months apart, one in London and the other in rural Suffolk, J.M.W. Turner and John Constable went on to change the face of British art.

Art, Life, Landscape

Turner and Constable

Vision & Justice

Coreen Simpson: A Monograph

The vibrant capital of South Korea, Seoul is a city of contrasts, a unique blend of tradition and modernity, with futuristic skyscrapers blending with traditional, ancient architecture. But at night is when the city really shines. As the sun sets, the city transforms into a dazzling metropolis. The skyline lights up and the bustling streets come alive with bright neon lights, street food vendors, and late night shoppers.&nbsp;Photographer Bal Bhatla - better known online as Mr Whisper - has been traveling to Seoul for years, capturing the photographs in Seoul After Dark, armed only with his camera and a keen eye for detail. A specialist in low-light photography, Bhatla captures the everyday moments of Seoul in a unique and compelling way, showing the city's residents, adventurous and carefree, chasing the night.&nbsp;Whether you're a lover of photography, a fan of Seoul, or simply someone who appreciates the beauty of everyday moments, Seoul After Dark will leave you with a newfound appreciation for your city after dark.

Seoul After Dark

Don Bronstein: Photographs 1958-1968

There’s something about the abandoned storefronts, vintage motels, and forgotten restaurants of the 1950s and 60s that evokes a mid-century nostalgia, even for those of us who weren’t alive in those years. Faded Glamour brings together the photography of Ben Geier, who has spent the last decade traveling the United States to capture the images of these once vibrant, and now abandoned treasures.Organized in sections, including Signs, Theaters, Restaurants, Motels, Roadside, and Facades, and featuring an introduction by the photographer, Faded Glamour features over 150 color images from 15 states, including Arizona, California, Indiana, Illinois, Iowa, Kentucky, Michigan, Missouri, New Jersey, New Mexico, Ohio, Oklahoma, Pennsylvania, Texas, and Wisconsin. Evoking a sense of nostalgia and solitude, Geier’s work highlights the modernist architecture, minimalist design, and muted color palette of the mid-century.

Faded Glamour

From Augusta to Bristol, Brunswick and beyond, Johansson's chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago--he found Strand's views of New England "boring" at the time--and also wondering, "Why is American photography so focused on the west?" Johansson's Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson's work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

From Augusta to Bristol, Brunswick and beyond, Johansson’s chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England “boring” at the time—and also wondering, “Why is American photography so focused on the west?” Johansson’s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson’s work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

Gerry Johansson: Maine

David Alekhuoghie: A Reprise

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