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David Alekhuoghie: A Reprise

A visual &amp; lyrical declaration filled with fever &amp; flight, REPRISE, Golden's second collection of poetry &amp; photography maps a personal search for safety in a U.S. that offers none. 
 
Golden's collection illuminates a path through national uprisings, anti-trans violence, family loss, and a global pandemic. These sonically playful poems and assertive, color-saturated portraits reveal a stark vulnerability that invites readers to look deeply at times of great and, possibly, liberatory uncertainty. 
 
At its heart, this collection asks: Where is home? Who is free? What makes a nation? 
 
Golden seeks portals towards self-liberation. In their pursuit, we're invited to witness and learn from their interior revolution, from which they emerge more free to declare themselves in small and large ways: Whether stating I just want to wear my orange dress to the tennis courts &amp; come back home unbothered or I am home in the arms of the armed.&nbsp; 
 
Building on their debut collection, A Dead Name That Learned How to Live and their award-winning self-portraiture series, On Learning How to Live, Golden honors the living siege &amp; sorrow, rage &amp; revival, joy &amp; creation of being Black and trans in America.

Poems and Photographs

Reprise

The Documentary Poetics of Allan Sekula

Amphibious Realities

'True beauty lies in the sum of our qualities, used for positive purposes. In other words, using your power for the good.'This new book delves deeper into the stories behind the captivating images that have made Mihaela Noroc an online sensation. With 500 portraits from over 60 countries, including Japan, India, Peru, Namibia and the United States, The Power of Women is a celebration of courage, resilience and beauty in all its forms.

An Atlas of Beauty Book

The Power of Women

A fascinating and original biography of Eadward Muybridge, charting how his pioneering work in motion picture ushered in a period of technological innovation.

Eadweard Muybridge and the Technological Wild West

River of Shadows

The Shankill, a roughly mile long road in Belfast Northern Ireland, is home to a working class, Protestant community. Their history is complex and troubled and yet they have survived with pride and resilience. During the thirty years of sectarian violence, many stories of this community have been told. A Peace Agreement was signed in 1998 and most journalists and photographers packed their bags and left before the ink had dried. But it is still a fragile peace that remains. The Shankill: A Portrait of Pride and Resilience depicts a proud community defined by their traditions, hoping to move beyond their past. It is a portrait of today.

A Portrait of Pride and Resiliance

The Shankill

"From taxi window to dog's eye view, from near and only slightly afar, Jeremy's is a quixotic, idiosyncratic and quite extraordinary eye." -Robin MuirJeremy Hackett (born 1953) is a quintessentially British fashion designer and business entrepreneur known for his menswear brand Hackett, which opened its first store on London's Kings Road in 1983. He is widely considered an authoritative voice on men's classic fashion, and in addition to regularly contributing to magazines such as Men's Health and Forbes, Hackett has published a book of anecdotal critiques of men's style entitled Mr Classic. In this latest artistic endeavor and departure from fashion, Hackett, a born-and-bred Londoner, presents a photo diary of the city he knows and loves so well. From morning walks with his dogs to fly-on-the wall observations and brief encounters with interesting, immaculately dressed characters to architectural motifs and classic cars in unusual locations, My London is a singular window into Hackett's unique view of the British capital.

My London

Brodie's decade-long record of his transient American life, brimming with poignant stories of those he encountered along the wayMike Brodie's first monograph, A Period of Juvenile Prosperity, touched down more than decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. "Brodie leapt into the life of picture-making as if he was the first to do it," Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as "The Polaroid Kidd." And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he'd first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. "I was divorcing myself from all that," he says. "I was growing up. I was pursuing this other life." If A Period of Juvenile Prosperity was a cinematic dream, Failing is the awakening and the reckoning: a raw, wounded and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society's edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie's eye stays forever open to the strange and fleeting beauty that exists in forgotten places--the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur. Michael Brodie (born 1985) is the author of A Period of Juvenile Prosperity (2013) and Tones of Dirt and Bone (2015). He lives with his girlfriend in Biloxi, Mississippi, where the railroad is never far, just hidden in the trees from view. Unseen, it rattles the windows and floors of their apartment every time a train passes through.

Brodie’s decade-long record of his transient American life, brimming with poignant stories of those he encountered along the wayMike Brodie’s first monograph, A Period of Juvenile Prosperity, touched down more than decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he’d first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.” If A Period of Juvenile Prosperity was a cinematic dream, Failing is the awakening and the reckoning: a raw, wounded and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society’s edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie’s eye stays forever open to the strange and fleeting beauty that exists in forgotten places—the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur. Michael Brodie (born 1985) is the author of A Period of Juvenile Prosperity (2013) and Tones of Dirt and Bone (2015). He lives with his girlfriend in Biloxi, Mississippi, where the railroad is never far, just hidden in the trees from view. Unseen, it rattles the windows and floors of their apartment every time a train passes through.

Michael Brodie: Failing

No other female portrait artist had the notoriety or esteemed clientèle that Amalia Kussner did. One of the most sought-after miniaturists of the Gilded Age, Amalia painted Gilded Age elites (including Astors and Vanderbilts) and European royals alike. She led a life both fascinating and mysterious that included not only fame and fortune, but also a few lawsuits, scandals, and lies.

Amalia Kussner’s Gilded Age Pursuit of Fame and Fortune

The Miniature Painter Revealed

Don Bronstein: Photographs 1958-1968

Offering a new perspective on Weegee's oeuvre, Weegee: The Society of the Spectacle presents the photographer's iconic images beside lesser-known works.

Society of the Spectacle

Weegee

This story is a modern bildungsroman—the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens.
Jaffe’s determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe’s story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

This story is a modern bildungsroman—the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens.
Jaffe’s determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe’s story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

Trips

Matteo Di Giovanni: True Places Never Are

David Alekhuoghie: A Reprise

Bibliografische Angaben

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Bibliografische Angaben

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