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Damien Hirst: Loves Moods

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genresThis landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter's painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the "new woman" and explore questions of gender identity. With over 70 full-color plates, plus a rich selection of Münter's photographs and later works, this publication not only traces Münter's pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877-1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter.

Gabriele Münter

This richly illustrated bilingual monograph showcases Quevedo's deft weaving of cultural histories, material legacies and personal narratives into evocative paintings and works on paperBorn in Ecuador and raised in New York, artist Ronny Quevedo (born 1981) brings his Andean heritage into his work in ways both subtle and profound. In a practice that spans installation, drawings and prints, Quevedo creates intricate and densely layered works that incorporate elements of abstraction, painting, collage, cartography and sports imagery.

Ronny Quevedo: Portero / Portal Keeper

A Portrait of John Singer Sargent

Beyond Beauty

Bollingen Series

The Archetypal World of Henry Moore

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

In this stunning book, discover the artistic journey of Bryce Kho, an illustrator and mixed-media artist known for his vibrant, intricate, and nostalgic artwork. &nbsp;In Overflow, Bryce delves into the state of flow when creating art. "The sensation was different than a normal flow state, which is more about effortlessness. Instead, the feeling was akin to lucid dreaming inside my mind's eye. So vivid that I felt as if I was drawing from a live model."Bryce's portfolio spans a range of roles including illustrator and concept artist, contributing to projects such as Homestead Arcana and Aegis Defenders. After a first collaboration with Sabotage doing illustrations for The Messenger, Bryce joined the team as Lead Concept Artist to handle all things concept art and character design on Sea of Stars, a retro-inspired RPG that has captivated over 5 million players worldwide. The popularity of 3dtotal's recent publication Sea of Stars: The Concept Art of Bryce Kho (over 12,000 copies sold), which is based solely on his work for development of the video game, has raised the artist's profile and proven his popularity among our readership and further afield.&nbsp;In Overflow: The Art of Bryce Kho, based entirely on the artist's personal art career and journey, he takes the reader behind the scenes into his studio and personal sketchbooks, and also reveals his creative process from start to finish in detailed step-by-step tutorials. Existing fans will be thrilled to discover new insights into Bryce's working methods and creative story, while those just discovering his art will love delving into galleries of his artwork, new and old.

Overflow: The Art of Bryce Kho

Material Culture of Art and Design

"The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of ¹5,199,822 in today's currency. As someone who made, but didn't sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century"--

The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. 

When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. 

Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion.

This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845

The Art of Mary Linwood

The first monograph on the decorative, Afrofuturist tableaux of Pamela Phatsimo SunstrumThis debut monograph on Botswana-born, Johannesburg- and Toronto-based artist Pamela Phatsimo Sunstrum (born 1980) accompanies a mid-career survey at the Contemporary Arts Center, Cincinnati (CAC). Presenting the largest display of works by the artist to date, the exhibition conjures a transformative space that evokes the impression of traveling through a tunnel. Visual nods to elements of Tswana home-adornment traditions, as well as sand embankments along the perimeter of the gallery where the walls meet the floor, heighten this sense of passage and location. In addition to documenting these portions of the exhibition, the book also presents a new site-specific wall drawing created in response to Zaha Hadid’s architecture. The book includes an interview with Sunstrum by Elvira Dyangani Ose, Director of The Showroom, and valuable texts from Bessie Head, who, though born in South Africa, is considered one of Botswana’s most influential writers, and Raphaela Platow, Director at the CAC.

The first monograph on the decorative, Afrofuturist tableaux of Pamela Phatsimo SunstrumThis debut monograph on Botswana-born, Johannesburg- and Toronto-based artist Pamela Phatsimo Sunstrum (born 1980) accompanies a mid-career survey at the Contemporary Arts Center, Cincinnati (CAC). Presenting the largest display of works by the artist to date, the exhibition conjures a transformative space that evokes the impression of traveling through a tunnel. Visual nods to elements of Tswana home-adornment traditions, as well as sand embankments along the perimeter of the gallery where the walls meet the floor, heighten this sense of passage and location. In addition to documenting these portions of the exhibition, the book also presents a new site-specific wall drawing created in response to Zaha Hadid’s architecture. The book includes an interview with Sunstrum by Elvira Dyangani Ose, Director of The Showroom, and valuable texts from Bessie Head, who, though born in South Africa, is considered one of Botswana’s most influential writers, and Raphaela Platow, Director at the CAC.

Pamela Phatsimo Sunstrum: All My Seven Faces

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

The first monographic study of American artist Alison Knowles, a significant yet overlooked cofounder of the Fluxus movement. Alison Knowles stands out as the sole female artist among the founders of Fluxus, yet she has remained an enigmatic, underrecognized figure in the history of art. Performing Chance fills a gap in the record, bringing to light Knowles's transformative body of work as it evolved from abstract painting in the late 1950s, to silkscreens, print media, and performance in the early 1960s, to groundbreaking works in digital poetry, acoustical art, and large-scale installations in the late 1960s-70s. Through her access to previously unpublished archival materials and direct interviews with the artist, Nicole L. Woods provides close readings of pivotal works, disclosing the ways Knowles instituted formal tactics that moved beyond modernist painting, championed principles of indeterminacy and chance, and fostered sociopolitical consciousness. Situating Knowles's innovations in various media within the distinct cultural contexts of Wiesbaden, London, Paris, New York City, and Los Angeles, Performing Chance brings this key artist back to her rightful place as a leader of the postwar avant-garde and provides a nuanced history of the role of women artists in Fluxus and beyond.

The Art of Alison Knowles In/Out of Fluxus

Performing Chance

The Essential John Berger

Goya's Last Portrait/A Question of Geography

Damien Hirst: Loves Moods

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