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Pearlman Karen: Cutting Rhythms

Cutting Rhythms

Creative Film Editing

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized. Each chapter assesses the economic significance of its chosen star, identifying his or her contribution to the extension and hegemony of what has been called ‘global Hollywood’. By detailed study of the stars’ selections of roles, modes of performance and fashioning of personas, the book also unpacks their multiple cultural or semiotic implications. In this way, Dix analyzes how contemporary transnational stars have not only advanced the global remit of Hollywood cinema but have played a major part in reconfiguring and even contesting Hollywood.

Stardom in Contemporary Global Hollywood

'A brilliantly readable and insightful book.' Mark Kermode, Observer'Deftly, delightfully, yet inexorably, Ellen E Jones shows us exactly what's wrong with the world as we usually see it on screen.

'A brilliantly readable and insightful book.' Mark Kermode, Observer 'Deftly, delightfully, yet inexorably, Ellen E Jones shows us exactly what's wrong with the world as we usually see it on screen. With her big love of cinema and her very big brain, she's the best film critic in a generation.' Lucy Worsley Is race comedy 'cancelled'? Is there such a thing as an Indigenous Western? Where are all the films about 'whiteness'? Ellen E. Jones combines her personal experience as a mixed-race woman with her professional expertise as a film and TV journalist of twenty years to ask and answer these questions. Screen Deep illuminates the immense potential of screen storytelling to challenge societal racism, and ultimately defeat it.

How film and TV can solve racism and save the world

Screen Deep

This book is your essential companion for mastering the complexities of international documentary production. Written by an experienced production manager who has spent years on location, this book offers a rare, hands-on look at the realities of producing unscripted documentaries in diverse global settings.

A Guide to Making Wildlife, Extreme Travel and Adventure TV

Production Management on Location

Routledge Research in Architecture

This book is the first survey of a new field in architecture theory: script writing. Architecture as Script Writing explores the intersection of architecture, film, and text using the example of the working method of scriptwriter, Rem Koolhaas, and the Office for Metropolitan Architecture (OMA).

OMA Architecture Script for West Berlin

Rem Koolhaas as Scriptwriter

World Cinema

"In Japanese Cinema and Punk, Mark Player explores how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a time of crisis and change for Japan's film industry. Analyzing key examples such as Burst City (1982), Robinson's Garden (1987) and Tetsuo: The Iron Man (1989), he traces the changing sociocultural position of Japan's punk movement throughout the 1980s, from its euphoric early-80s highpoint to a growing dysphoria brought about by its co-opting and convergence by the mainstream"--

In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan’s film industry.

Drawing on first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu, Yamamoto Masashi, Tsukamoto Shin’ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by punk rock, graffiti art, street performance, animation, and evolving music technologies.

By considering the practical, phenomenological, and political ramifications of blending diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson’s Garden (1987), and Tetsuo: The Iron Man (1989). He further traces the changing sociocultural position of Japan’s punk movement throughout the 1980s—from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.

Intermedial Exchanges

Japanese Cinema and Punk

BFI Screen Guides

This cinematic guide is designed to help teenagers navigate a period of life that is by turns exciting, difficult and full of adventure. From (1925) to (2013), this diverse selection of films has something for everyone, whether they're looking to celebrate, explore, find respite from or reminisce about teenage life.

This cinematic guide is designed to help teenagers navigate a period of life that is by turns exciting, difficult and full of adventure. From The Freshmen (1925) to The Selfish Giant (2013), this diverse selection of films has something for everyone, whether they're looking to celebrate, explore, find respite from or reminisce about teenage life.

100 Films to Get You Through Your Teens

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today¿s film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today’s film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

Core Concepts, Techniques, and Workflows

Visual Effects Foundations

The Greengrass Papers

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

100 Films to Watch Before You Grow Up

Topics and Issues in National Cinema

Focuses on the history of government subsidies for feature films in Flanders (the northern, Dutch-language region of Belgium) and its role in stimulating a Flemish identity. It provides an empirical contribution to the study of the relationship between film, national identity and governmental film policy. This book is a timely empirical contribution to the underdeveloped field of Belgian film history. By focusing on film policy, the book contributes to the long neglected but currently burgeoning international field of film policy studies. Furthermore, because of its focus on film policy, the book provides an original contribution to the international research tradition on the relationship between film and national identity by going beyond an examination of textual representations.

Film Policy and National Identity in Flanders

Constructing a Flemish Cinema

This book contains everything a student needs to know about planning, shooting, and editing a single-camera video project.

This book contains everything a student needs to know about planning, shooting, and editing a single-camera video project.

From Pre to Post-Production

Single-Camera Video

The Bengali filmmaker, Ritwik Kumar Ghatak (1925-1976), wrote, produced, directed and/or acted in plays, feature films and documentaries in Bengal during the socially and politically tumultuous period from the late 1940s through the mid-1970s. Why Ghatak? Within the contexts of Bengali, Indian and world cinema, Ghatak is considered an innovative, revolutionary master of the cinematic medium who possessed a singular cinematic sensibility. He composed numerous essays on film and filmmaking in English and Bengali. Dozens of interviews have been recorded that present an artist who was contemplative, outspoken, at times misunderstood, at turns obstinate and contradictory. 

From his first film, Nagarik ("The Citizen," 1953) through his final film, Jukti Takko ar Gappo ("An Argument, a Debate, and a Story," 1974), Ghatak constructed detailed visual and aural filmic commentaries about modern Bengali culture and society. Twice during his lifetime Bengal was physically rent apart - in 1947 with the Partition of India engendered by the departure of the British and in 1971 by the Bangladeshi War of Independence. In Ghatak's films, the ambivalence and contradictions of Bengali society in post-1947, post-Partition, post-Independence India are pointedly portrayed. Against this frequently adverse milieu, Bengal's modern cultural memory, identity, and history are interrogated and continually reassessed in his cinema.

The Bengali filmmaker, Ritwik Kumar Ghatak (1925-1976), wrote, produced, directed and/or acted in plays, feature films and documentaries in Bengal during the socially and politically tumultuous period from the late 1940s through the mid-1970s. Why Ghatak? Within the contexts of Bengali, Indian and world cinema, Ghatak is considered an innovative, revolutionary master of the cinematic medium who possessed a singular cinematic sensibility. He composed numerous essays on film and filmmaking in English and Bengali. Dozens of interviews have been recorded that present an artist who was contemplative, outspoken, at times misunderstood, at turns obstinate and contradictory. 

From his first film, Nagarik (“The Citizen,” 1953) through his final film, Jukti Takko ar Gappo (“An Argument, a Debate, and a Story,” 1974), Ghatak constructed detailed visual and aural filmic commentaries about modern Bengali culture and society. Twice during his lifetime Bengal was physically rent apart – in 1947 with the Partition of India engendered by the departure of the British and in 1971 by the Bangladeshi War of Independence. In Ghatak’s films, the ambivalence and contradictions of Bengali society in post-1947, post-Partition, post-Independence India are pointedly portrayed. Against this frequently adverse milieu, Bengal’s modern cultural memory, identity, and history are interrogated and continually reassessed in his cinema.

Ritwik Ghatak’s Cinematic Sensibility

Cutting Rhythms

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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