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Pearlman Karen: Cutting Rhythms

Cutting Rhythms

Creative Film Editing

Introduction 1. From Intuition to Expertise 2. Watching, Sorting, Remembering, Selecting, and Composing 3. Editor as Choreographer - Time, Energy, and Movement 4. Timing, Pacing, and Trajectory Phrasing 5. Tension, Release, and Synchronization 6. Good Editing is Not Invisible 7. Physical Rhythm 8. Emotional Rhythm 9. Event Rhythm 10. Style 11. Collaboration and the Vulcan Mind Meld 12. Editing Thinking and Onscreen Drafting

<div>Discover your favorite films as vintage books! This box of 100 art postcards features original movies reimagined into brilliantly designed book covers.&nbsp;</div>

See your favorite films as vintage books! This box of 100 art postcards features original movies reimagined into brilliantly designed book covers.&nbsp; Good Movies as Old Books:&nbsp;100&nbsp;Postcards showcases a collection of films that were never actually books, reimagined as vintage-style book covers. Through masterful design, art, and typography, graphic designer Matt Stevens has created original book covers across film genres and eras of book design. From Braveheart to Parasite,&nbsp;Do the Right Thing to Top Gun,&nbsp;this assortment of box office hits, acclaimed indies, golden era gems, and cult classics will inspire you to discover new favorites or rethink the films you've seen a thousand times. Each tiny work of art is perfect for framing or sending. Housed in a keepsake box, this postcard collection makes an outstanding movie night or book club host/hostess gift, perfect for bibliophiles and cinephiles alike. MOVIES RE-ENVISIONED: A clever collection of postcards that feature beloved movies as vintage books. Each of the 100 art cards showcases an iconic image or scene from a film, ranging from Ghostbusters and Back to the Future&nbsp;to Napoleon Dynamite and Alien, reinterpreted into a brilliantly designed book cover. BOOK AND MOVIE LOVE: A loving tribute to the wonderful ways movies and books leave impressions on our souls, this is a fun and fresh mix of bibliophilia and cinemania in a stationery set that displays charmingly on a desk, coffee table, or entertainment center. A SPECIAL GIFT: For anyone with multiple streaming subscriptions, who loves movies based on books, or who regularly goes to the movie theater, and a perfect present for a movie-loving parent, friend, coworker, or yourself.&nbsp;Pair with the Good Movies as Old Books hardcover book to create an irresistible set. POSTCARDS/ART PRINTS: Designed as stationery and also stunning as wall decor, these high-quality postcards can show your fandom and decorate your home, office, dorm room, or bulletin board.&nbsp; Perfect for: <ul><li> Cinephiles and bibliophiles </li><li> Film students and art students </li><li> Movie buffs and avid readers </li><li> Postcard collectors, design enthusiasts, and people who buy art prints </li><li> Gift-giving for Father's Day, Mother’s Day, graduation, or birthdays </li><li> Fans of Jane Mount's Bibliophile, 1001 Movies You Must See Before You Die, and The New York Times Book of Movies. </li></ul>

Films Reimagined

Good Movies as Old Books: 100 Postcards

Trish and Chris Meyer and Lee Lanier share over 20 years of hard-earned, real-world film and video production experience inside the sixth edition of this critically-acclaimed text. Far more than a step-by-step review of the features in AE, readers will learn how the program thinks so that they can realize their own visions more quickly and efficiently. This comprehensive, full-color book is packed with tips, shortcuts, and sage advice that will help users thrive no matter what projects they might encounter.Creating Motion Graphics has been thoroughly revised to reflect the latest features of After Effects CC, incorporating new and redesigned exercises and projects with HD footage, further coverage on AE integration with Cinema4D, using stereoscopic 3D and 360 VR in your projects, visual effects, and much more. The book is also accompanied by an extensive companion website including the project files and source materials for all the techniques demonstrated in the book, as well as several bonus chapters on subjects like expressions, scripting, effects, and integration with other software.

Trish and Chris Meyer and Lee Lanier share over 20 years of hard-earned, real-world film and video production experience inside the sixth edition of this critically-acclaimed text. Far more than a step-by-step review of the features in AE, readers will learn how the program thinks so that they can realize their own visions more quickly and efficiently. This comprehensive, full-color book is packed with tips, shortcuts, and sage advice that will help users thrive no matter what projects they might encounter.Creating Motion Graphics has been thoroughly revised to reflect the latest features of After Effects CC, incorporating new and redesigned exercises and projects with HD footage, further coverage on AE integration with Cinema4D, using stereoscopic 3D and 360 VR in your projects, visual effects, and much more. The book is also accompanied by an extensive companion website including the project files and source materials for all the techniques demonstrated in the book, as well as several bonus chapters on subjects like expressions, scripting, effects, and integration with other software.

Essential and Advanced Techniques

Creating Motion Graphics with After Effects

Iconic Filmmakers Series

<div>Explore the profound impact and artistry of Martin Scorsese, one of America's greatest living directors.</div>

Explore the profound impact and artistry of Martin Scorsese, one of America's greatest living directors.

Martin Scorsese

'A brilliantly readable and insightful book.' Mark Kermode, Observer'Deftly, delightfully, yet inexorably, Ellen E Jones shows us exactly what's wrong with the world as we usually see it on screen.

'A brilliantly readable and insightful book.' Mark Kermode, Observer 'Deftly, delightfully, yet inexorably, Ellen E Jones shows us exactly what's wrong with the world as we usually see it on screen. With her big love of cinema and her very big brain, she's the best film critic in a generation.' Lucy Worsley Is race comedy 'cancelled'? Is there such a thing as an Indigenous Western? Where are all the films about 'whiteness'? Ellen E. Jones combines her personal experience as a mixed-race woman with her professional expertise as a film and TV journalist of twenty years to ask and answer these questions. Screen Deep illuminates the immense potential of screen storytelling to challenge societal racism, and ultimately defeat it.

How film and TV can solve racism and save the world

Screen Deep

Fundamentals

The Fundamentals of Film-Making provides an overview of the collaborative process of film-making.

The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production - pre-production, production and post-production - are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production.

The book concludes with an examination of film analysis, providing context and connections between film theory and practice.

Presents an overview of the collaborative practice of film production, which is broken down into key components to clarify the process that results in the end product we are so familiar with. This title offers insight into the working methods of film-makers. It is suitable for students of media, film studies and the visual arts.

The Fundamentals of Film Making

"Sweeping in scope, Antifascism and the Avant-Garde is a major contribution to both film studies and fascism studies. Julia Alekseyeva is singularly positioned to undertake a comparative study that moves with ease between decolonizing France, postimperial Japan, and the Soviet Union. Her insightful analysis reveals how filmmakers of the antifascist avant-garde undertook formal experiments and created affective atmospheres that subverted the positivism and rationality of traditional documentary, grounding their work in an understanding of the relationship between aesthetics and politics, between perception and antifascist consciousness."--Jackie Wang, author of Carceral Capitalism "As the clouds of right-wing populism gather on the horizon of late capitalism, Alekseyeva's brilliant and accessible study of experimental documentary filmmaking deftly argues for the value of art that celebrates ambiguity and uncertainty while simultaneously nurturing the militant optimism necessary to carry on the fight for justice."--Kristen R. Ghodsee, author of Everyday Utopia: What 2,000 Years of Bold Experiments Can Teach Us about the Good Life "Antifascism and the Avant-Garde explores the important and timely question of antifascist aesthetics--how antifascism can look and how it can operate. From a deep grounding in French and Japanese documentary film of the 1960s, Alekseyeva weaves a fascinating picture of echoes, resonances, and conflicts among filmmakers concerned with the use of cinema to counter fascism."--Jennifer Coates, author of Film Viewing in Postwar Japan, 1945-1968: An Ethnographic Study "A tour de force of genuinely global film studies. Alekseyeva maps out a fascinating net of site-specific but deeply interconnected cinematic quests for radical media literacy that spans the Soviet Union, Japan, and France--quests that only gain more burning significance in our current media situation. Astonishing in its breadth, and essential reading for anyone truly invested in global film dynamics."--Alexander Zahlten, author of The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies "With an extraordinary depth of expertise in French, Japanese, and Russian film, theory, and history, a political commitment to an internationalist approach and revolutionary phenomenology, and the curious eye and heart of a close reader of Marxist culture and avant-garde documentary, Alekseyeva introduces us to the critical tradition of antifascist documentary. Here we learn of a range of films and theories, all aligning the political and the psychological, pain and liveliness, pleasure and discomfort, subjectivity and objectivity. Alekseyeva compellingly argues that their shared antifascist aesthetic forefronts epistemological inquiry. While rooted in films from the 1960s, she demonstrates how this approach is and must be part of an ongoing and responsive project against power, one that teaches us how to see--a radical media literacy for radicals! In this critical contribution to documentary studies most broadly, Alekseyeva establishes how this tradition of engaged documentary contributes to a daily and human antifascist project, abetted by cinema: one of passion, critique, ambiguity, complicity, and disruption."--Alexandra Juhasz, producer of The Watermelon Woman and coauthor of We Are Having This Conversation Now: The Times of AIDS Cultural Production

Radical Documentary in the 1960s

Antifascism and the Avant-Garde

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today's film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today’s film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

Core Concepts, Techniques, and Workflows

Visual Effects Foundations

Cinema Two

Hirokazu Koreeda

This showcases the production art, character and vehicle designs, planets, storyboards, and other breathtaking work created during the production of the hit Disney+ series.

The Art of Star Wars: The Acolyte

The Grand Budapest Hotel

Cutting Rhythms

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

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