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A playful literary biography of The Cure in the form of an A-Z of the band: for trainspotters and casual fans alike

Price Simon: Curepedia / LF

Curepedia

The Story of The Cure

From the creator of the viral Kardashian Kolloquium comes a New Media manifesto for the TikTok age - blending theory, cultural analysis and history to explain the meteoric rise of the Kardashians and what their fame reveals about how media functions today.Since 2007, Kim Kardashian and her extended family have mesmerised - and scandalised - the American public. We've been immersed in their social lives, controversies and reality TV exploits, while witnessing the staggering ascent of their multibillion-dollar fashion, beauty and media empire. But the central question remains: why are the Kardashians so famous? And what does their enduring relevance tell us about the media systems that shaped - and were shaped by - them?In Dekonstructing the Kardashians, MJ Corey, creator of the viral social platform Kardashian Kolloquium, delivers more than just the definitive cultural chronicle of the First Family of reality TV. She offers a probing exploration of how media has evolved in the internet age -and how it's reshaping our identities, our attention, and our understanding of reality itself. Part media theory, part cultural critique and part historical deep-dive, Dekonstructing the Kardashians weaves together fifty years of Western media history.Corey shows that the Kardashians aren't just celebrities - they're a mirror of our media moment, offering a key to understanding fame, identity and reality in the digital age.

Dekonstructing the Kardashians

How Organizations Go Bad

Toxic

Based on extensive research and original interviews, this intimate biography reveals the complexities of Gandolfini's character, his rise to fame, and his lasting impact on television and film."A riveting look inside the mind of a towering talent, this is a must for&nbsp;Sopranos&nbsp;fans."-Publishers Weekly"A fast-moving, entertaining bio of a Hollywood mensch."-KirkusIn&nbsp;Gandolfini,&nbsp;critic and historian Jason Bailey traces the twinned stories of the man and the unforgettable roles he played.Gandolfini's roots were working class, raised in northern New Jersey as the son of Italian immigrants, and acting was something he loved for a long time before he could see it as a career. It wasn't until he was well into his bohemian twenties that he dedicated himself to a life on the stage and screen.Bailey traces his rise, from bit parts to character roles he enlivened with menace and vulnerability, to Tony Soprano, the breakout role that would make him a legend, and onto a post-Sopranos&nbsp;career in which he continued to challenge himself and his audience.More than a decade after his sudden passing, James Gandolfini still exerts a powerful pull on television and film enthusiasts around the world. His charismatic portrayal of complex, flawed, but always human men illuminated the contradictions in all of us, as well as our potential for grace, and the power of love and family.

Jim, Tony, and the Life of a Legend

Gandolfini

A collection of eye-opening natural experiments, showing how economists uncover cause-and-effect relationships and reveal insights about our world. Does having a daughter change how a congressperson votes? How did a nineteenth-century doctor help discover germs? Is it better to go first or second in a penalty shootout? Why don’t diplomats pay their parking tickets? Do leaders really matter? These are all questions economists ask. Some of these questions are serious, others less consequential. But all are interesting—and can be answered by way of the natural experiment. A natural experiment is an event in the real world that neatly divides people into a treatment and control group—and it is one of the greatest tools in the economist’s toolkit. In Daughters, Diplomats, and Death, Patrick Gourley discusses why and how economists have leveraged this powerful method to answer questions that were long thought unanswerable. In the vein of Freakonomics, Nudge, and The Tipping Point, the book takes the reader on a lively and engaging tour of some of the most fascinating natural experiments, explaining how they work, how they help social scientists answer questions, and what conclusions they reached. The experiments illuminate a wide range of timely issues in health, education, reproductive issues, and the environment, lending rich and much-needed nuance to the complex debates that shape today’s headlines.

A collection of eye-opening natural experiments, showing how economists uncover cause-and-effect relationships and reveal insights about our world. Does having a daughter change how a congressperson votes? How did a nineteenth-century doctor help discover germs? Is it better to go first or second in a penalty shootout? Why don’t diplomats pay their parking tickets? Do leaders really matter? These are all questions economists ask. Some of these questions are serious, others less consequential. But all are interesting—and can be answered by way of the natural experiment. A natural experiment is an event in the real world that neatly divides people into a treatment and control group—and it is one of the greatest tools in the economist’s toolkit. In Daughters, Diplomats, and Death, Patrick Gourley discusses why and how economists have leveraged this powerful method to answer questions that were long thought unanswerable. In the vein of Freakonomics, Nudge, and The Tipping Point, the book takes the reader on a lively and engaging tour of some of the most fascinating natural experiments, explaining how they work, how they help social scientists answer questions, and what conclusions they reached. The experiments illuminate a wide range of timely issues in health, education, reproductive issues, and the environment, lending rich and much-needed nuance to the complex debates that shape today’s headlines.

How Economists Use Natural Experiments to Decipher Our World

Daughters, Diplomats, and Death

Stranger Things

This expanded novelisation retells the third season of Netflix's iconic series Stranger Things. It's 1984 in Hawkins, Indiana, and Dustin, Mike, Eleven and their friends are investigating supernatural forces and uncovering government plots. As they search for answers, the children unravel a series of extraordinary mysteries that lead to the local Starcourt Mall and reveal a terrifying Soviet experiment. This 320-page novelisation retells the thrilling third season of Stranger Things and is suitable for readers aged 15+. Welcome to the thrilling world of Netflix's hit series Stranger Things. Follow Eleven, Dustin, Max, Lucas, and their friends for mystery, suspense, and supernatural adventures in 1980s Hawkins. Don't miss these other Stranger Things books: Stranger Things: Season One: The Junior Novelisation Stranger Things: Season Two: The Junior Novelisation Stranger Things: Heroes and Monsters Stranger Things: Hawkins Horrors

The Junior Novelisation

Stranger Things: Season Three

This collectable, fully-peelable sticker book, filled with illustration, graffiti and graphic art, features an amazing collection of over 200 specially commissioned sneaker stickers by artists, illustrators and graffiti artists from around the world. Stickers are an essential part of the street art movement, inexpensive and easy to produce, they often act as an informal business card for graffiti artists, and a quick and effective promotional tool for many designers and illustrators. The Stickerbomb books have been celebrating this often overlooked art form for over fifteen years. Also in the series: Skateboard Stickers, Stickerbomb,Stickerbomb 2, Stickerbomb Monsters, Stickerbomb Letters, Stickerbomb XL, Stickerbomb Skulls, Stickerbomb Skate, Stickerbomb 3, Stick it to the Man!, Stick and Skate.

Stickerbomb Sneakers

Test your trivia skills with 300 crosswords, in an easy-to-read, large-print format. With puzzles that increase in difficulty as you go, Large Print Crosswords provides hours of puzzle fun and satisfaction. In addition to all the trivia fun, science has shown that solving puzzles improves cognitive function, memory, and mood. This beautifully designed puzzle book features: <ul><li>300 crossword puzzles covering everything and anything, providing hours of brain-sharpening entertainment</li><li>Large print for easy reading</li><li>A range of challenge levels, from easy to difficult</li></ul> Large Print Crosswords is perfect for getting your mind in shape, minus the screen.

Easy-to-Read Puzzles

Large Print Crosswords

Shortlisted for Illustrator of the Year – British Book Awards 2025&nbsp; Step inside the mice’s hidden world in this interactive page-turner from internationally bestselling author-illustrator Mariajo Ilustrajo. In a playful twist on the classic 'unexpected guest' story, humans become the surprise visitors in a tale told by mice!&nbsp; A family of mice living happily under the floorboards get the shock of the lives when they discover some very unusual houseguests – humans!&nbsp; At first, the mice are wary, but curiosity soon takes over. They investigate the strange objects and delicious food their guests have brought with them and decide maybe humans aren’t so bad after all . . . until one mouse gets trapped in a jar.&nbsp; &nbsp; When the mouse’s friends try to help, they get caught too! But just when things look hopeless, they are set free from the jar . . . and into a cardboard Mouse Land created by their new human neighbours. Maybe these humans aren’t so terrible after all. &nbsp; &nbsp; All is well, until the mice discover there is one last guest to deal with – and it’s even worse than humans: a CAT.&nbsp; &nbsp; Providing a full interactive picture book experience, Unexpected Guests features a clever gatefold device that reveals the mice in their home under the floorboards, while die-cut holes can be found on the front and back cover. These elements elevate the fast-paced and funny story and bring to life Mariajo’s irresistible artwork, resulting in what is sure to become a firm family favourite. ¿&nbsp; &nbsp; Following the prize-winning Flooded and I (Hate) Love Books – along with other titles such as Lost and Oh, Carrots! – Unexpected Guests confirms Mariajo as one of today’s most exciting picture book creators.

Unexpected Guests

Discover the incredible origins of some of your favorite culinary classics, find out how they got their name and use the easy-to-follow recipes to recreate them at home. Ever wondered where Caesar Salad comes from? Who was Benedict and what's he got to do with combining poached eggs with ham and hollandaise sauce? In this fascinating journey into culinary history James Winter provides the answers to these questions and explores the origins of classic dishes from around the world. Who came up with them? When and what inspired them to combine certain ingredients? And why have they endured to become classics that we turn to again and again? Discover the story behind 50 classic recipes, from Battenberg Cake and Peach Melba to Sole Veronique, Chicken Kiev and Bloody Mary.&nbsp;Who Put The Beef into Wellington?&nbsp;includes the quintessential version of each recipe plus hints and tips from top chefs, this book will inform, inspire and tantalize your tastebuds in equal measure. Content includes: Caesar Salad, Reuben Sandwich, Lamb Balti, Oysters Rockefeller, Opera Cake, Negroni and many more...

The Fascinating Stories Behind 50 Classic Recipes

Who Put The Beef into Wellington?

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

A Graphic Novel

Mama Came Callin'

Nobel laureate and Pulitzer Prize–winning author of Beloved Toni Morrison investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious. In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racial identity—these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of their authors’ own deepest fears, insecurities, and longings. With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with—without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?” To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. With a foreword by her son Ford Morrison and an introduction by her Princeton comparative literature colleague Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

Nobel laureate and Pulitzer Prize–winning author of Beloved Toni Morrison investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious. In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racialidentity—these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of their authors’ own deepest fears, insecurities, and longings. With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with—without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?” To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. With a foreword by her son Ford Morrison and an introduction by her Princeton comparative literature colleague Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

Reflections on the American Canon

Language as Liberation

For American workers, the social contract is broken. This book gives a firsthand view of where the breaks occurred, and a prescription for rebuilding it to give workers their due. With AI making the decisions and CEOs and moguls making the money, sometimes it seems that most workers today might as well be drones. If not for a long string of missed opportunities over the last 50 years, it might have been different. In Roads Not Taken, Thomas Kochan reviews the turning points where the social contract fractured and broke, reducing workers’ voices as well as their compensation, benefits, and status. And in the lessons learned from these historical examples, he identifies the foundation for building a new labor relations system that ensures workers will share in the benefits from AI and puts America on course for an innovative and durable social contract at work. As a longtime advisor to government, labor, and management leaders, Kochan offers an eyewitness perspective on the mounting mistakes made in America’s labor relations system beginning, roughly, with Ronald Reagan’s firing of striking air traffic controllers in 1981. His book makes a strong case for new strategies on the part of labor unions and other worker advocacy groups, business, and government—strategies not wedded to the legacy labor law and practice that have failed American workers for so long. Recasting the social contract on this basis, Kochan insists, is key to rebuilding our democracy and its institutions after the damage wrought in recent years.

For American workers, the social contract is broken. This book gives a firsthand view of where the breaks occurred, and a prescription for rebuilding it to give workers their due. With AI making the decisions and CEOs and moguls making the money, sometimes it seems that most workers today might as well be drones. If not for a long string of missed opportunities over the last 50 years, it might have been different. In Roads Not Taken, Thomas Kochan reviews the turning points where the social contract fractured and broke, reducing workers’ voices as well as their compensation, benefits, and status. And in the lessons learned from these historical examples, he identifies the foundation for building a new labor relations system that ensures workers will share in the benefits from AI and puts America on course for an innovative and durable social contract at work. As a longtime advisor to government, labor, and management leaders, Kochan offers an eyewitness perspective on the mounting mistakes made in America’s labor relations system beginning, roughly, with Ronald Reagan’s firing of striking air traffic controllers in 1981. His book makes a strong case for new strategies on the part of labor unions and other worker advocacy groups, business, and government—strategies not wedded to the legacy labor law and practice that have failed American workers for so long. Recasting the social contract on this basis, Kochan insists, is key to rebuilding our democracy and its institutions after the damage wrought in recent years.

Lessons for Building a New Social Contract at Work

Roads Not Taken

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