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Authors V: Cultural Trends

Cultural Trends

Vol. 15.1

Vol. 15.3

What role do subcultures play in the radicalisation of Islamist, right-wing and left-wing groups? How are the norms of subcultures adopted by radicalised individuals and reflected in their lifestyle, identity and choices? Violent radicalisation is often portrayed as a deviant behaviour resulting from social and political dissociation. At the same time Islamist, right-wing and left-wing terrorist groups have all found sections of the population to sympathise with their aims and provide them with moral and logistical support. Through comprehensive systematic research, rigorous analysis of the empirical data and a range of interviews with active and former radicals Daniela Pisoiu construct a theoretical framework to explain the transition to radicalisation and political violence in Germany. Her conclusions provide us with a wider understanding of the role of subcultures in violent radicalisation and demonstrates that, far from a marginal and abnormal phenomenon, this radicalisation is a matter of traceable long term and holistic socialisation.

What role do subcultures play in the radicalisation of Islamist, right-wing and left-wing groups? How are the norms of subcultures adopted by radicalised individuals and reflected in their lifestyle, identity and choices?  Violent radicalisation is often portrayed as a deviant behaviour resulting from social and political dissociation. At the same time Islamist, right-wing and left-wing terrorist groups have all found sections of the population to sympathise with their aims and provide them with moral and logistical support.  Through comprehensive systematic research, rigorous analysis of the empirical data and a range of interviews with active and former radicals Daniela Pisoiu construct a theoretical framework to explain the transition to radicalisation and political violence in Germany.  Her conclusions provide us with a wider understanding of the role of subcultures in violent radicalisation and demonstrates that, far from a marginal and abnormal phenomenon, this radicalisation is a matter of traceable long term and holistic socialisation.

Subcultures and Violent Radicalisation

The Radical Imagination

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world's Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world’s Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Theory from the South, Revisited

Routledge Contemporary Africa

Rebecca Upton closely examines how women in a rural part of southern Africa give voice to contemporary issues of environment, health, economic disparity and the impact of migration on everyday lives through production of baskets for a global marketplace. These objects and cultural artifacts are both an insight into Tswana culture as well as a new means through which women produce, tell and re--¿tell narratives of cultural and global, financial success and resistance.

As globalization has shifted the market in tourism--‐dependent Botswana, women who are responsible for the production of baskets have entered a new and expanded market economy where locally made baskets carry Tswana symbols and meanings into international contexts and construct and contest the idea of sustainability and gender ideology. These objects and cultural artifacts are both an insight into Tswana culture as well as a new means through which women produce, tell and re--‐tell narratives of cultural and global, financial success and resistance. In this book, Rebecca Upton closely examines how women in a rural part of southern Africa give voice to contemporary issues of environment, health, economic disparity and the impact of migration on everyday lives. The ‘traditional’ Tswana patterns, tears of the giraffe and knees of the tortoise, have long been used by women to convey particular messages about ethnic group affiliation, meaningful cultural origin stories and cautionary morality tales. Today, these same patterns have come to take on additional meanings as a result of local interpretation of global impact on Tswana communities. Emphasizing the role that African material culture plays in mediating between social worlds, this book will be of interested to those who research in the fields of African art and anthropology, economics, gender and sustainability. .

Patterns and Production in Women's Basketry Co-operatives

Rural Livelihoods and Gendered Resistance in Botswana

An Advanced Textbook

Culture and Human Development

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Participation programs have certainly been introduced to a number of museums and as this book will show, some have been tremendously successful. Yet, for the most part, participation has been limited and the bulk of engagement has tended to be around new forms of publication from within rather than discussions with diverse audiences. Based on research conducted with international museums over the past 6 years, this book explores three key areas: engagement, participation, and co-creation as the keystones for understanding the value of the "social" museum. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. This book develops models for new partnerships, based on critical analysis of both the impact of social media and evaluations of some of the most successful examples in the sector to date. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

International Texts in Developmental Psychology

Global Perspectives

The Development of Ethnic Identity and Attitudes

This book explores central issues of religion in an age of globalization, questioning how religion speaks to us in contemporary society, and how representations of religion impact in popular culture. Focusing on Japanese popular culture, MacWilliams examines Japanese comic books in particular: Japanese manga or 'comic books' often explicitly deal with religion, and commercially published manga account for over 40% of total number of books and magazines published in Japan. The magic of manga lies in their potential "to dramatise and exaggerate information and simplify a complex reality", and just like the religious iconography of an earlier age, modern manga offer a powerful visual theology of sacred reality for their audience. What 'imagined selves and worlds' do manga construct? What are some of the important visual theologies that they can convey? These are some of the questions explored in this book. Historians of religion have largely ignored popular culture as a medium of religious experience and expression; yet by neglecting popular genres, such as Japanese manga, they ignore one of the principal ways people day wrestle with contemporary moral and spiritual issues. This book redresses this neglected area, raising profound religious and moral issues that are immediately relevant for those exploring Japanese religion, media and cultural studies, and anyone trying to imagine the sacred today.

This book explores central issues of religion in an age of globalization, questioning how religion speaks to us in contemporary society, and how representations of religion impact in popular culture.  Focusing on Japanese popular culture, MacWilliams examines Japanese comic books in particular: Japanese manga   or 'comic books' often explicitly deal with religion, and commercially published manga account for over 40% of total number of books and magazines published in Japan. The magic of manga  lies in their potential 'to dramatise and exaggerate information and simplify a complex reality', and just like the religious iconography of an earlier age, modern manga  offer a powerful visual theology of sacred reality for their audience. What 'imagined selves and worlds' do manga construct? What are some of the important visual theologies that they can convey? These are some of the questions explored in this book.  Historians of religion have largely ignored popular culture as a medium of religious experience and expression; yet by neglecting popular genres, such as Japanese manga, they ignore one of the principal ways people day wrestle with contemporary moral and spiritual issues.  This book redresses this neglected area, raising profound religious and moral issues that are immediately relevant for those exploring Japanese religion, media and cultural studies, and anyone trying to imagine the sacred today.

Visual Representations in Japanese Religion

Imagining the Sacred in Popular Culture

Routledge Culture, Society, Business in East Asia Series

Although Taiwan and Hong Kong are both Chinese societies previously subjected to colonial rule, the identity formation of the two peoples differs significantly, with Taiwan's modern consciousness underpinned by nationalism and Chinese-ness whereas Hong Kong's identity is characterised by the "in-between-ness" between Eastern/traditional/conservative and Western/modern/liberal outlooks and lifestyles. This book examines how these different identities came about. It considers the impact of Japanese and British colonial rule, explores the cultural policies implemented both in colonial times and after, and discusses fully the nature of present day identity and consciousness in the two places, including an assessment of how far governments' cultural policies are embraced and embedded.

Although Taiwan and Hong Kong are both Chinese societies previously subjected to colonial rule, the identity formation of the two peoples differs significantly, with Taiwan’s modern consciousness underpinned by nationalism and Chinese-ness whereas Hong Kong’s identity is characterised by the “in-between-ness” between Eastern/traditional/conservative and Western/modern/liberal outlooks and lifestyles. This book examines how these different identities came about. It considers the impact of Japanese and British colonial rule, explores the cultural policies implemented both in colonial times and after, and discusses fully the nature of present day identity and consciousness in the two places, including an assessment of how far governments’ cultural policies are embraced and embedded.

Cultural Policies and Identity Formation in Taiwan and Hong Kong

Routledge Contemporary Russia and Eastern Europe Series

This book explores the phenomenon of violence in Russian culture, showing how violence has been a legitimate articulation of masculinity in Russia, and how popular attitudes towards violence have differed from those in the west, with Russians often approving of violence and of macho, militaristic political leadership.

This book explores the phenomenon of violence in Russian culture, showing how violence has been a legitimate articulation of masculinity in Russia, and how popular attitudes towards violence have differed from those in the west, with Russians often approving of violence and of macho, militaristic political leadership.

Men, Guns and Identity

Masculinity, Violence and Power in Modern Russia

Routledge Series for Creative Teaching and Learning in Anthropology

Branding Gandhi renews attention to thinking about our relationship with stuff through Gandhi's politics, his image, his things, and the history of branding Gandhi.

Branding Gandhi renews attention to thinking about our relationship with stuff through Gandhiâ€˜s politics, his image, his things, and the history of branding Gandhi.

Branding Gandhi

Cultural Trends

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Bibliografische Angaben

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