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Christiaens T: An Introduction to
Contemporary Italian Thought

An Introduction to Contemporary Italian Thought

From Posthumanism to Cyberfascism

Princeton Classics

How propaganda undermines democracy and why we need to pay attention.

How Propaganda Works

Karl Lagerfeld, Chanel's iconic Creative Director for thirty-five years, was a cultural luminary like no other. Larger than life, Lagerfeld was legendary not only for reinventing Chanel but also for his idiosyncratic personal style and captivating life, which featured a cast of the world's most famous, fabulous and fascinating people. Not least his cat, Choupette, who herself became a fashion icon. Journalist and author William Middleton spent years working in Paris for Women's Wear Daily, W, and Harper's Bazaar. During his time there, he interviewed and socialized with Lagerfeld, coming to to see a side the elusive designer kept private from the world. In this deliciously entertaining book, Middleton takes us inside the most exclusive rooms in the fashion industry, behind the catwalk, and into a world of brilliantly talented artists, stylish socialites, and famous stars-some of the most elusive and unforgettable figures of fashion's inner circle for the past four decades.

The Extraordinary Life of Karl Lagerfeld

Paradise Now

BASEES/Routledge Series on Russian and East European Studies

This book explores the ideological and institutional conflict surrounding the development and role of property, the focus being placed upon the legislative provisions implemented to promote the private ownership of land.

This book explores the ideological and institutional conflict surrounding the development and role of property, the focus being placed upon the legislative provisions implemented to promote the private ownership of land.

Before and After Communism

Land Ownership in Russia

Black Arms to Hold You Up

Discourses of Law

Focusing upon the representations that take place in law, forensic medicine, criminology and culture, Crime Scenes examines the ways in which knowledge about crime, death and the dead body is produced. The formal 'forensic' image, it is argued, is a site of conjecture.

Focusing upon the representations that take place in law, forensic medicine, criminology and culture, Crime Scenes examines the ways in which knowledge about crime, death and the dead body is produced. The formal ‘forensic’ image, it is argued, is a site of conjecture.

Forensics and Aesthetics

Crime Scenes

Routledge New Critical Thinking in Religion, Theology and Biblical Studies

In his chapter entitled 'Anselm on Ethics' in the Cambridge Companion to Anselm, Jeffrey Brower comments that, 'Anselm's ethical views have received very little attention from contemporary scholars, and as a result there is no satisfactory systematic treatment of them available in the contemporary literature.' This book seeks to fill that lacuna. More specifically the purpose of this volume is to examine the extent to which Anselm of Canterbury possessed a consistent normative philosophy which coherently addressed the question of how the individual ought to act. By so doing it extends the contemporary commentary of Anselm's ethical philosophy beyond the abstract and meta-ethical and analyses the ways in which Anselm's letter collection can be used to show pragmatic approaches to ethical questions. In examining this field, this book contains two interdependent parts, one illustrative of the other. The first deals with Anselm's anthropology, theory of will, and ethical philosophy. The second examines the impact of his theology and ethical philosophy upon his societal and political beliefs. The contrast between formal theological writing and the more personal letter collections is intentional as a way of evaluating the manner in which Anselm's thought is consistent across a range of academic exercises and real world scenarios. In addition, this provides case studies of how a normative approach opens up new lines of research and furthers the field of Anselm studies, addressing several past issues of contention.

In his chapter entitled ’Anselm on Ethics’ in the Cambridge Companion to Anselm, Jeffrey Brower comments that, ’Anselm’s ethical views have received very little attention from contemporary scholars, and as a result there is no satisfactory systematic treatment of them available in the contemporary literature.’  This book seeks to fill that lacuna.  More specifically the purpose of this volume is to examine the extent to which Anselm of Canterbury possessed a consistent normative philosophy which coherently addressed the question of how the individual ought to act.  By so doing it extends the contemporary commentary of Anselm’s ethical philosophy beyond the abstract and meta-ethical and analyses the ways in which Anselm’s letter collection can be used to show pragmatic approaches to ethical questions.  In examining this field, this book contains two interdependent parts, one illustrative of the other.  The first deals with Anselm’s anthropology, theory of will, and ethical philosophy.  The second examines the impact of his theology and ethical philosophy upon his societal and political beliefs.  The contrast between formal theological writing and the more personal letter collections is intentional as a way of evaluating the manner in which Anselm’s thought is consistent across a range of academic exercises and real world scenarios.  In addition, this provides case studies of how a normative approach opens up new lines of research and furthers the field of Anselm studies, addressing several past issues of contention.

From the Temporal to the Eternal

The Ethical Philosophy of Anselm of Canterbury

Focusing on the concept of slowness in Gilles Deleuze's philosophy, this book diverges from the conventional interpretation of Deleuze as a philosopher of speed or even accelerationism, instead delving into the minor but critical themes in his works, from idiocy to catatonia. Advocating for a pragmatic reading of its source material, it utilises Deleuze's thought to address the urgent challenges in contemporary political and social philosophy, particularly the issue of acceleration in its subjective, socio-political, and ecological dimensions. The first part discusses the significance of analysing "slowness" and introduces the problem of social acceleration, featuring also the relationship of Deleuze's thought with theorists rarely invoked in Deleuzian scholarship, such as Martha Nussbaum or Hartmut Rosa. Using a wide range of examples and sources such as the lesser explored Deleuzian literary inspiration Heinrich von Kleist and Madame de La Fayette, the second part of the book delves deeper into the three manifestations of slowness in Deleuze's philosophy: the conceptual personae of the idiot, the animal, and the catatonic. These personae and the concepts they help develop are explored as potential strategies of active resistance against the facets of social acceleration. With this book that radically opposes today's enamourment with speed and efficiency, Krzysztof Skonieczny shows how a Deleuzian theory of slowness can inspire productive resistance in the three areas that have been most vulnerable to omnipresent acceleration: our subjectivity, profoundly changed by the accelerating pace of life; our socio-political milieu, ruled by corporate efficiency; and our relationship to the environment, quickly heading towards catastrophe.

Deleuze and Slowness

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Participation programs have certainly been introduced to a number of museums and as this book will show, some have been tremendously successful. Yet, for the most part, participation has been limited and the bulk of engagement has tended to be around new forms of publication from within rather than discussions with diverse audiences. Based on research conducted with international museums over the past 6 years, this book explores three key areas: engagement, participation, and co-creation as the keystones for understanding the value of the "social" museum. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. This book develops models for new partnerships, based on critical analysis of both the impact of social media and evaluations of some of the most successful examples in the sector to date. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

Rethinking Asia and International Relations

India and Pakistan's strategic thinking has unfolded hence shifting re-constructions of India-PakistanâEUR(TM)s nationalist identities, (in)securities and their nuclear policy choices. Through a blend of materialism and constructivism, this study not only recasts the dynamics of India-PakistanâEUR(TM)s nuclear politics from a more non-traditional angle, but also contains policy implications by drawing attention to how ideological underpinnings of policy makers - who interpret and construct their world of strategic thinking - impact inter-state nuclear security affairs.

India and Pakistan's strategic thinking has unfolded hence shifting re-constructions of India-Pakistan’s nationalist identities, (in)securities and their nuclear policy choices. Through a blend of materialism and constructivism, this study not only recasts the dynamics of India-Pakistan’s nuclear politics from a more non-traditional angle, but also contains policy implications by drawing attention to how ideological underpinnings of policy makers - who interpret and construct their world of strategic thinking - impact inter-state nuclear security affairs.

Strategic Culture, Identity and (in)Security in International Politics

Interpreting Nuclear India and Pakistan

Explores the Kremlin's use of Russian history and media to cement a particular patriotic history into everyday Russian life, using the past to justify its policies, legitimize its rule, and redefine what it means to be 'good' Russian.

Explores the Kremlin’s use of Russian history and media to cement a particular patriotic history into everyday Russian life, using the past to justify its policies, legitimize its rule, and redefine what it means to be 'good' Russian.

The Politics of the Past in Putin's Russia

Memory Makers

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city's spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini's creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942.

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city’s spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini’s creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942. Mussolini was eager to reveal the ruins of the past to emphasize the ways in which Fascist Italy was a visible improvement on Imperial Rome, and how antiquity relied on modern policies for its very survival. Towards these ends, the Fascist regime was a great supporter of archaeological scholarship and many prominent archaeologists wrote analyses of Roman monuments in genuine support of Fascist principles. The construction of Fascist doctrine and aesthetics developed hand-in-hand with the rise of modern Roman archaeology. This volume seeks to excavate the cultural layer that Fascist ideology placed upon contemporary archaeology, and to understand the ways in which this context continues both to obscure and enlighten our vision of Roman antiquity.

Roman Archaeology Under Italian Fascism

An Introduction to Contemporary Italian Thought

Bibliografische Angaben

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Bibliografische Angaben

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