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Azadehfar M: Cultural Perspectives in
Video Game Audio

Cultural Perspectives in Video Game Audio

This book aims to provide readers with a systematic understanding of traditional visual effects production, covering both internal VFX studio operations and external collaborations. It is divided into six chapters covering a range of topics.

This book aims to provide readers with a systematic understanding of traditional visual effects production, covering both internal VFX studio operations and external collaborations. It is divided into six chapters covering a range of topics.

An Enlightenment Education Book on Film Visual Effects

Invisible Visual Effects

One Hundred Lyrics and a Poem

In this new and improved fourth edition of the highly popular Game Engine Architecture, Jason Gregory draws on his two decades of experience at Midway, Electronic Arts and Naughty Dog to present both the theory and practice of game engine software development. In this book, the broad range of technologies and techniques used by AAA game studios are each explained in detail, and their roles within a real industrial-strength game engine are illustrated.The fourth edition offers the same comprehensive coverage of game engine architecture provided by previous editions, and this first volume covers essential concepts, techniques, tools, and the engine systems that form the core of every game engine.This book is intended to serve as an introductory text, but it also offers the experienced game programmer a useful perspective on aspects of game development technology with which they may not have deep experience. As always, copious references and citations are provided in this edition, making it an excellent jumping off point for those who wish to dig deeper into any particular aspect of the game development process.Key Features<ul> <li>Covers both the theory and practice of game engine software development</li> <li>Examples are grounded in specific technologies, but discussion extends beyond any particular engine or API</li> <li>Includes all mathematical background needed</li> <li>Comprehensive text for beginners and also has content for senior engineers</li> </ul>

Volume I, Foundations of Game Engine Development

Game Engine Architecture

Raised on Radio

Focal Press' Pocket Lawyer series serves as a legal toolkit for independent producers and artists in the creative industries.The Pocket Lawyer for Comic Book Creators is designed to help emerging artists and veteran professionals in the comic book industry build a solid foundation of business and legal practices for their comic book projects. Readers will learn to:<ul> <li>Protect their copyrights and IP</li> <li>Negotiate publishing deals</li> <li>Hire artists so everyone wins</li> <li>Learn the ins and outs of key contracts</li> <li>Understand the risks of AI in comic book creation</li> <li>Explore innovative new distribution methods, and</li> <li>Develop strategies they need to thrive in today's ever-changing, uncertain world of indie comics.</li> </ul>

A Legal Toolkit for Comic Book Artists and Writers

The Pocket Lawyer for Comic Book Creators

The Making of the Most Influential Videogames of All Time

Playmakers

Popular Musics Matter: Social, Political and Cultural Interventions

Subjectivity, Emotions, and Authenticity in Bhawaiya Folk Songs of North Bengal

Songs of Desire and Defiance

Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry's racial segregation of vernacular music into African American "race" and white "hillbilly" music. Ray Charles's then-controversial decision to record an entire album of country music covers in 1962 turned out to be a major success that, in effect, made it "legitimate" for African Americans to record country music. However, the author's intensive research reveals that African Americans had been recording such music as far back as the early 1920s. Previous scholarship has focused on the important influence of African American popular music, especially the blues, on country music. This study investigates the prevalence of country music first recorded by white artists subsequently recorded by African Americans artists from several musical genres including blues, R &amp;B, gospel, jazz, and pop. The author analyzes and discusses his findings to confirm that African American interest in and participation in country has been part of the music's history from the beginning despite the segregation of such vernacular music by the early recording industry into the basic racial categories of "race" and "hillbilly," the influence of which to some extent continues to inform contemporary 21st.-century understandings of country music.

African American Covers of Country Music Before Ray Charles

Excelsior Editions

Chronicling Its Classic Jazz Recordings, 1949–1972

Listening to Prestige

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Designing Serious Games

Cultural Perspectives in Video Game Audio

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