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Literature, Cultural and Media Studies (R0)

Henrik Gustafsson

Crime Scenery in Postwar Film and Photography

1. Imperfect Crimes.- 2.&amp;nbsp;From Dreamwork to Earthwork.- 3. Intruders in the Dust.- 4. A Murder of Crows.- 5.&amp;nbsp;Persistence of Vision.- 6.&amp;nbsp;The Testimony of Trees.

Penguin Clothbound Classics

A beautiful boxed set of Dostoyevsky's three greatest novels, now Penguin Clothbound Classics designed by Coralie Bickford-Smith This stunning clothbound set, designed by the award-winning Coralie Bickford-Smith, brings together Dostoyevsky's three greatest novels in modern translations from Penguin Classics. In The Brothers Karamazov, a murder changes the lives of four brothers forever; in Crime and Punishment a student commits an appalling act of random violence; and in The Idiot, a gentle and naive aristocrat finds himself drawn into a web of blackmail and betrayal. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A beautiful boxed set of Dostoyevsky's three greatest novels This stunning clothbound set, designed by the award-winning Coralie Bickford-Smith, brings together Dostoyevsky's three greatest novels in modern translations from Penguin Classics. In The Brothers Karamazov, a murder changes the lives of four brothers forever; in Crime and Punishment a student commits an appalling act of random violence; and in The Idiot, a gentle and naive aristocrat finds himself drawn into a web of blackmail and betrayal.

Crime and Punishment; The Idiot; The Brothers Karamazov

Fyodor Dostoyevsky 3-Book Boxed Set

Critical Criminological Perspectives

This book considers the lessons that can be gleaned from the Occupy movement, some 14 years after its inception. The Occupy movement brought with it many things, including a renewed interest in class and class struggle. Using the work of Nicos Poulantzas as its departure point, the book considers the theoretical and conceptual parameters of class structures under the most contemporary form of capitalism: the monopoly finance capitalist stage. An examination of state responses to the Occupy movement reveals the ability of the exploiting classes to maintain and reproduce the capitalist system via an expression of political power through the state and its tendency to deploy both ideological and physical defenses against any significant attacks on capitalism. The analysis offered reveals how some degree of anti-capitalist opposition is tolerated until such time that it must be forcefully censored and stopped, coined here as ‘the authoritarian state with a democratic alter-ego’, offering a nuanced conceptualization of state power for readers to explore and apply for themselves in other contexts. For the nature of the state to change significantly, social class agents need to find ways to access greater autonomy from the shackles of its power. This book explores the ways in which attempts to take up counterhegemonic class positions are persistently thwarted by a pervasive and yet intricately configured state power, backed by profit motivated corporate interest. It also poses urgent questions about the role and nature of alliances when trying to challenge both ideological and forcefully repressive state practices under capitalism. The book considers how we ‘find each other’ again in future struggles against capitalism and the attendant harms that it produces for the whole of humanity and the planet.
Samantha Fletcher is Senior Lecturer at Manchester Metropolitan University, UK. Having worked in higher education for over 18 years, Samantha gained her doctoral thesis award from Liverpool John Moore’s University in 2019. Samantha’s research and teaching interests are concerned with the crimes and harms of the powerful and critical perspectives on justice. Samantha also writes and researches with William McGowan about death, dying, and marginalised mortalities

This book considers the lessons that can be gleaned from the Occupy movement, some 14 years after its inception. The Occupy movement brought with it many things, including a renewed interest in class and class struggle. Using the work of Nicos Poulantzas as its departure point, the book considers the theoretical and conceptual parameters of class structures under the most contemporary form of capitalism: the monopoly finance capitalist stage. An examination of state responses to the Occupy movement reveals the ability of the exploiting classes to maintain and reproduce the capitalist system via an expression of political power through the state and its tendency to deploy both ideological and physical defenses against any significant attacks on capitalism. The analysis offered reveals how some degree of anti-capitalist opposition is tolerated until such time that it must be forcefully censored and stopped, coined here as ‘the authoritarian state with a democratic alter-ego’, offering a nuanced conceptualization of state power for readers to explore and apply for themselves in other contexts. For the nature of the state to change significantly, social class agents need to find ways to access greater autonomy from the shackles of its power. This book explores the ways in which attempts to take up counterhegemonic class positions are persistently thwarted by a pervasive and yet intricately configured state power, backed by profit motivated corporate interest. It also poses urgent questions about the role and nature of alliances when trying to challenge both ideological and forcefully repressive state practices under capitalism. The book considers how we ‘find each other’ again in future struggles against capitalism and the attendant harms that it produces for the whole of humanity and the planet.

State Power, The Occupy Movement, and The Authoritarian State With a Democratic Alter-Ego

Revisiting Class Struggle

A glorious fusion of history and art, A Vast Horizon tells the story of Pablo Picasso and his free-spirited friends, including Lee Miller and Man Ray, in the tumultuous years around the Second World War. 'Excellent and revealing . . . at the end we feel their loss as if they had been our friends' - Antony Penrose, Lee Miller Archives 'At once intimate and expansive . . . a fascinating portrait' - Clare Mulley, author of Agent Zo Late summer 1937. Europe is inching towards war. In the South of France a group of friends picnic in a secluded clearing. The women have peeled down their dresses to their waists. A couple kiss playfully while the others look on, laughing. The moment is captured in Lee Miller's now-iconic image. Some of the friends are well known, others less so: the dancer Ady Fidelin, the poet Paul Éluard and his wife Nusch, the Surrealists Man Ray and Roland Penrose. They are spending the summer with fellow artists Dora Maar, Eileen Agar and Pablo Picasso. In A Vast Horizon biographer Anna Thomasson tells the story of their creativity, friendships and pursuit of freedom set against the tense political backdrop of the 1930s, the Second World War and its aftermath. Tracing their lives through their photographs, artworks, poems and letters, from the heady weeks of creativity, sex and collaboration of that Mediterranean summer through the tumultuous years that followed, it is the story of rebellious lives and the redemptive power of art.

Artists and Lovers, Freedom and War

A Vast Horizon

Allgemeines Programm - Sachbuch

Im Alter von 13 Jahren verzichtete Aby auf seine Rolle als Erbe des Warburg-Bankhauses unter der Bedingung, dass sein jüngerer Bruder ihm zeitlebens alle Bücher kauft, die er haben möchte. Wider Erwarten sollte dieser jüdische Außenseiter, feingeistig und körperlich fragil, zu widerspenstig, um die akademische Disziplin zu akzeptieren, den Grundstein für die moderne Kunstgeschichte legen. 
Hönes folgt dem Lebensweg von frühen studentischen Arbeiten, die bereits Ansätze kompromissloser Originalität im Denken zeigen, über die erste Florentiner Zeit, die Reisen in Amerika, die Ehe mit der Künstlerin Mary Hertz, sein fortgesetztes Interesse an der Renaissance, den Aufenthalt im Kreuzlinger Sanatorium Binswanger bis hin zur Arbeit am Vortrag 'Schlangenritual' mit Fritz Saxl und am Bilderatlas 'Mnemosyne' mit Gertrud Bing.
Mit vielen Abbildungen, etwa Auszügen aus den Notizbüchern und Arbeitsentwürfen.

Im Alter von 13 Jahren verzichtete Aby auf seine Rolle als Erbe des Warburg-Bankhauses unter der Bedingung, dass sein jüngerer Bruder ihm zeitlebens alle Bücher kauft, die er haben möchte. Wider Erwarten sollte dieser jüdische Außenseiter, feingeistig und körperlich fragil, zu widerspenstig, um die akademische Disziplin zu akzeptieren, den Grundstein für die moderne Kunstgeschichte legen. 
Hönes folgt dem Lebensweg von frühen studentischen Arbeiten, die bereits Ansätze kompromissloser Originalität im Denken zeigen, über die erste Florentiner Zeit, die Reisen in Amerika, die Ehe mit der Künstlerin Mary Hertz, sein fortgesetztes Interesse an der Renaissance, den Aufenthalt im Kreuzlinger Sanatorium Binswanger bis hin zur Arbeit am Vortrag »Schlangenritual« mit Fritz Saxl und am Bilderatlas »Mnemosyne« mit Gertrud Bing.
Mit vielen Abbildungen, etwa Auszügen aus den Notizbüchern und Arbeitsentwürfen.

Der Mann hinter dem Mythos

Aby Warburg

In Shakespeare, memory, and modern Irish literature, Nicholas Taylor-Collins charts the ways that the modern Irish nation is underwritten by Irish writers whose own cultural agency is improved by their engagement with William Shakespeare. Through a wide-ranging theoretical approach, Taylor-Collins privileges forms of intertextual memory that avoid the obvious quotation or explicit reference: this innovating proposal for a 'dismemorial' intertextuality allows readers to read both Shakespeare and the Irish writers with renewed understanding of their craft. In the Introduction, Taylor-Collins establishes the grounds for comparison: both early modern England and modern/contemporary Ireland deploy a commemorative practice reliant on the theatre as a locus. Thereafter Taylor-Collins proceeds to examine the Shakespeare-Ireland connection through ghosts, bodies, and the land. In the first section, an exploration of Hamlet's hauntology enhances readings of J. M. Synge's Playboy of the Western World, James Joyce's Ulysses, and John Banville's Ghosts. The second section explores first how antitheatrical corporal economies in Coriolanus and Ben Jonson's satires re-emerge in Beckett's Three Novels, before moving on to Caithleen in Edna O'Brien's The Country Girls Trilogy as she borrows from 'hysterical' forebears in Othello, The Taming of the Shrew, and The Winter's Tale. The final section explores W. B. Yeats's infatuation with the surface of the land via King Lear and As You Like It, before finishing with Seamus Heaney's rootedness in the land via Hamlet's jumping into Ophelia's grave. For scholars and students of Shakespeare and modern/contemporary Irish literature alike, this book will also appeal to continental theorists.

Shakespeare, Memory, and Modern Irish Literature

Little Books of Fashion

The Story of the Iconic Fashion Designer

Little Book of Gucci by Tom Ford

*Shortlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

Film

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Zur Ästhetik der Beleuchtung

Licht im Film

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Mhairi Brennan writes successfully from a dual perspective: as both a TV professional and as an accomplished research academic. Her study of the coverage of the Scottish independence referendum is exemplary, providing rare insights into how broadcasting functions in practice.
John Ellis, Emeritus Professor, Royal Holloway, University of London
"This important and timely book highlights the role of the archive (of a large public service broadcaster) as a major part of a nation’s cultural memory. The author—who has first-hand experience of researching and producing in broadcast archives—writes in an accessible and readable manner and as a result, the work will appeal to the informed reader with interests in media and politics as well as to students and academic researchers in the field.”
</div>
<div>
Jamie Medhurst, Professor of Film and Media, Aberystwyth University (Wales)
</div>
Using the contents of BBC Scotland’s television archive pertaining to the 2014 Scottish independence referendum campaign, this book argues that television archive material is a powerful memory tool which shapes how we connect with the past. The referendum was a seismic moment for Scotland and its repercussions are still being felt today. BBC Scotland provided the lion’s share of television&nbsp;coverage of the referendum and even became part of the story of the campaign. This book offers a unique insight into the work of the archivists and programme-makers&nbsp;involved with preserving and reusing footage of the campaign held in the broadcaster’s archive. Combining textual analysis with interviews with programme-makers and archivists, this book also explores the&nbsp;labour conditions and institutional policy around access to BBC Scotland’s television archive which play a crucial role in how material is chosen and used, thus shaping the stories that BBC Scotland tells about the referendum.
Mhairi Brennan&nbsp;is a Research Associate at Aston University, UK. Her specialism is in television, television archives, and memory. Brennan previously worked for several years as a television archive producer. This book is based on her experience of working&nbsp;as an archive producer in BBC Scotland’s Referendum Unit&nbsp;during the 2014 Scottish independence referendum campaign.
&nbsp;

Using the contents of BBC Scotland’s television archive pertaining to the 2014 Scottish independence referendum campaign, this book argues that television archive material is a powerful memory tool which shapes how we connect with the past. The referendum was a seismic moment for Scotland and its repercussions are still being felt today. BBC Scotland provided the lion’s share of television&nbsp;coverage of the referendum and even became part of the story of the campaign. This book offers a unique insight into the work of the archivists and programme-makers&nbsp;involved with preserving and reusing footage of the campaign held in the broadcaster’s archive. Combining textual analysis with interviews with programme-makers and archivists, this book also explores the&nbsp;labour conditions and institutional policy around access to BBC Scotland’s television archive which play a crucial role in how material is chosen and used, thus shaping the stories that BBC Scotland tells about the referendum.&nbsp;&nbsp;

BBC Scotland’s Television Archive and the 2014 Scottish Independence Referendum

Archiving the Referendum

Explore 100 concepts and guidelines that are critical to a successful visualization and application of interior design. Richly illustrated and easy to navigate, Universal Principles of Interior Design pairs clear explanations of every topic with visual examples of it applied in practice. By considering these concepts and examples, you can learn to make more informed and ultimately better design decisions. Covering all aspects of interior design, get insight into principles including: <ul><li>Accessibility</li><li>Color Theory</li><li>Ergonomics</li><li>Human-Centered Design</li><li>Movement</li><li>Prototyping</li><li>Sustainability</li><li>Typology</li></ul> The book is&nbsp;organized alphabetically so that principles can be easily and quickly referenced. For those interested in addressing a specific challenge or application problem, the principles are also indexed by questions commonly confronting designers. Each principle is presented in a two-page format: <ul><li>The left-hand page contains a succinct definition, a&nbsp;full description of the principle, and examples of and guidelines for its use. Side notes, which appear to the right of the text, provide elaborations and references.</li><li>The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle.</li></ul> This landmark reference is the standard for interior design students, practitioners, and educators, and others who seek to broaden and improve their understanding of and expertise in interior design. The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

100 Ways to Develop Innovative Ideas, Enhance Usability, and Design Effective Solutions

Universal Principles of Interior Design

Critical Memory Studies

Theory and Practice for Transformative Change

Slowing Down Memory Studies

In striking black-and-white portraits, dozens of survivors of Michigan's cruel sentencing of children to life without parole-now free adults-are portrayed with irrepressible dignity&nbsp; 
 
The United States is the only country in the world that sentences children to serve time in adult prisons without the possibility of parole. The portrayal of children in conflict with the law, particularly children of color, as inherently threatening, dangerous, and adult-like has been key to denying these youth a second chance and foundational in justifying their cruel and excessive punishment in the criminal legal system.. 
 
In&nbsp;Morning from Now On, LaBelle, himself a survivor of childhood incarceration, cocreates astute and nuanced portraits with more than fifty of the hundreds of people in Michigan incarcerated as children. Accompanying essays provide critical context on the history of and impact on a society that locks away our children. 
 
In witnessing these survivors' yearning for freedom, the obstacles they face upon reentry, as well as the wonder and joy of being reunited with their families and communities, this collection reminds us of their unfathomable losses and calls on us to cherish&nbsp;all&nbsp;our children. 
 
With contributions by Jose Burgos, Bernardine Dohrn, Xavier McElrath-Bey, Timothy Connors, and Alison Leal Parker

Portraits of Life after Juvenile Incarceration

Morning from Now On

Crime Scenery in Postwar Film and Photography

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