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Literature, Cultural and Media Studies (R0)

Henrik Gustafsson

Crime Scenery in Postwar Film and Photography

1. Imperfect Crimes.- 2.&amp;nbsp;From Dreamwork to Earthwork.- 3. Intruders in the Dust.- 4. A Murder of Crows.- 5.&amp;nbsp;Persistence of Vision.- 6.&amp;nbsp;The Testimony of Trees.

Discover your favourite new book club read

Bitter Honey

Critical Memory Studies

This open access book proposes slow memory as a new framework for understanding how remembrance operates across time, urging scholars and practitioners to resist the acceleration that characterizes both contemporary scholarship and public memory cultures. The authors explore the theoretical foundations of slow memory in relation to environmental humanities and Indigenous studies, emphasizing themes of deep time, intergenerational justice, and contested memory regimes. The collection focuses on the fields of environment, (de)industrialization, welfare, politics, and conflict to examine how gradual transformations impact the present through remembrance practices at different tempos. It advocates for a deceleration of scholarly and commemorative practices to develop ethical, sustainable, and inclusive engagements with the past. By foregrounding slowness as a conceptual and methodological tool, and slow memory as a "connective concept," this book offers a vital framework for scholars, policymakers, and practitioners seeking to rethink the temporalities of remembrance in an era of rapid transformation. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. This publication is based upon work from COST Action CA20105 on Slow Memory, supported by COST (European Cooperation in Science and Technology). COST is a funding agency for research and innovation networks. Our Actions help connect research initiatives across Europe and enable scientists to grow their ideas by sharing them with their peers. This boosts their research, career and innovation.

Theory and Practice for Transformative Change

Slowing Down Memory Studies

American painter James Howell found the subject of his art in the color gray. He explored the color's sensual variety diligently over decades. In 2022, the Josef Albers Museum in Bottrop dedicated an exhibition to Howell presenting his work in the context of Albers' paintings. This catalogue documents this remarkable artistic encounter and explores Howell's work in all its conceptual depth, transcending the seemlingly monothematic of the color gray. His paintings are meditations on the relationship between color and light, based on a refinement of painterly means that, despite their extreme reduction, allow for a paradoxical emphasis on expression.
 
 JAMES HOWELL (1935-2014) was an American artist who dedicated over five decades of his life to working with infinite gradations of gray. From 1968, he mainly created abstract paintings and exhibited them regularly on the West Coast of the United States. In 1983, he moved into a studio located on San Juan Island, WA, where he was surrounded by the continiously shifting grays in the sky, water, and light. This environment undoubtedly influenced his artistic production. In 1992, he moved to New York, where his signature style emerged in the 1990s with his 
 Series 10
 . This series explores gradations of gray, his interests in mathematics, physics, and philosophy. The artist's work transcends mere color and speaks to the interconnectedness of all things.

American painter James Howell found the subject of his art in the color gray. He explored the color’s sensual variety diligently over decades. In 2022, the Josef Albers Museum in Bottrop dedicated an exhibition to Howell presenting his work in the context of Albers’ paintings. This catalogue documents this remarkable artistic encounter and explores Howell’s work in all its conceptual depth, transcending the seemlingly monothematic of the color gray. His paintings are meditations on the relationship between color and light, based on a refinement of painterly means that, despite their extreme reduction, allow for a paradoxical emphasis on expression.
 JAMES HOWELL (1935–2014) was an American artist who dedicated over five decades of his life to working with infinite gradations of gray. From 1968, he mainly created abstract paintings and exhibited them regularly on the West Coast of the United States. In 1983, he moved into a studio located on San Juan Island, WA, where he was surrounded by the continiously shifting grays in the sky, water, and light. This environment undoubtedly influenced his artistic production. In 1992, he moved to New York, where his signature style emerged in the 1990s with his 
 Series 10
 . This series explores gradations of gray, his interests in mathematics, physics, and philosophy. The artist’s work transcends mere color and speaks to the interconnectedness of all things.

James Howell: Painting | Malerei

Flannery O'Connor on Writing

New York Times, USA Today, and Publishers Weekly Bestseller“Madia’s adventurous tales transcend their rugged terrain, telling, at the crux of it all, very human stories”—The SourceNew York Times bestselling author of Nowhere for Very Long and Never Leave the Dogs Behind Brianna Madia considers putting down roots—but on her own terms—in this intimate and inspiring memoir addressing life's big questions, such as where and how to live, how to commit to a relationship and whether to become a mother.Brianna Madia is renowned for her honest and enthralling accounts of life in the wilderness, finding her own way by rejecting society’s expectations, so what happens when she falls in love and has to reset the boundaries of her fierce independence?Homesick Nomad finds Bri splitting her time between her beloved wild desert in Utah and her boyfriend’s cozy suburban home in the Pacific Northwest, reckoning with: <ul><li>a new urge to soften into the embrace of the comforts of home</li><li>defining her purpose and direction in life, including the big decision facing women, the question of motherhood, and</li><li>the fear that committing to others means sacrificing independence.</li></ul>She’s not only defying convention to prove something to herself or to others—a simpler way of life out in the desert actually brings her peace, as she realizes when resisting “upgrades” to her trailer like running water. Balancing the liberation of the wilderness with the natural compromises of love, Bri navigates these familiar tensions by embracing her life in its wholeness, richer for both the stability of home and the profundity of wide open spaces.

“Madia’s adventurous tales transcend their rugged terrain, telling, at the crux of it all, very human stories”—The SourceNew York Times bestselling author of Nowhere for Very Long and Never Leave the Dogs Behind Brianna Madia considers putting down roots—but on her own terms—in this intimate and inspiring memoir addressing life's big questions, such as where and how to live, how to commit to a relationship and whether to become a mother.Brianna Madia is renowned for her honest and enthralling accounts of life in the wilderness, finding her own way by rejecting society’s expectations, so what happens when she falls in love and has to reset the boundaries of her fierce independence?Homesick Nomad finds Bri splitting her time between her beloved wild desert in Utah and her boyfriend’s cozy suburban home in the Pacific Northwest, reckoning with: <ul><li>a new urge to soften into the embrace of the comforts of home</li><li>defining her purpose and direction in life, including the big decision facing women, the question of motherhood, and</li><li>the fear that committing to others means sacrificing independence.</li></ul>She’s not only defying convention to prove something to herself or to others—a simpler way of life out in the desert actually brings her peace, as she realizes when resisting “upgrades” to her trailer like running water. Balancing the liberation of the wilderness with the natural compromises of love, Bri navigates these familiar tensions by embracing her life in its wholeness, richer for both the stability of home and the profundity of wide open spaces.

Settling into an Untethered Life

Homesick Nomad

Martin Parr puts the world to rights in this comprehensive catalogue of five decades of his photographs, published to accompany a major exhibition at Jeu de Paume in Paris 

 

For over fifty years Martin Parr has photographed the absurdities of the contemporary world, from the frenzy of over-consumption and the ravages of mass tourism to humanity’s increasing reliance on technology and our complex relationship with the animal kingdom.

 

By turns critical, satirical, surprising, and funny, Global Warning is published in association with Jeu de Paume to accompany a new major exhibition of Parr’s photography at the arts centre in Paris in January – May 2026.

 

Richly illustrated with more than 175 of his photographs, from his early black-and-white work in the raucous holiday parks and sleepy supermarkets of rural England to his more recent colour photography of bustling tourist attractions and must-see destinations from across the globe, Global Warning offers a reinterpretation of Martin Parr’s work and position in a time of widespread global disorder.

 

Featuring a tone-setting introduction by Quentin Bajac, director of Jeu de Paume, four further essays by Jean-François Staszak, Roberta Sassatelli, Violette Pouillard, and Adam Greenfield, experts in the fields of geography, sociology, wildlife conservation and urban design, put the selection of works into context and explore the important topics that seem immediately relevant to our everyday lives.

 

Showcasing many of Parr’s most renowned images alongside rarely published hidden gems, Global Warning presents more than five decades of incisive visual commentary from one of the world’s most celebrated photographers.

Global Warning

What does it mean to be governed and what does it mean to resist? Examining how communities form amidst social and political turbulence, this open access book presents four case studies that demonstrate the power of organic social formations over imposed order. Understanding this formation of community in terms of 'ungovernability' and a 'poetics of resistance',Ungovernable Spaces charts a movement from oppression, through transformation, into imagining, and finally emergence. Throughout the book, the authors engage methods of situated practice and related modes of writing and image-making to consider a range of global case studies: the destruction of the Mecca apartment building in Chicago's South Side in 1952, following a decade of resistance from the building's predominantly African American occupants; M.K. Gandhi's practices of social activism including the Salt March protest of 1930, and the daily practice of spinning and intermittent fasts; the Ciudad Abierta (Open City), a radical pedagogical experiment started by a poet and an architect in Valparaíso, Chile in 1970; and, finally, the urban ecologies developing on either side of Belfast's 'peace walls' in the wake of the Troubles and 1998's Good Friday Agreement. Structured via four spatial configurations - the grid, the charkha, the constellation, and the cluster -each case study explores community formation through artistic and aesthetic practices that resist and unsettle forms of hegemonic order. A truly interdisciplinary work at the intersection of poetry, art and spatial practice, Ungovernable Spaces argues for the importance of ethics, aesthetics, imagination and ecology in developing, of necessity, a new poetics of 'us.' The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI. AHRC Techne Doctoral Training Partnership Award [grant number AH/L503940/1].

Community Formation and the Poetics of Resistance

Ungovernable Spaces

'In one short and sly book after another, [Levy] writes about characters navigating swerves of history and sexuality, and the social and personal rootlessness that accompanies both' AtlanticWho was Gertrude Stein?Avant-garde American poet and art collector who made her home in Paris, godmother of modernism, queer icon, friend to Picasso and Hemingway, self-declared genius - a writer who has baffled readers and critics for a century.And why does she matter?The narrator of Deborah Levy's latest, dazzling fiction has gone to Paris to find out. There she meets Eva with the blinding gaze, an artist in a long-distance marriage, and Fanny, a sexually adventurous financier; together they cook, walk, read and argue late into the nights.As Paris sweeps her along in its ceaseless flow, she thinks - about what we have to lose to become modern, navigating anxiety, living with uncertainty, angry fathers, making a new life in another country, art and language - how all these things looked to Gertrude Stein in the early days of the twentieth century, and how they look to her and her friends in the early twenty-first.This is a book about how we put ourselves together- an exhilarating, witty, cosmopolitan meditation on the pleasures and challenges of friendship, desire and living with other people. But it is also crashes through genre to create an inspired portrait of Stein herself: a writer who experimented fearlessly with a new way of living and who wrestled herself free from the nineteenth century to invent a brand-new way of looking at the world.SHORTLISTED FOR THE AMERICAN LIBRARY IN PARIS BOOK AWARD 2026

A Fiction

My Year in Paris with Gertrude Stein

Shortlisted for the James Tait Black Prize 2026 A Finalist in the Nota Bene Prize 2026'Casually magisterial' Guardian'Endlessly intriguing' Observer'A marvel of a novel' Ali Smith'Jane Eyre by way of Patricia Highsmith' BBC Radio 4'Puts Stevens in the class of Sarah Waters' Financial Times 'There was a painting my family set on fire. It burned to ashes, and then it came back.'Oxfordshire, 1899. Grace Inderwick grows up on the peripheries of a once-great household, an unwanted guest in her uncle's home. She has unusual skills and unusual predilections: for painting, though faces elude her; for lurking in the shadows; for other girls. &nbsp; Then a letter arrives, postmarked Saint Helena. After years missing at sea, Grace's cousin Charles is ready to come home. When Charles returns, unrecognisable and uncanny, a rift emerges between those who claim he is an imposter and Grace's aunt, who insists he is her son. And Grace, whose intimate knowledge of forgeries is her own closely-guarded secret, must decide who and what to believe in, and what kind of life she wants to live. &nbsp; Deftly-plotted and shimmering with Nell Stevens's distinctive intelligence, style and wit, THE ORIGINAL is a novel about the value of authenticity in art and in love, and what it means to be a true original. 'What a bewitching book this is. A sinuous, thrilling meditation on fakes and forgers, with echoes of Daphne du Maurier and Sarah Waters and an audacity that is totally original to Nell Stevens herself' Olivia Laing, author of THE GARDEN AGAINST TIME 'Deliciously engaging and wildly intelligent. I adored this novel about art, authenticity and desire and am a devoted fan of Nell Stevens' Ay¿egül Savä, author of THE ANTHROPOLOGISTS 'A delightful, playful puzzle of a novel, and a brilliant twist on the nineteenth century orphan-makes-good story. THE ORIGINAL asks whether, sometimes, faking it is the right thing to do' Claire Fuller, author of UNSETTLED GROUND 'A wonderful novel about identity, creativity, money and belonging. It's so witty and propulsive you will forget how brilliantly constructed it is, this tale that brims with the beauty of art, of how to triumph in a difficult world. I absolutely loved it' Jessie Burton, author of THE MINIATURIST

'Puts Stevens in the class of Sarah Waters and even du Maurier herself' Financial Times

The Original

An unconventional, hands-on guide to turning ideas into products that matter—and that people love—from the legendary Silicon Valley pioneer, founder of Zynga, and creator of Stanford Graduate School of Business’s product management course.Mark Pincus has been at the forefront of each iteration of the internet. He built the original app company ahead of the mobile app economy&nbsp;and sold virtual goods to the masses long before in-app purchase generated $85 billion on smartphones. As the founder of Zynga, he brought us FarmVille, CityVille, and Words with Friends, launching eight hit games and reaching more than a billion users in four years.&nbsp;&nbsp;&nbsp;&nbsp;Pincus has turned hit-making into a repeatable system, birthing one of his favorite guiding principles that “all new fails”. Life at the Speed of Play is his framework for moving faster and massively increasing your odds of success. His insights and advice are essential in the new world of AI, where&nbsp;speed of testing and learning defines winners.Bursting with wit, wisdom, and a core belief in tech’s endless capacity, each chapter of Life at the Speed of Play contains actionable takeaways based on Pincus’s unorthodox “Mark-isms” including “hire people with broken resumes,” “protect investors from themselves,” and, paradoxically, to “f*** scale” in favor of quality over quantity.What They Don’t Teach You at Harvard Business School for the twenty-first century, here is the essential “bible” for entrepreneurs, product managers, innovators, and anyone who has an idea—digital or analog—that they dream of turning into a reality.

An unconventional, hands-on guide to turning ideas into products that matter—and that people love—from the legendary Silicon Valley pioneer, founder of Zynga, and creator of Stanford Graduate School of Business’s product management course.Mark Pincus has been at the forefront of each iteration of the internet. He built the original app company ahead of the mobile app economy&nbsp;and sold virtual goods to the masses long before in-app purchase generated $85 billion on smartphones. As the founder of Zynga, he brought us FarmVille, CityVille, and Words with Friends, launching eight hit games and reaching more than a billion users in four years.&nbsp;&nbsp;&nbsp;&nbsp;Pincus has turned hit-making into a repeatable system, birthing one of his favorite guiding principles that “all new fails”. Life at the Speed of Play is his framework for moving faster and massively increasing your odds of success. His insights and advice are essential in the new world of AI, where&nbsp;speed of testing and learning defines winners.Bursting with wit, wisdom, and a core belief in tech’s endless capacity, each chapter of Life at the Speed of Play contains actionable takeaways based on Pincus’s unorthodox “Mark-isms” including “hire people with broken resumes,” “protect investors from themselves,” and, paradoxically, to “f*** scale” in favor of quality over quantity.What They Don’t Teach You at Harvard Business School for the twenty-first century, here is the essential “bible” for entrepreneurs, product managers, innovators, and anyone who has an idea—digital or analog—that they dream of turning into a reality.

Launch Products People Love!

Life at the Speed of Play

One hundred and six poems of self-reflection and exquisite beauty—an intoxicating blend of Seon Buddhism and French Symbolism from one of South Korea's most celebrated and influential poets That summer I stood in the centers of storms&nbsp;&nbsp; That summer my despair burst out into crimson but still I weathered the wind and rain Mountains, rivers, trees, flowers, the dark, a cat, a train. In the elemental forms and figures of our world, Lee Seong-bok finds repositories for thought, sounding boards against which he can test his reflections. Again and again, in sequences, he probes his subjects—five “Mountain Path” poems, three “River” poems, three commentaries on the I Ching— not to solicit answers, like Moses impatiently striking the rock for water, but to savor the muted tones that echo in response. After one ruckus / begins another / The silent forest vibrates // Suffering was always / new suffering The poems of That Summer’s End, though acutely conscious of the self, are free of an inhibiting self-consciousness, speaking directly of youth, love, fear, family, grief, old age, impermanence, and all that’s central to life. As enticing as they are profound, Lee Seong-bok’s poems have made him not only a poet’s poet but a favorite of RM, leader of K-pop superstars BTS, whose support of his work on social media has brought him international attention.

One hundred and six poems of self-reflection and exquisite beauty—an intoxicating blend of Seon Buddhism and French Symbolism from one of South Korea's most celebrated and influential poets That summer I stood in the centers of storms&nbsp;&nbsp; That summer my despair burst out into crimson but still I weathered the wind and rain Mountains, rivers, trees, flowers, the dark, a cat, a train. In the elemental forms and figures of our world, Lee Seong-bok finds repositories for thought, sounding boards against which he can test his reflections. Again and again, in sequences, he probes his subjects—five “Mountain Path” poems, three “River” poems, three commentaries on the I Ching— not to solicit answers, like Moses impatiently striking the rock for water, but to savor the muted tones that echo in response. After one ruckus / begins another / The silent forest vibrates // Suffering was always / new suffering The poems of That Summer’s End, though acutely conscious of the self, are free of an inhibiting self-consciousness, speaking directly of youth, love, fear, family, grief, old age, impermanence, and all that’s central to life. As enticing as they are profound, Lee Seong-bok’s poems have made him not only a poet’s poet but a favorite of RM, leader of K-pop superstars BTS, whose support of his work on social media has brought him international attention.

Poems

That Summer's End

Anne Taintor

Enjoy some sass from Anne Taintor's saucy ladies every month of the year with this wickedly funny wall calendar. &nbsp; Anne Taintor's vintage ladies serve up wicked wit, dark humor, and just the right dose of bad behavior. This hilarious 2027 wall calendar provides irreverent quips for each month of the year. 24-page 12 x 12 inch month-by-month calendar

Anne Taintor 2027 Wall Calendar

Crime Scenery in Postwar Film and Photography

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