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<div>Instruction and inspiration combine in this visually stunning how-to guide on creative collage through a comprehensive explanation of techniques, project ideas, and an abundance of artistic examples by Italian artist Naomi Vona.</div>

Instruction and inspiration combine in this visually stunning how-to guide on creative collage through a comprehensive explanation of techniques, project ideas, and an abundance of artistic examples by Italian artist Naomi Vona.

Vona N: Creative Collage

Creative Collage

Techniques, Projects, and Inspiration

Bollingen Series

Its Mythology and Transformations, Volume 2 (Plates)

The Art of Indian Asia

Critical Craft Studies

This book explores how contemporary craftspeople, artists and other creatives identifying as LGBTQ+ use craft materials and processes to explore their identity and queerness.

Material Practices and the Making of Identity

Queer Crafts

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ludwig Heinrich Heydenreich und die Kunstgeschichte in Hamburg 1925-1928

Studieren bei Warburg und Panofsky

The Archetypal World of Henry Moore

The al-Sabah Collection

"Dar al-Athar al Islamiyyah - The al-Sabah Collection, Kuwait."--Title page.

Metalwork from the Arab World and the Mediterranean

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

The Female Body in Art

Fabrication, Forgery, and the Art of Islamic Ceramics

Invisible Hands

Its Mythology and Transformations, Volume 1 (Text)

Through a focused analysis of work made from textile, ceramic, metal, paper, wood and glass, this book explores how contemporary craftspeople, artists and other creatives identifying as LGBTQ+ use a range of craft materials and processes to explore their identity and queerness. Queer Crafts demonstrates how methods of crafting offer particularly fertile ground for exploring themes of queerness because of their longstanding gendered associations, physical malleability, metaphorical capaciousness and craft's historic position as an 'amateur' form of making. International case studies include the work of well-known and emerging creatives such as Athi-Patra Ruga, LJ Roberts, Nicki Green, Rose Schmits, Khairullah Rahim, Hansel Tai, Troy Michie, Antonius Bui, Raul De Lara, Caroline Woolard, Tim Tate and Hamad Butt. Featuring interviews and oral histories, and richly illustrated throughout with an array of works which refuse binaries and the boundaries of traditional craft practices, contemporary art and design, this book sheds an important light on contemporary LGBTQ+ crafting.

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Creative Collage

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