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For the Record: Studies in Rock and Popular Music

Concepts We'll Ponder

Identity, Improvisation, and Community in the Phish Experience

American Melodies is a study of America's varied music genres that is grounded in interviews with folk, rock, and jazz musicians, music listeners, songwriters, and organizers of music programs in communities. The author explores the dreams and concerns that are being voiced in songs. Through interviews and conversations, he examines how the spirit of jazz, folk music and Americana, country, and rock music bring to life reflection on relationships between people, connection with their communities, and expression of social and ecological concern.

Popular Music, Ecology, and the Quest for Community

American Melodies

Take a lively look back at the most significant 12-month span in Kiss’s career, 50 years on, joining Paul, Gene, Ace, and Peter as they conquer the world. &nbsp; 1976 suffered no shortage of notable events…Cincinnati’s “Big Red Machine” beat the Yankees in the World Series. Jimmy Carter beat Gerald Ford at the ballot box. Rocky lit up the big screen. And some guy named Bruce Jenner lit up the Summer Olympics. And it was all set against the backdrop of the United States Bicentennial. Kiss stomped into the fray with their platform boots, barnstorming the world and still finding time to record and release two of their all-time bestselling albums. Formed in 1973, Kiss had already grabbed attention with their outrageous makeup, stage show, and (of course) music. But in 1976 the band truly took off, unleashing Destroyer and Rock and Roll Over in a span of just eight months and logging more than 100 performances in North America and Europe. In Kiss ’76, Martin Popoff presents month-by-month narratives following the band around the world, across stages and through studios. The book features: <ul><li>Detailed analyses of both albums, including the recording sessions, sleeve art, and each</li><li>Info panels detailing the albums’ personnel, key dates, and track listings</li><li>Listings of tour dates and venues</li><li>Exclusive author interview material from figures like guitarist Ace Frehley, producer Bob Ezrin, and collaborator Kim Fowley</li><li>Month-by-month sidebars offering concurrent world, entertainment, and music news, putting the band’s impressive achievements in the context of that momentous year</li><li>Stunningly illustrated pages featuring performance and offstage photography, as well as period memorabilia and flat art</li></ul> This nostalgic and handsomely produced book offers a unique look at a critical chapter in the band’s career, sure to appeal to the legions of Kiss fans.

Twelve Months That Defined the Hottest Band in the Land

Kiss '76

A History of Black People and Alternative Music

We Were Here

Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry's racial segregation of vernacular music into African American "race" and white "hillbilly" music. Ray Charles's then-controversial decision to record an entire album of country music covers in 1962 turned out to be a major success that, in effect, made it "legitimate" for African Americans to record country music. However, the author's intensive research reveals that African Americans had been recording such music as far back as the early 1920s. Previous scholarship has focused on the important influence of African American popular music, especially the blues, on country music. This study investigates the prevalence of country music first recorded by white artists subsequently recorded by African Americans artists from several musical genres including blues, R &amp;B, gospel, jazz, and pop. The author analyzes and discusses his findings to confirm that African American interest in and participation in country has been part of the music's history from the beginning despite the segregation of such vernacular music by the early recording industry into the basic racial categories of "race" and "hillbilly," the influence of which to some extent continues to inform contemporary 21st.-century understandings of country music.

African American Covers of Country Music Before Ray Charles

My Encounters with Rock Royalty

Men of a Certain Age

Funny You Should Ask meets Almost Famousin this second chance, fake NOT dating, spicy, rockstar rom-com, from the author of the celebrated Unromance.When elusive metal frontman Dax Nakamura agrees to give his first interview in years, he has one condition: his ex, Sloane Donavan, has to write it.Punk rock's most notorious and elusive frontman, Dax Nakamura, is ready to set the record straight - about his band, his life, and what happened that summer. But the only person he trusts to tell his story is the ex he hasn't spoken to in years, Sloane Donavan.Sloane has been writing about music since she posted her first MySpace blog. A journalism degree, a failed internship, and countless backstage passes later, Sloane still hasn't secured the dream job she left her dream man behind for. So when he reappears with a career-making opportunity, Sloane agrees with one stipulation: their past must stay in the past.As Dax opens up, old feelings resurface, and Sloane's journalistic integrity hangs in the balance. The article Dax wants and the salacious tell-all Sloane's editor expects are two completely different stories. This is the big break she's been waiting for, but it comes with a price - the chance to rewrite the ending with her first and only love.Perfect for fans of:Classic rom-com tropesGrumpy X GrumpierSecond ChanceFake NOT datingSpicy romancesHe-Hates-Everyone-But-HerRockstar romanceErin Connor is your favourite rom-com writer's favourite rom-com writer! They raved about UNROMANCE:'Sparkles with classic Hollywood rom-com magic' Andie Burke'Erin Connor is my favourite new voice in romance' Alison Cochrun'The chemistry between Sawyer and Mason is electric, and this book is properly funny and deeply charming. A real love letter to romance fans' Laura Wood'Filled with razor-sharp banter and a happily-ever-after that will make every reader swoon in the most epic way, Unromance is written for those of us utterly obsessed with romcoms' Chip Pons'Erin Connor delivers sharp wit, deliciously steamy moments, and so much charm that I was kicking my feet from the first page to the very last' Jessica Joyce'A love letter to romance and its readers, Unromanceis an impossibly charming love story ... a sexy, delightful read!' Anita Kelly

Still Into You

'Ted Kessler and Hamish MacBain are fantastic chaps. The Dudley Moore and Peter Cook of music journalism' - Liam Gallagher 'Something special: a book of wit and verve about why Oasis matter' - The Telegraph This Sunday Times top 10 bestseller is the definitive book about the music of Oasis, published in time for the reunion tour. A deeply researched tribute to the creative talent and star power of the Gallaghers, A Sound So Very Loud is crammed with unknown detail and the kind of anarchic, brilliantly funny anecdotes that only Oasis could generate. Music journalists Ted Kessler and Hamish MacBain first met Liam and Noel in 1994, when the brothers were playing tiny venues, and have since interviewed them dozens of times, tracking the astonishing success of Oasis as they became one of the biggest bands in the world. In this comprehensive telling of the Oasis story through their spectacular back catalogue. Kessler and MacBain focus on the enduring power of the music, exploring the tales behind the lyrics and revealing the background to the writing, recording and impact of all the songs, from megahits like 'Live Forever', 'Wonderwall' and 'Champagne Supernova' to the fan-favourite B-sides and deep cuts such as 'Acquiesce', 'The Masterplan' and 'Half the World Away'. With their unique perspective on all things Oasis, Kessler and MacBain bring this story to life in glorious colour. A Sound So Very Loud is the book every Oasis fan needs on their shelves, destined to be as timeless and as moreish as the music itself. 'Essential reading. Hamish and Ted have had front row tickets to the Oasis story from the very beginning. There's no one who knows more about the band, the music and its impact' - Mat Whitecross, director of Oasis: Supersonic

The Inside Story of Every Song Oasis Recorded

A Sound So Very Loud

Icons of Style

The story of a fashion legend

Icons of Style: Chappell Roan

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

An Intimate Portrait

Picturing Prince

One Hundred Lyrics and a Poem

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

60 Country Music-Inspired Drinks for Sippin’ Pretty

Cowgirls & Cocktails

Concepts We'll Ponder

Weitere Titel der Reihe: For the Record: Studies in Rock and Popular Music

Weitere Titel zum Thema