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Kelly C: Collaborations in Housing
Design

Collaborations in Housing Design

Lessons from Architect and Developer

MAKI OPUS is the definitive book showcasing the life and work of the Japanese architect Fumihiko Maki, known for designing understated yet boundary-pushing buildings in Japan and around the world. At four hundred pages and including one thousand illustrations, this impressive volume on Maki's work was compiled in close collaboration with his studio both before and after his passing. MAKI OPUS brings together the architect's own selection of the buildings that have best exemplified his career and seen him pave the way for the next wave of superlative Japanese architects, such as Kengo Kuma and SANAA.Featuring fifty buildings from 1960 to the present day, the book reconsiders Maki's work in light of his use of materials, changes in building technology, and his relationship with the world outside Japan. In this book, Maki's team throws open the practice's archives to find photographs and drawings never before seen in print, allowing the reader a fresh look at his best-known projects.Maki was truly an architect's architect, respected throughout the industry for his technical innovation and his deep understanding of how people use and experience buildings. Architecture students will find inspiration in his early years starting out under the tutelage of Kenzo Tange, while a general architecture-interested audience will enjoy vibrant full-color photography of his lauded, understated, and much copied style, described by many as the "architecture of simplicity."

Maki Opus

The pilgrimage church Notre-Dame-du-Haut in Ronchamp (1950-54), an icon of modern architecture, represents one of the central buildings of Le Corbusier's late period. Located on a high plateau in the Vosges above Belfort, this building is an unsurpassed work of art which also fits uniquely into its physical surroundings. The shell-shaped roof, the rounded walls, the towers of stone masonry, and the facade with its rhythmic openings of colored glass are the essential elements of this sculptural construction. The scale and proportions of the chapel at Ronchamp are designed on the basis of the Modulor that Le Corbusier developed, which accounts for its distinctive spatial effect. Like all the guides in this series, this book is indispensable both for a specialist audience and for tourists interested in architecture and modern art.

The pilgrimage church Notre-Dame-du-Haut in Ronchamp (1950–54), an icon of modern architecture, represents one of the central buildings of Le Corbusier’s late period. Located on a high plateau in the Vosges above Belfort, this building is an unsurpassed work of art which also fits uniquely into its physical surroundings. The shell-shaped roof, the rounded walls, the towers of stone masonry, and the facade with its rhythmic openings of colored glass are the essential elements of this sculptural construction. The scale and proportions of the chapel at Ronchamp are designed on the basis of the Modulor that Le Corbusier developed, which accounts for its distinctive spatial effect. Like all the guides in this series, this book is indispensable both for a specialist audience and for tourists interested in architecture and modern art.

Le Corbusier. La Cappella di Ronchamp

This book tells the story of the Lovell Health House in Los Angeles, designed and built by Richard Neutra from 1927 to 1929, from its inspiration through its construction to its impact. It was a 'demonstration house': widely documented and written about in leading architectural journals when it was built. These publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement, from Berlin to Tokyo and Paris to Milan, at the high point of its influence and fame. The Lovell Health House helped to launch the international career of one of the central figures of 20th-century architecture, pioneered the use of concrete and steel in the dwelling, radically advanced the ideals of hygienic, carefree, and open-air living, and explored new relationships between space, structure, the natural world, and physical and psychological well-being. The book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, and historic texts by Willard D. Morgan and Richard Neutra. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house. Including photography by Willard Morgan in which he documents every stage of construction to the building's completion, this published imagery was exceptionally rich, refined, varied, widespread, and influential.

Richard Neutra and the Making of the Lovell Health House, 1925‐35

Bauwelt Fundamente

Gibt es eine architektonische und städtebauliche Agenda hinter der Politik extrem rechter Kräfte? Diese Leitfrage durchzieht Right-Wing Spaces (Rechte Räume) dessen Essays zwischen 2015 und 2020 entstanden und viele aktuelle Diskussionen vorwegnahmen. Ergänzt um ein neues, ausführliches Vorwort, das die Entwicklungen im internationalen Raum beleuchtet, wird in den erstmals gesammelt auf Englisch vorliegenden Texten deutlich: Architektur hat sich weltweit zu einem Schlüsselmedium der autoritären Rechten sowohl aus dem völkischen und geschichtsrevisionistischen wie auch dem libertären Spektrum entwickelt. Begleitet wurde diese Entwicklung von einer Niedrigzinspolitik der größten Zentralbanken, die in Folge der Weltfinanzkrise 2008 implementiert wurde und zu einer rapiden Erhöhung der Bauproduktion sowie zu einem Paradigmenwechsel weg von der Architektur als Nutzungs- hin zur Assetform führte. <ul> <li>Politisch hochaktuelles internationales Thema</li> <li>Englische Übersetzung der vielbeachteten Texten von Stephan Trüby zur politischen Dimension von Rekonstruktionen</li> <li>Fortsetzung der Diskussion um die Dimensionen des Antisemitismus und Rassismus in Architektur und Architekturausbildung </li> </ul>

Do the emerging forces of the political far right have an architectural and urban planning agenda? This question runs through Right Spaces, a collection of essays written between 2015 and 2020 that anticipated many elements of the current debate. Supplemented by a new, detailed foreword that sheds light on recent international developments, these essays, collated in English for the first time, reveal that architecture has become a central medium of the global authoritarian right, from ethno-nationalists and historical revisionists to libertarians. This development has been accompanied by a policy of low interest rates pursued by the world’s main central banks in the wake of the 2008 global financial crisis, which led to a rapid increase in construction and a paradigm shift in architecture from a means of creating useful objects and towards a form of asset creation.   Highly topical international issue A collection of Stephan Trüby’s widely acclaimed texts on the political dimension of reconstruction: now translated into English Continues the discussion of anti-Semitism and racism in architecture and architectural education

Political Essays

Right-Wing Spaces

The Complete Works of Rick Mather

Contemporary vernacular architecture today - and what we can learn from temporary infrastructures
 
 
 
 
 Temporary Tecture
 is a fundamental statement on the impact and significance of temporary infrastructures in the city: not only do they ensure the functioning of numerous processes - from construction and dismantling to orientation and protection - but they also shape the cityscape significantly as an overarching structure. Despite their omnipresence, these structures of necessity continue to lead a shadowy existence in both professional discourse and public perception. 
 
 
 This book opens up a new perspective on what is described here for the first time as contemporary vernacular architecture. It shows that it even offers an architectural language from which architects can learn in terms of adaptability, use of local resources, circular economy and conceptual radicalism. 
 
 <ul>
 
 <li>A new perspective on temporary infrastructures </li>
 
 <li>An illustrated and inspiring publication </li>
 
 <li>With contributions by Charlotte Maltere-Barthes, Jan De Vylder and Philip Ursprung</li>
 </ul>

Contemporary vernacular architecture today – and what we can learn from temporary infrastructuresTemporary Tecture is a fundamental statement on the impact and significance of temporary infrastructures in the city: not only do they ensure the functioning of numerous processes – from construction and dismantling to orientation and protection – but they also shape the cityscape significantly as an overarching structure. Despite their omnipresence, these structures of necessity continue to lead a shadowy existence in both professional discourse and public perception. This book opens up a new perspective on what is described here for the first time as contemporary vernacular architecture. It shows that it even offers an architectural language from which architects can learn in terms of adaptability, use of local resources, circular economy and conceptual radicalism. <ul><li>A new perspective on temporary infrastructures </li><li>An illustrated and inspiring publication </li><li>With contributions by Charlotte Malterre-Barthes, Jan De Vylder and Philip Ursprung </li></ul>

Structures of Necessity

Temporary Tecture

Drawing on the author's discovery of an unknown, long-forgotten collection of photographs in an Indian ashram, this book offers an exciting new view of the international community of young architects who served as Le Corbusier's assistants in the inter-war years.

Drawing on the author‘s discovery of an unknown, long-forgotten collection of photographs in an Indian ashram, this book offers an exciting, new view of the international community of young architects who served as Le Corbusier‘s assistants in the inter-war years. A collection of some 500 snapshots, assembled by the Czech architect František Sammer between 1931 and 1939, had been stored unnoticed for more than 70 years in an unlikely location – the Sri Aurobindo Ashram in Pondicherry, India. Sammer was one of Le Corbusier‘s closest assistants from the early 1930s. Later, Sammer worked in the Soviet Union, Japan and India. During, and after, his time in Paris, he personally took or collected these photographs, which he then deposited at the ashram when he left to fight in World War II. The images offer a remarkable view of the international community of people who worked in Le Corbusier’s atelier in the 1930s. Among those featured in the photographs are Charlotte Perriand, Pierre Jeanneret, Jane West (the first American woman to work for Le Corbusier), Gordon Stephenson, Antonin Raymond, Junzo Sakakura and Josep Lluís Sert. Given the travels and international background of these individuals, the photographs are from different countries around the world, including the USSR, England, France, Czech Republic, Greece, USA (Tennessee, Montana, California and New Mexico), Japan and India. The Le Corbusier Galaxy successfully brings together serious archival research with a fascinating narrative, and it captures the human dimension of modern architecture, which is all too often neglected in today’s accounts.

František Sammer and a global network of avant-garde architects

The Le Corbusier Galaxy

Through text and full-color illustrations, uncovers the lives and times of the unruly Vorticists, whose innovative abstract artworks shattered early twentieth-century conventions. The Vorticists, a rebellious cohort of young artists in early twentieth-century England, defied the conventions of the art world with their distinctive abstract creations. Despite the brevity of their existence, from 1911 to 1914, their startling innovations left an indelible mark on English art history. In this book James King explores the personalities and lives of these colorful individuals, capturing the tumultuous environment in which they thrived. The narrative presents biographies of the group's members, such as Jessica Dismorr, Wyndham Lewis, William Roberts, Helen Saunders, and Edward Wadsworth--"our little gang," as Ezra Pound called them--highlighting personal conflicts and providing a concise, highly readable history of the movement. This book is ideal for art enthusiasts, historians, and anyone intrigued by avant-garde movements of the early twentieth century.

The Lives of the Vorticists

'Our Little Gang'

Was bedeutet es, wenn Architektur ein tatsächlich gemeinschaftliches Unterfangen ist, in dem Pflanzen und andere Arten auch einen Handlungsraum einnehmen? Dies würde bedeuten, die Architektur zugänglich zu machen - physisch, indem sie Räume für die Unterbringung mehrerer Arten schafft, und intellektuell, indem sie sich der Bedürfnisse nicht-menschlicher Lebewesen bewusst wird. Entwurfsbasierte Ansätze, ob technokratisch oder von einem theoretischen Standpunkt aus, sind heute fragmentiert und erfordern einen ganzheitlichen Ansatz. Living Together positioniert sich in dieser Fragmentierung. Das Buch ist eine Untersuchung über eine Architektur, die artenübergreifende Allianzen ermöglicht. Es bringt materialistische und ökologische Untersuchungen in den Entwurf, die Praxis und das Denken ein und fordert, über die etablierten architektonischen Ideale von Fortschritt, Monumentalität, Langlebigkeit und Dauerhaftigkeit hinauszugehen. <ul> <li>Ein Leitfaden für ökologische Planung in der Architektur </li> <li>Cohabitation: Architektur muss den nicht-menschlichen Lebensraum berücksichtigen </li> <li>Inspirierende Illustrationen </li></ul>

What does it mean for architecture to be a truly collaborative venture where plants and other species also exercise their agency? This would mean to make architecture receptive—physically, premised on creating spaces for accommodating multispecies; and intellectually, premised on becoming aware of the needs of more-than-humans. Design-based approaches whether technocratic or demonstrating a theoretical standpoint are fragmented today and demand a holistic approach. Living Together positions itself in that fragmentation. The book is an inquiry into an architecture which allows multispecies alliances to take place. It brings materialist and ecological inquiries to architectural design, practice, and thinking; acknowledging a necessity to go beyond established architectural ideals of progress, monumentality, longevity, and permanence. <ul><li>A guide to ecological planning in architecture </li><li>Cohabitation: architecture must take into account the non-human living space </li><li>Inspiring illustrations </li></ul>

More-Than-Human Ecologies for Architectural Thinking

Living Together

The first biography in more than a quarter century--based on more than 100 interviews---adds significant new information to the story both of Jean Michael Basquiat's life and to the extraordinary journey of his art.

Jean-Michel Basquiat: The Making of an Icon

A Portrait of John Singer Sargent

Beyond Beauty

This book is the first to quantify energy inputs for a range of buildings worldwide and across the historical record. It consists of 14 accessibly-written case studies and is an important contribution to architectural historical research, written for academics and building professionals as well as for a general audience.

14 Buildings from Antiquity to the Oil Age

Form Follows Fuel

Collaborations in Housing Design

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