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Spain H: Benjamin Ferrey

Benjamin Ferrey

Gothic Revival Architect

The Life of Zbigniew Brzezinski, America's Cold War Prophet

Zbig

In the 1940s, it was believed that homosexuality had been becoming more widespread in the aftermath of war. A moral panic ensued, centred around London as the place to which gay men gravitated. Peter Parker's fascinating new compendium explores what it was actually like for queer men in London in this period, whether they were well-known figures such as Francis Bacon, Joe Orton and Kenneth Williams, or living lives of quiet - or occasionally rowdy - anonymity in pubs, clubs, more public places of assignation, or at home. It is rich with letters, diaries, psychological textbooks, novels, films, plays and police records, covering a wide range of viewpoints, from those who deplored homosexuality to those who campaigned for its decriminalisation. This second volume, from 1960 to 1967, shows how key elements in British society gradually changed their views on homosexuality, resulting in the landmark 1967 act by which it was no longer considered a crime if it took place between adults in private. This did not end violence, discrimination and prejudice, but it at least curbed official persecution. Some Men in London is a testament to queer life and its thriving, joyous subculture - a subculture without which the 1960s would have been immeasurably impoverished.

Some Men In London: Queer Life, 1960-1967

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City. "Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism."&nbsp;-Wall Street Journal"They fly in quietly-unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time." -from&nbsp;"New York Is a City of Things Unnoticed," Talese's first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who've seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton's apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese's New York reporting showcases a master of the form at his finest, making intelligible the city's vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter's eye and an artist's flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is-Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City.“Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism.”&nbsp;—Wall Street Journal“They fly in quietly—unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time.” —from&nbsp;“New York Is a City of Things Unnoticed,” Talese’s first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who’ve seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton’s apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut.With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest, making intelligible the city’s vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter’s eye and an artist’s flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is—Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

Gay Talese's New York

A Town Without Time

The first monographic study of American artist Alison Knowles, a significant yet overlooked cofounder of the Fluxus movement. Alison Knowles stands out as the sole female artist among the founders of Fluxus, yet she has remained an enigmatic, underrecognized figure in the history of art. Performing Chance fills a gap in the record, bringing to light Knowles's transformative body of work as it evolved from abstract painting in the late 1950s, to silkscreens, print media, and performance in the early 1960s, to groundbreaking works in digital poetry, acoustical art, and large-scale installations in the late 1960s-70s. Through her access to previously unpublished archival materials and direct interviews with the artist, Nicole L. Woods provides close readings of pivotal works, disclosing the ways Knowles instituted formal tactics that moved beyond modernist painting, championed principles of indeterminacy and chance, and fostered sociopolitical consciousness. Situating Knowles's innovations in various media within the distinct cultural contexts of Wiesbaden, London, Paris, New York City, and Los Angeles, Performing Chance brings this key artist back to her rightful place as a leader of the postwar avant-garde and provides a nuanced history of the role of women artists in Fluxus and beyond.

The Art of Alison Knowles In/Out of Fluxus

Performing Chance

The Rebel Romanov

*NATIONAL BESTSELLER* A cancer diagnosis caused Tyler Merritt-beloved author of I Take My Coffee Black-to realize that there was no time for anger, unforgiveness, foolishness, or lost friendships. None of us have any time to waste. When Tyler Merritt was diagnosed with cancer, everything he thought he knew about what mattered in life changed. Though he made it through a highly invasive surgery and thought he was in the clear, Tyler soon realized that the cancer had other plans. It wasn't a question of if the tumor would come back for an encore, his doctors told him. It was a question of when. The clock was ticking. This Changes Everything is a humorous and optimistic love letter to this beautiful life. As Tyler counts down the days until his next scan, he begins to understand that none of us have time for anger, for being unforgiving, for foolishness, for letting relationships drift, or for letting friendships to be lost. It's a clear-eyed reckoning with the reality that our time on this earth is limited and a hopeful vision of how each of us can make the most of the time we have left. Laced with Tyler's trademark humor, love of pop culture, and arguably too many musical theater references, This Changes Everything is a story about how wrestling with the idea of death can birth a whole new outlook on life, how we live it, and the urgency that comes when you grasp that time is a precious commodity.

A Surprisingly Funny Story About Race, Cancer, Faith, and Other Things We Don't Talk About

This Changes Everything

Reverberating Past: Interdisciplinary Perspectives on the Art of Nostalgia provides a fresh lens on nostalgia by blending artistic and academic explorations, highlighting how cultural artifacts and personal memories shape collective identities. The anthology introduces a unique viewpoint on how the interdisciplinary perspectives investigate contemporary objects, from digital media to architecture, that act as vessels for nostalgia.

Interdisciplinary Perspectives on the Art of Nostalgia

Reverberating Past

Leading historians offer the first look at Biden’s four years in the White House The Presidency of Joseph R. Biden presents a first draft of history by providing insights into how this one-term president fits within the broader historical forces shaping the United States in the twenty-first century. Acclaimed political historian Julian Zelizer brings together some of today’s leading scholars to give balanced and strikingly original assessments of the major issues of the Biden years, from education and reproductive rights to the economy, labor relations, climate policy, race, Russia’s invasion of Ukraine, and the culture wars. These incisive essays trace the full arc of Joe Biden’s presidency from its early successes to the setbacks that ultimately consumed it. His domestic legislative achievements were hailed by some as the most momentous of any American presidency since the Great Society while his foreign policy ably met the challenges posed by the nation’s great power rivals. Yet by late 2024, Biden’s legacy was in tatters, overshadowed by immigration, inflation, the war in Gaza, and the president’s obvious physical decline. Written in a clear and accessible manner, The Presidency of Joseph R. Biden moves beyond the day-by-day journalistic coverage to provide the first comprehensive scholarly account of the Biden administration’s achievements and eventual downfall. With contributions by Kathryn Cramer Brownell, María Cristina García, Joel K. Goldstein, Michael Kazin, Daniel C. Kurtzer, Joyce Mao, Natalia Mehlman Petrzela, Khalil Gibran Muhammad, Timothy Naftali, Ekaterina Pravilova, Noah Rosenblum, Paul Sabin, Timothy Stewart-Winter, Sean H. Vanatta, John Witt, and Mary Ziegler.

A First Historical Assessment

The Presidency of Joseph R. Biden

How One Man Tried to Kill the KGB

The Spy in the Archive

At the Inns of Court, the intellectual, literary, and social heart of early 17th century London, many pivotal friendships were forged: few closer than that of Bulstrode Whitelocke and Edward (Ned) Hyde. Both young men were lively characters, industrious, well-connected, principled and optimistic. They dreamed of reforming the government of Charles I, a young court with age-old problems, by restoring the traditional harmony of Crown and Parliament. This is the story of how their hopes climbed, overreached, and fell into an abyss of relentless civil war. This highly original, vivid and engaging book recreates the atmosphere, drama, players and ideas of what is arguably England's (and Britain's) most crucial and traumatic formative period. Through the stories of his two protagonists, Minoo Dinshaw shows how subtle religious and political differences, careful personal judgments, and mere happenstance combined to place these two friends, most reluctantly, on opposite sides in the English Civil Wars. They would both survive, unlike many thousands of others, into old age; both would become influential historians, shaping how we still understand the conflicts of their age. But their friendship, like the once hopeful country in which it had first flourished, would be forever changed: permanently marred by what both men believed to be senseless and unnecessary civil strife.

Benjamin Ferrey

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