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Commentaires

Cine-Aesthetics: New Directions in Film and Philosophy

Dottorini D: Cinema and Anachronism

Cinema and Anachronism

The Mummy, the Crystal, the Atlas

Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker's work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine.

Philosophical Perspectives

Agency and Imagination in the Films of David Lynch

This book explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema.

This book explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema.

Poetic Cameras of Italian Cinema

A Grammar of Cinepoiesis

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood's Celebrated "Golden Age." Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich.

An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood’s Celebrated “Golden Age.” Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich.

Haute Couture in Hollywood's Golden Age

Banton of Paramount

In this book, Jonathan Scott Lee argues that Jean-Luc Godard is best seen as a philosopher who uses cinema and video as his media to develop provocative interventions into contemporary political situations and dilemmas, both explicitly and aesthetically.

Philosopher/Insurgent

Jean-Luc Godard

Go behind the screens with this essential companion to all three seasons of Star Wars: The Mandalorian. Produced in close collaboration with Lucasfilm, this must-have guide to the Disney+ phenomenon is packed with fascinating new insights and exclusive imagery. Discover the hidden gadgets of Din Djarin's beskar armor. Learn more about the iconic child, Grogu. Discover the secrets of the Mandalorian code of honor known as the Way. Examine the functional workings of the Razor Crest. Meet the deadly Fennec Shand and the ruthless Moff Gideon, and much more. Star Wars: The Mandalorian: Visual Guide is the perfect gift for fans of all ages, and will be released in time to celebrate their next adventure in movie theaters, Star Wars: The Mandalorian and Grogu.

Star Wars The Mandalorian Visual Guide

New Critical Humanities

This book demonstrates how cinematic treatments of blackness which offer explicit counter-narratives to society's deep-seated racist culture fail to escape the trappings of antiblackness and the basic antagonistic relationship between black people and the modern world and are instead features of it-all the while posing as anti-racist.

Blackhood At-Large

The Cinema of Social Death

The Korean Cinema Book

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

While there are many guides to screenwriting, none of them tackle the specific difficulties of writing the tricky mid-section of the screenplay. The Heart of Your Script reveals the six key elements that are crucial for ensuring an emotionally satisfying and dramatically engaging center to any script. Using a broad range of concise case studies, including contemporary films such as Aftersun (2022), The Whale (2022), Shoplifters (2018), Talk to Me (2022), Barbie (2023) and Oppenheimer (2023), canonical texts such as Back to the Future (1985), Seven Samurai (1954) and There Will Be Blood (2007) and cult classics like Swiss Army Man, (2016), Jennifer's Body (2009) and Heathers (1988), Ted Wilkes and Phil Hughes provide helpful tips and tricks to assist writers in finding out what is at the heart of the story they want to tell and how to ensure that it is coming through in their stories. Refusing any single method for structuring this central portion, Wilkes and Hughes offer a character-centred study, which allows aspiring screenwriters to map their dramatic journey from the inside out.

Cinema and Anachronism

Weitere Titel der Reihe: Cine-Aesthetics: New Directions in Film and Philosophy

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