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Literature, Cultural and Media Studies (R0)

Neil Ewen

Alan Grattan

Marcus Leaning

Paul Manning

Capitalism, Crime and Media in the 21st Century

&lt;p&gt;1. Introduction.- 2 ‘Grabbing and Keeping’: Deadwood—The Origin of Specie.- 3. ‘Rosie’s Room’ and ‘Bullet’s Phone’: The Commodification of the Lost Girl in The Killing and Its Paratexts.- 4. Noir Tourism and the Black Dahlia Murder.- 5. Reporting Crime and Capitalism: Techniques of Neutralisation in a Corpus of Corporate Fraud News.- 6 Think Tanks, News Sources and Neo-liberal News Discourse: Off-shoring Power and Influence.- 7. Friends in High Places: Sexual Abuse, Power and the Corruptions of Jimmy Savile.- 8. From Chopping Trees to Destroying Capitalism: A Social Etymology of Hacking.- 9. The Loyalist Community of Northern Ireland: From Cultural Defenders to Subcultural Offenders? A Cultural Criminology Exploration.- 10. Activist Media, Social Media and Mediated Republican Deviance in the Northern Irish Peace Process.- 11. Save the Troll! UK Social Media Legislation and the Attack on Freedom of Speech.&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;ol&gt; &lt;/ol&gt;

Palgrave's Critical Policing Studies

Police, Victims, and the Credibility Dilemma in Domestic and Non-Domestic Batteries

Who Gets Believed?

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities. From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories. A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today. For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Colour communities.

A Cultural Justice Guidebook

Decolonizing Design

SpringerBriefs in Anthropology

Anthropology and Ethics

This short book&nbsp;unites seven case studies from Africa, Europe, and the Americas to offer new solution-oriented ways of thinking about seemingly insurmountable&nbsp;social problems. These solution-oriented ways of thinking, as detailed in each of the seven case study chapters, emphasize how understanding the micro-dynamics of conflicts (and their rootedness in local sociocultural and associated institutional norms) is essential to developing ethical and pro-social responses to global social problems.

Beyond the Intractable

Ethical and Pro-Social Responses to Global Social Problems

Style Icons

Turn back time and relive the dazzling, fearless fashion of Cher with this bold and fabulous paper doll book. &gt; From the sheer Bob Mackie showstoppers of the '70s to her wild, punk-inspired MTV moments and red carpet reinventions, each outfit captures the essence of Cher's one-of-a-kind aesthetic. With looks that pushed boundaries and redefined stage fashion, this book celebrates the star who made every entrance a moment—and every outfit a statement.

A Dress-Up Paper Doll Book

Style Icons: Cher

A revelatory, jaw-dropping portrait of Tucker Carlson's career and his history of reinvention, and a story of how the right-wing media lost its mind.
New York Magazine writer Jason Zengerle's eye-opening narrative follows Tucker Carlson's infamous journey from gifted young intern at The Weekly Standard to a noxious talking head on Fox News, and then to his dethroning and defenestration.
In the tradition of Our Man and The Loudest Voice in the Room, Zengerle examines how Tucker Carlson's Zelig-like career offers a unique lens into the confusing, myopic, and utterly shameless evolution of American conservatism, its media presence and punditry, from the 1990s to the present.

A revelatory, jaw-dropping portrait of Tucker Carlson’s career and his history of reinvention, and a story of how the right-wing media lost its mind. 
New York Magazine writer Jason Zengerle’s eye-opening narrative follows Tucker Carlson’s infamous journey from gifted young intern at New Republic to a noxious talking head on Fox News, and then to his dethroning and defenestration.
In the tradition of Our Man and The Loudest Voice in the Room, Zengerle examines how Tucker Carlson’s Zelig-like career offers a unique lens into the confusing, myopic, and utterly shameless evolution of American conservatism, its media presence and punditry, from the 1990s to the present.

Tucker Carlson and the unravelling of the conservative mind

Hated by All the Right People

Crime and Justice in Digital Society

This book examines the relationship between true crime and wrongful conviction in the age of streaming content. True crime plays a vital role in informing, entertaining, and developing public expectations surrounding justice. During the streaming era, true crime has emerged as a profitable option for content producers, leading to a form of engaged fandom entwined in the narratives of victims and criminals.&nbsp;The book is a culmination of research and analysis into the role of true crime in raising public awareness of narratives of wrongful conviction. It examines the effects on audience participation in seeking justice through digital enabled opportunities like crowd-sourcing, websleuthing, and online activism.

True crime and wrongful conviction in the streaming age

Streaming Justice

*FOYLES NON-FICTION BOOK OF THE MONTH* A NEW YORK TIMES NOTABLE BOOK OF 2025 A TIME MUST-READ BOOK OF 2025 AN AUDIBLE BOOK OF THE YEAR 2025 'Fascinating and powerfully argued' Daily Telegraph 'Blistering' New York Times 'Riveting' Vogue 'Gilbert is a serious and attentive chronicler of a fraught era' Financial Times 'Essential reading' Irish Independent *** Cosmetic surgeries are at an all-time high, Ozempic is bringing back 'heroin chic' and the manosphere on the rise - after four waves of feminism, what went wrong? Despite decades of progress, modern womanhood feels more challenging than ever. Atlantic critic and Pulitzer Prize finalist Sophie Gilbert reveals how today's misogyny emerged from another turbulent era: the late 90s and early 2000s. Spanning the past thirty years of pop culture - from Madonna to Taylor Swift, #GirlBoss to OnlyFans, Real Housewives to trad-wives - Girl on Girl shows how every form of media, heavily influenced by the rise of porn, has warped women's relationships with themselves and others. We cannot move forward without fully reckoning with the ways pop culture has defined us - this book shows us how. *** 'A captivating must-read' KATE MANNE 'I folded down every single page' PANDORA SYKES 'Vast, engaging and brilliant' Stylist 'A book that will make you think, and want to discuss' Glamour 'Add this book to the list of titles that urgently provide context and answers to the hell storm that is [vaguely waves around] everything going on right now' Harper's Bazaar

How Pop Culture Turned a Generation of Women Against Themselves

Girl on Girl

Intersectionality, Justice, and Vulnerable Populations

Fuelling the Development of a Caribbean Criminology, Volume II

A whip-smart, funny, and timely memoir about one worker’s 12 years at Google and her journey from buying in to buying out, and being radicalized in a sea of false promises, fake work, and bad bosses.Hugely clever and uncanny, Don't Be Evil&nbsp;is a biting look back at a surreal era in tech, asking: How do we disentangle ourselves from work, when work demands our whole self? For readers of How to Do Nothing and Careless People, Stapleton's candid book grapples with what it means to find a sense of identity and power beyond our jobs, in a culture that tells us our career is who we are.

A whip-smart, funny, and timely memoir about one worker’s 12 years at Google and her journey from buying in to buying out, and being radicalized in a sea of false promises, fake work, and bad bosses.Hugely clever and uncanny, Don't Be Evil&nbsp;is a biting look back at a surreal era in tech, asking: How do we disentangle ourselves from work, when work demands our whole self? For readers of How to Do Nothing and Careless People, Stapleton's candid book grapples with what it means to find a sense of identity and power beyond our jobs, in a culture that tells us our career is who we are.

Bad Bosses, Fake Promises, and My Escape from Big Tech

Don't Be Evil

Palgrave Studies in Victims and Victimology

Burns from Hot Water, Wounds from Stabs, Hits and Bites

Stories of Male Domestic Violence Survivors in Johannesburg

Critical Criminological Perspectives

This edited collection reflects the diversity of gender-based violence and presents new perspectives and expands current scholarship in global contexts. It considers behaviours and actions including digital, interpersonal and institutional violence which are not readily understood as violence but are experienced as inherently harmful. It showcases how digital technology permeates violence and harm in diverse ways – whether this be via surveillance technology, harmful ideology or hate speech online or the globalised nature of the internet. With reflections on how people can research and challenge gender-based violence and harm in the future, it speaks to those interested in digital harm across Sociology, Criminology, Psychology, Youth Studies, Education, Law, Media and/or Cultural Studies.
Angela Wilcock is Senior Lecturer in Criminology at the University of Sunderland, UK, as well as having a professional background with vast experience in front-line service provision, working with the most marginalised groups in society.
Helen Williams is Senior Lecturer in Criminology at the University of Sunderland, UK. She engages in research on the state and social regulation of sex and sexuality and has published on slut-shaming, sex work and sexual violence.

This edited collection reflects the diversity of gender-based violence and presents new perspectives and expands current scholarship in global contexts.&nbsp;It considers behaviours and actions including digital, interpersonal and institutional violence which are not readily understood as violence but are experienced as inherently harmful. It showcases how digital technology permeates violence and harm in diverse ways – whether this be via surveillance technology, harmful ideology or hate speech online or the globalised nature of the internet. With reflections on how people can research and challenge gender-based violence and harm in the future, it&nbsp;speaks to those interested in digital harm across Sociology, Criminology, Psychology, Youth Studies, Education, Law, Media and/or Cultural Studies.

Digital, Institutional and Inter-Personal Harms

New Perspectives on Global Gender-Based Violence

An unprecedented dialogue between a long-term federal prisoner and a senior prison official exposes how America's carceral system scars everyone it touches.
No One Gets Out Unscarred makes a simple but rarely acknowledged case: America's prison system is failing not only the people it incarcerates, but also the staff who work inside it and the communities to which almost everyone returns. Rather than treating prisoners and correctional officers as opposing sides in a zero-sum struggle, the book shows how their lives are bound together by the same punitive culture, institutional incentives, and political decisions.
At the heart of the book is an extraordinary exchange between two men who spent decades on opposite sides of the bars. Robert Barton has been incarcerated since adolescence in high-security federal prisons. Jack Donson is a retired Bureau of Prisons official who began as a correctional officer and rose to become a case manager. Drawn from more than fifty hours of interviews, their interwoven accounts reveal how a system designed to punish and control ends up brutalizing prisoners while simultaneously eroding staff morale, health, and judgment, producing an adversarial environment that makes everyone less safe.
Moving beyond exposés and redemption narratives, No One Gets Out Unscarred examines the everyday mechanics of incarceration: routine lockdowns, restrictive housing, medical neglect, mental-health failures, broken grievance systems, decaying infrastructure, and the hollow promise of rehabilitation. These realities are not presented as abstractions or policy talking points, but as lived experience, seen from inside a cell and from within the bureaucratic hierarchy tasked with enforcing the rules.
Rejecting both abolitionist polemic and law-and-order defenses, the book asks a pragmatic question with urgent implications for public safety: if more than 95 percent of incarcerated people will eventually come home, what kind of prison system actually serves society? By centering shared trauma, accountability, and common-sense reform, No One Gets Out Unscarred reframes incarceration as a collective problem and opens a conversation long missing from the national debate.

The Case Against America's Prison System, From Both Sides of the Wall

No One Gets Out Unscarred

Capitalism, Crime and Media in the 21st Century

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