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Literature, Cultural and Media Studies (R0)

Neil Ewen

Alan Grattan

Marcus Leaning

Paul Manning

Capitalism, Crime and Media in the 21st Century

&lt;p&gt;1. Introduction.- 2 ‘Grabbing and Keeping’: Deadwood—The Origin of Specie.- 3. ‘Rosie’s Room’ and ‘Bullet’s Phone’: The Commodification of the Lost Girl in The Killing and Its Paratexts.- 4. Noir Tourism and the Black Dahlia Murder.- 5. Reporting Crime and Capitalism: Techniques of Neutralisation in a Corpus of Corporate Fraud News.- 6 Think Tanks, News Sources and Neo-liberal News Discourse: Off-shoring Power and Influence.- 7. Friends in High Places: Sexual Abuse, Power and the Corruptions of Jimmy Savile.- 8. From Chopping Trees to Destroying Capitalism: A Social Etymology of Hacking.- 9. The Loyalist Community of Northern Ireland: From Cultural Defenders to Subcultural Offenders? A Cultural Criminology Exploration.- 10. Activist Media, Social Media and Mediated Republican Deviance in the Northern Irish Peace Process.- 11. Save the Troll! UK Social Media Legislation and the Attack on Freedom of Speech.&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;ol&gt; &lt;/ol&gt;

Interdisziplinäre Perspektiven auf Kriminalität | Interdisciplinary perspectives on crime

In diesem Buch werden die Auswirkungen der COVID-19-Pandemie auf das Hilfesystem für Betroffene von geschlechtsspezifischer Gewalt gegen Frauen und Mädchen sowie auf das Gewaltphänomen selbst am Beispiel Baden-Württembergs untersucht. Expert*inneninterviews gewähren dazu Einsichten in die Herausforderungen, mit denen Hilfeeinrichtungen im Zuge der pandemiebedingten Restriktionen konfrontiert waren sowie in deren Wahrnehmungen hinsichtlich potenzieller Veränderungen im Hinblick auf partnerschaftliche und sexualisierte Gewalt. Ergänzend wird dabei auch ein Blick auf die quantitative Entwicklung polizeilich erfasster Fälle von Partnerschaftsgewalt und von Sexualdelikten geworfen.Die Analysen der Interviews zeigen: Die Hilfeeinrichtungen für Betroffene von partnerschaftlicher und sexualisierter Gewalt waren in der krisenhaften Situation umso mehr gefordert, konnten aufgrund der Lockdown-Maßnahmen jedoch nicht wie bisher Unterstützung für Betroffene leisten.

Die Erfahrungen des Hilfesystems im Krisenmodus

Gewalt gegen Frauen in Zeiten der Coronapandemie

What if we&nbsp;did&nbsp;abolish police, courts or prisons? Where would we turn for justice? Do we need to have laws? Punishment? These questions are not just the preoccupation of an abolitionist pipedream. Their answers exist already, if only we know where to look.

We Make Our Own Justice&nbsp;introduces the reader to communities around the world who are already resolving harms and conflicts themselves, without looking to the state or judiciary. The book explores a number of locations where alternative forms of justice, peace-keeping and adjudication are taking place. With particular focus on indigenous- and women-led movements from across Mexico, Argentina, Rojava and the USA, Marina Sitrin looks at how each came to be, as well as the theoretical and political underpinnings of the process.

The book allows the reader to reflect on the ways in which the seeds of these alternative forms of justice and adjudication have been planted and nurtured over time-often over decades-and to consider the possibilities for other communities and regions to produce something similar.&nbsp;We Make Our Own Justice&nbsp;offers an invaluable resource as we seek to transform our neighbourhoods, groups and communities into abolitionist spaces in theory and practice.

Global Alternatives to Policing and Prisons

We Make Our Own Justice

Sonic the Hedgehog, everyone's favorite speedster, can now travel with you no matter what adventure you're on! This tiny book contains more than 85 of Sonic's iconic video game covers paired with historical tidbits, story moments, and fun facts-and it conveniently fits in a small bag or pocket so you can follow Sonic's amazing adventures with his friends anytime and anywhere. Covering thirty-five years of Sonic's action-packed tales and featuring beautiful cover artwork from the iconic games, this unique collector's item is the perfect gift for any Sonic fan!EPIC ADVENTURES EVERYWHERE YOU GO: This tiny but mighty book contains more than thirty-five years of Sonic's video game heroics and fits right in the palm of your hand.ICONIC COVERS AND ACTION-PACKED MOMENTS: Don't let size fool you! This tiny book is filled with nostalgic and dynamic video game cover artwork and showcases the history of Sonic's most memorable moments from the games you grew up with and love.THE STORY OF AN ICON: From the 16-bit adventures of 1991's Sonic The Hedgehog to the awesome heroics of the present day, follow Sonic's journey to legendary gaming status!DISPLAY YOUR FANDOM: The ribbon bookmark doubles as a hanger so that you can proudly display your love for Sonic on your rearview mirror, Christmas tree, or anywhere else!

Sonic the Hedgehog: Tiny Book

This book brings together studies in forensics, law and criminology, which are all equally essential for a fair criminal justice system. It gives a comprehensive view to a wide variety of readers from the three communities across the globe to connect the dots which link all these three subjects, thus catalyzing interdisciplinary collaborations. The book explores the topics through four themes -- exploring forensic science in the 21st century; looking at law and criminal justice in the new millennium; contemporary trends in criminology; and, medico-legal aspects of human identification.The readers who will find important learnings in the book include scientists, legal and law enforcement practitioners, academicians and students to create a holistic environment for cumulative and collaborative approach towards the criminal justice system.

Empowering Criminal Justice in 21st Century

Trends in Forensics, Law and Criminology

Palgrave Studies in Prisons and Penology

This book examines the role of the prison in the commissioning and delivery of theatre practice. It draws attention to discourses of publicly acceptable arts and other mechanisms of ‘soft power’ which shape access to prison theatre. Each chapter utilises engaging storytelling methods based on the authors own experience as a prison theatre practitioner to illustrate theory. The book explores understandings of the value of arts in prison and discuss how, in a neoliberal society, people in prison can be conceptualised as ‘deserving’ or ‘undeserving’ of these practices. It examines the role of the arts organisation in designing and delivering commissionable arts practice and in caring for both practitioners and participants. It also discusses the role of the university and the facilitator in delivering work that balances the often-conflicting agendas of the prison, the arts organisation and the participants alongside their own aims within a context of precarious employment. Finally, it examines the experience of participating in prison theatre, exploring incidents of care, interdependency and collective joy within the prison and assessing how, through the delivery of short-term and insecurely funded arts projects, prison theatre can produce experiences of both hope and harm.

This book examines the role of the prison in the commissioning and delivery of theatre practice. It draws attention to discourses of publicly acceptable arts and other mechanisms of ‘soft power’ which shape access to prison theatre. Each chapter utilises engaging storytelling methods based on the authors own experience as a prison theatre practitioner to illustrate theory. The book explores understandings of the value of arts in prison and discuss how, in a neoliberal society, people in prison can be conceptualised as ‘deserving’ or ‘undeserving’ of these practices. It examines the role of the arts organisation in designing and delivering commissionable arts practice and in caring for both practitioners and participants. It also discusses the role of the university and the facilitator in delivering work that balances the often-conflicting agendas of the prison, the arts organisation and the participants alongside their own aims within a context of precarious employment. Finally, it examines the experience of participating in prison theatre, exploring incidents of care, interdependency and collective joy within the prison and assessing how, through the delivery of short-term and insecurely funded arts projects, prison theatre can produce experiences of both hope and harm.

Stories of Care, Control, and Resistance

Prison Theatre and the Politics of Hope

Cornerstone on...

Inquests and inquiries form a distinct area of law in which the aim of the tribunal is to discover what happened, rather than who is right, wrong, or at fault. Cornerstone on Inquests and Inquiries provides an accessible, go-to guide to this area of practice, useful for both practitioners and parties involved. It looks at the field as a whole, acknowledging the commonalities between inquests and public inquiries, and providing a practical approach to each. The book also covers the field of parliamentary inquiries.

Cornerstone on Inquests and Inquiries

YOU CAN RUNPolice called to a crime scene on a quiet suburban street are shocked to find a woman being held captive. YOU CAN HIDEWhen the remains of more victims are discovered, it seems that the notorious Red River Killer, who has been abducting women for twenty years, has finally been identified. BUT HE'S STILL OUT THEREDI Will Turner leads the investigation. The killer may be running, but he's certainly not hiding - and the hunt for his next victim is very much underway . . .

YOU CAN RUN Police called to a crime scene on a quiet suburban street are shocked to find a woman being held captive. YOU CAN HIDE When the remains of more victims are discovered, it seems that the notorious Red River Killer, who has been abducting women for twenty years, has finally been identified. BUT HE'S STILL OUT THERE DI Will Turner leads the investigation. The killer may be running, but he's certainly not hiding - and the hunt for his next victim is very much underway . . .

You Can Run

The Frankfurt School in New Times

Longstanding debates about neoliberalism in the United States center around whether it has created a culture of entrepreneurial selfhood or a carceral state. Credit, Cops, and Cages presents a novel theory and relevant empirical evidence arguing that capitalist individualism combines both of these tendencies.
The book's interdisciplinary authors first derive a critical framework and set of social-psychological hypotheses from the long-neglected criminological writings of the early Frankfurt School. They then test and explore these hypotheses with new data and analyses in a series of chapters that guide the reader down the ladder of capitalist individualism. In the process, the authors synthesize and critically examine scholarship of Constitutional law; big data on indebtedness, segregation, and police militarization; psychological surveys capturing and comparing attitudes and emotions around debt and policing; and the intimate testimony of those who are deeply in debt or are currently incarcerated. Unique in its combination of philosophy and social scientific research, this book restores the relevance of the Frankfurt School's ideas and methods to a comprehensive understanding of contemporary U.S. society.

A Theory of Capitalist Individualism

Credit, Cops, and Cages

Precarious Futures
 &nbsp;explores the evolving and emerging relationship between crime and technology in an increasingly complex and interconnected world, along with its implications for new perceptions of crime and deviance. It evaluates the rise of the World Wide Web and the model of cybercrime, questions whether existing criminological thought offers relevance and efficacy in current circumstances, conditions and future predictions, and revisits the concept of Relative Deprivation and&nbsp;the underpinning social psychological and socio-political foundations of it. It argues that&nbsp;Relative Deprivation&nbsp;allied to post-industrial precarity provides a central platform for understanding crime and deviance in a hyper-connected and hyper-commercial neoliberal world.&nbsp;The book develops to explore current criminological and security conceptions of artificial intelligence, big data, crime and social control, as well as hacktivism, and how opportunities for crime have become ‘democratised’ and expanded through the Web. Drawing&nbsp;on empirical data, theoretical narratives and a review of the state of crime now and in a speculative near future, Hamerton and Webber discuss some potential directions for a new transdisciplinary critical criminology.&nbsp;
 Precarious Futures
 &nbsp;speaks to&nbsp;criminologists, sociologists and social theory scholars and students, as well as academics and professionals in associated technological fields such as cyber-security, computer science and web science.
 Christopher Hamerton
 &nbsp;is&nbsp;Deputy Director of the Institute of Criminal Justice Research at the&nbsp;University of Southampton, UK.
 Craig Webber
 &nbsp;is&nbsp;Head of the Department of Sociology, Social Policy and Criminology at the&nbsp;University of Southampton, UK.

Precarious Futures
 &nbsp;explores the evolving and emerging relationship between crime and technology in an increasingly complex and interconnected world, along with its implications for new perceptions of crime and deviance. It evaluates the rise of the World Wide Web and the model of cybercrime, questions whether existing criminological thought offers relevance and efficacy in current circumstances, conditions and future predictions, and revisits the concept of Relative Deprivation and&nbsp;the underpinning social psychological and socio-political foundations of it. It argues that&nbsp;Relative Deprivation&nbsp;allied to post-industrial precarity provides a central platform for understanding crime and deviance in a hyper-connected and hyper-commercial neoliberal world.&nbsp;The book develops to explore current criminological and security conceptions of artificial intelligence, big data, crime and social control, as well as hacktivism, and how opportunities for crime have become‘democratised’ and expanded through the Web. Drawing&nbsp;on empirical data, theoretical narratives and a review of the state of crime now and in a speculative near future, Hamerton and Webber discuss some potential directions for a new transdisciplinary critical criminology.&nbsp;
 Precarious Futures
 &nbsp;speaks to&nbsp;criminologists, sociologists and social theory scholars and students, as well as academics and professionals in associated technological fields such as cyber-security, computer science and web science.

Crime, Technology and the Web

Precarious Futures

*A TIMES PAPERBACK BESTSELLER* *FOYLES NON-FICTION APRIL BOOK OF THE MONTH* A NEW YORK TIMES NOTABLE BOOK OF 2025 A TIME MUST-READ BOOK OF 2025 AN AUDIBLE BOOK OF THE YEAR 2025 'Fascinating and powerfully argued' Daily Telegraph 'Blistering' New York Times 'Riveting' Vogue 'Gilbert is a serious and attentive chronicler of a fraught era' Financial Times 'Essential reading' Irish Independent *** Cosmetic surgeries are at an all-time high, Ozempic is bringing back 'heroin chic' and the manosphere on the rise - after four waves of feminism, what went wrong? Despite decades of progress, modern womanhood feels more challenging than ever. Atlantic critic and Pulitzer Prize finalist Sophie Gilbert reveals how today's misogyny emerged from another turbulent era: the late 90s and early 2000s. Spanning the past thirty years of pop culture - from Madonna to Taylor Swift, #GirlBoss to OnlyFans, Real Housewives to trad-wives - Girl on Girl shows how every form of media, heavily influenced by the rise of porn, has warped women's relationships with themselves and others. We cannot move forward without fully reckoning with the ways pop culture has defined us - this book shows us how. *** 'A captivating must-read' KATE MANNE 'I folded down every single page' PANDORA SYKES 'Vast, engaging and brilliant' Stylist 'A book that will make you think, and want to discuss' Glamour 'Add this book to the list of titles that urgently provide context and answers to the hell storm that is [vaguely waves around] everything going on right now' Harper's Bazaar READER REVIEWS 'I loved this book. It found me in a time I really needed it' 'If you are a living, breathing, human of any gender, this book is eye-opening and important. Just read it' 'The kind of book that will stay with you' 'An absolute powerhouse of a book'

How Pop Culture Turned a Generation of Women Against Themselves

Girl on Girl

A WATERSTONES BEST BOOK OF 2025 &amp; NEW STATESMAN BOOK OF THE YEAR 2025 An incredible deep dive into how algorithms, social media and the internet are changing the way we communicate and think, from linguist and content creator Adam Aleksic (aka the @etymologynerd) 'No cap - this bruh slaps and slays.' - ADAM GRANT, author of Think Again Are we cooked? The internet has ushered in an unprecedented linguistic upheaval. New slang emerges and goes viral overnight. Accents are shaped or erased on YouTube. Grammatical rules, loopholes, and patterns surface and transform our interactions, social norms and habits. And with over 7 billion internet users, the sheer volume of potential new words is astounding.In Algospeak, online etymologist Adam Aleksic embarks on an energetic, astonishing journey into language and the internet; revealing the bigger social story of how language shapes us, just as much as we shape it. PRAISE FOR ALGOSPEAK 'A must read for anyone seeking to understand how we communicate today.' - TAYLOR LORENZ, author of Extremely Online 'A gift to any word nerd.' - AMANDA MONTELL, author of The Age of Magical Overthinking and Cultish

How Social Media is Transforming the Future of Language

Algospeak

This open access book is a cultural history of lawsuits that explains the development of French performance rights from la Belle Époque, via the roaring Twenties, and into Post-War France. It does so by analysing the ways in which performers, composers, and playwrights used French court rooms, newspaper scandals, and international conferences to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. Towards the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre, the rise of modern celebrity culture and mass media, to the French governments' management of radio entertainment in the interwar period, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime, while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emerging of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

Capitalism, Crime and Media in the 21st Century

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