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Frenette A: Blame the Intern

Blame the Intern

On (Not) Breaking into the Creative Economy

This book explores central issues of religion in an age of globalization, questioning how religion speaks to us in contemporary society, and how representations of religion impact in popular culture. Focusing on Japanese popular culture, MacWilliams examines Japanese comic books in particular: Japanese manga or 'comic books' often explicitly deal with religion, and commercially published manga account for over 40% of total number of books and magazines published in Japan. The magic of manga lies in their potential "to dramatise and exaggerate information and simplify a complex reality", and just like the religious iconography of an earlier age, modern manga offer a powerful visual theology of sacred reality for their audience. What 'imagined selves and worlds' do manga construct? What are some of the important visual theologies that they can convey? These are some of the questions explored in this book. Historians of religion have largely ignored popular culture as a medium of religious experience and expression; yet by neglecting popular genres, such as Japanese manga, they ignore one of the principal ways people day wrestle with contemporary moral and spiritual issues. This book redresses this neglected area, raising profound religious and moral issues that are immediately relevant for those exploring Japanese religion, media and cultural studies, and anyone trying to imagine the sacred today.

This book explores central issues of religion in an age of globalization, questioning how religion speaks to us in contemporary society, and how representations of religion impact in popular culture.  Focusing on Japanese popular culture, MacWilliams examines Japanese comic books in particular: Japanese manga   or 'comic books' often explicitly deal with religion, and commercially published manga account for over 40% of total number of books and magazines published in Japan. The magic of manga  lies in their potential 'to dramatise and exaggerate information and simplify a complex reality', and just like the religious iconography of an earlier age, modern manga  offer a powerful visual theology of sacred reality for their audience. What 'imagined selves and worlds' do manga construct? What are some of the important visual theologies that they can convey? These are some of the questions explored in this book.  Historians of religion have largely ignored popular culture as a medium of religious experience and expression; yet by neglecting popular genres, such as Japanese manga, they ignore one of the principal ways people day wrestle with contemporary moral and spiritual issues.  This book redresses this neglected area, raising profound religious and moral issues that are immediately relevant for those exploring Japanese religion, media and cultural studies, and anyone trying to imagine the sacred today.

Visual Representations in Japanese Religion

Imagining the Sacred in Popular Culture

Changing Mobilities

Drawing on ethnographic studies of everyday practices of mobile living and working in the context of collaborative innovation in mobile and ubiquitous computing, this book provides new empirical, conceptual and practical purchase on one of the most challenging aspects of the contemporary world.

Drawing on ethnographic studies of everyday practices of mobile living and working in the context of collaborative innovation in mobile and ubiquitous computing, this book provides new empirical, conceptual and practical purchase on one of the most challenging aspects of the contemporary world.

IHDP/Future Earth-Integrated Risk Governance Project Series

This book presents a detailed regional study of the Dongting Lake Area and explores potential avenues and challenges for future flood risk management in China.Focusing on dynamic changes in regional vulnerability to flooding and its relevance for flood risk management, it proposes a new construct of vulnerability based on the co-variance between the negative (exposure) and positive (response capacity) components. Further, it develops an historical approach, including trajectory analysis and a typology of vulnerability, offering insights into the regional dynamics of change. It is a valuable resource for disaster risk researchers and graduate students as well as flood management practitioners and policy-makers. Guoyi Han is a senior research fellow at the Stockholm Environment Institute in Sweden; both Associate Professor Ying Li and Professor Peijun Shi work at the Beijing Normal University in China.

This book presents a detailed regional study of the Dongting Lake Area and explores potential avenues and challenges for future flood risk management in China.Focusing on dynamic changes in regional vulnerability to flooding and its relevance for flood risk management, it proposes a new construct of vulnerability based on the co-variance between the negative (exposure) and positive (response capacity) components. Further, it develops an historical approach, including trajectory analysis and a typology of vulnerability, offering insights into the regional dynamics of change. It is a valuable resource for disaster risk researchers and graduate students as well as flood management practitioners and policy-makers. Guoyi Han is a senior research fellow at the Stockholm Environment Institute in Sweden; both Associate Professor Ying Li and Professor Peijun Shi work at the Beijing Normal University in China.

A Historical Approach to the Flood Problem in China

Understanding the Regional Dynamics of Vulnerability

Grundwissen Politik

Nicht erst seit der Transformation der politischen Systeme in Osteuropa wird dem schon in den 1950er Jahren entwickeltem Ansatz der politischen Kulturforschung wieder größere Aufmerksamkeit geschenkt. Seine zentrale Frage richtet sich auf die Herstellung und Bedingungen der Stabilität eines politischen Systems. Neuere Betrachtungen implizieren die Integration der politischen Kulturforschung in die Überlegungen der vergleichenden empirischen Demokratieforschung als eine grundsätzlich Staaten und Regionen vergleichende Form der Analyse. Sie besitzt somit eine methodische, aber auch inhaltliche Breite wie kaum ein anderer politikwissenschaftlicher Forschungsansatz. Die Zielstellung der Vorgehensweise politischer Kulturforschung bezieht sich vor allem auf die subjektiven Einstellungen der Bevölkerung, welche der Grundpfeiler für die zukünftige Konsolidierung, Akzeptanz und Aufrechterhaltung der existierenden Staatsformen, aber auch der Demokratie als Konzept an sich sind. Das vorliegende Buch schafft durch die Integration der theoretischen Grundprämissen des Ansatzes der politischen Kulturforschung, der Darstellung seiner Einbindung in die international vergleichende Demokratieforschung, dem Aufzeigen seines methodischen Vorgehens und der Explikation der wichtigsten internationalen Vergleichsergebnisse eine breit gefächerte Diskussionsgrundlage für Forschung und Lehre.¿

Nicht erst seit der Transformation der politischen Systeme in Osteuropa wird dem schon in den 1950er Jahren entwickeltem Ansatz der politischen Kulturforschung wieder größere Aufmerksamkeit geschenkt. Seine zentrale Frage richtet sich auf die Herstellung und Bedingungen der Stabilität eines politischen Systems. Neuere Betrachtungen implizieren die Integration der politischen Kulturforschung in die Überlegungen der vergleichenden empirischen Demokratieforschung als eine grundsätzlich Staaten und Regionen vergleichende Form der Analyse. Sie besitzt somit eine methodische, aber auch inhaltliche Breite wie kaum ein anderer politikwissenschaftlicher Forschungsansatz. Die Zielstellung der Vorgehensweise politischer Kulturforschung bezieht sich vor allem auf die subjektiven Einstellungen der Bevölkerung, welche der Grundpfeiler für die zukünftige Konsolidierung, Akzeptanz und Aufrechterhaltung der existierenden Staatsformen, aber auch der Demokratie als Konzept an sich sind. Das vorliegende Buch schafft durch die Integration der theoretischen Grundprämissen des Ansatzes der politischen Kulturforschung, der Darstellung seiner Einbindung in die international vergleichende Demokratieforschung, dem Aufzeigen seines methodischen Vorgehens und der Explikation der wichtigsten internationalen Vergleichsergebnisse eine breit gefächerte Diskussionsgrundlage für Forschung und Lehre.

Eine Einführung

Politische Kulturforschung

Biography of the Pinball Machine

Same Player Shoots Again

This book explores the relationship between dissent and social media to understand the role both play in enacting cultural change.&nbsp;

The Role of Social Media in Facilitating Cultural Change

Dissent and Social Media

Biotechne: Interthinking Art, Science and Design

Viruses and Viral Phenomena Across Science, Technology, and the Arts

Viral Behaviors

This book examines the ways in which popular culture has entertained the notion of a female U.S. presidency through portrayals in film, television, and literature dating back to the 1930s.

Representations from 1932 to 2024

The Fictional Female Presidency in Film, Television, and Literature

The Great Experiment Powering Local Journalism's Comeback

News-Academic Partnerships

Archives in Artistic, Activist and Applied contexts

Cambridge Companions to Music

The Cambridge Companion to Electronic Dance Music

Routledge Research in Art History

Focusing on the first four films about Moore's sculpture in the 1940s and 1950s, The Making of Henry Moore on Film: A Cultural History considers how these films played a role in the consolidation of the sculptor's public identity and broke new ground in the exploration of sculptural aesthetics through film. The book draws on extensive archival research in the production files of these films and on detailed contextual research.

Art historians have recognised the relationship between photography and sculpture as a fertile ground for the study of sculpture's intermedial relations. In the case of Henry Moore, the role of photography (both as source material and form of documentation) has recently become a new terrain for researching and interpreting his work. Film, however, remains absent from Moore scholarship. Focusing on four films about Moore's sculpture in the 1940s and 1950s,  The Making of Henry Moore on Film: A Cultural History considers how these films broke new ground in the specialised genre of the "film on art," which throve in these decades.  Katerina Loukopoulou places the relationship between sculpture and film within the relevant historical and cultural contexts of post-war Britain (1945-1959), the period during which Moore's public identity was consolidated. The book draws on extensive archival research in the production files of these films and on detailed contextual research (press cuttings, periodicals, festival pamphlets) of contemporaneous writings about the remediation of works of art  and about the reception of these films on Moore. By revealing overlooked aspects of what these films stood for at this historical conjuncture, Loukopoulou examines the specific aesthetic and political meanings of Moore's sculpture as explored by each film.

A Cultural History

The Making of Henry Moore on Film

Blame the Intern

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