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Black Sun confronts the dark dreams and hidden powers of this world, and, through the poet's attentive watching and wondering, offers its readers a way 'to know - &amp; still to resist a last despair'. 'A lucid and spontaneous lyricism .

Black Sun confronts the dark dreams and hidden powers of this world, and, through the poet's attentive watching and wondering, offers its readers a way 'to know - &amp; still to resist a last despair'.   'A lucid and spontaneous lyricism .

Martinez de las Rivas Toby: Black Sun /
LF

Black Sun

Collected Poems

The Lockert Library of Poetry in Translation

Selected Poems

Even Time Bleeds

Winner of the Hatchards &amp; Biographers' Club First Biography Prize'With this meticulously researched biography, we don't so much move closer as move in with Gunn and shadow him through his life . . . Gunn's life is chronicled beautifully here.' Andrew McMillan, Literary Review'A consummately researched, intelligent and sympathetic biography - and, which matters most, he's a very good reader of the poems.' Sam Leith, Guardian'A fine, frank biography.' Peter Conrad, Observer'Admirably unsentimental . . . allowing all Gunn's complexities and contradictions to emerge unvarnished . . . the greatness of his poetry endures.' Daily Telegraph'The first biography of Thom Gunn, and likely the definitive one . . . Nott's book is one of the best versions of a gay relationship conducted over this half century.' Colm Toibin'Nott has set out here to produce a work sturdy enough to support decades of future commentary on Gunn. He's succeeded - this book is everything you ever wanted to know about Thom Gunn but had not even thought about asking.' New York Times Book ReviewThe eagerly awaited, no-holds-barred biography of the great poet: an intellectual maverick, sexual rebel and icon of queer literature. Thom Gunn: A Cool Queer Life is a landmark study of one of England's - and America's - most innovative and revolutionary poets. Michael Nott chronicles, for the first time, Gunn's largely undocumented life: his childhood in Kent and London, his mother's suicide, and his mind-opening education at Cambridge, where he read Shakespeare and John Donne, wrote his first book, Fighting Terms, and met the man who was to become his life partner - Mike Kitay. In his mid-twenties, Gunn followed Kitay to America and became one of the great poet-documenters of San Francisco's queer culture, capturing both the hippie mentality of the time and his own visceral experience of sex, drugs, and loss. Through the eighties and beyond, Gunn found himself in the midst of the AIDS crisis, recording its catastrophic impact in The Man with Night Sweats, poems that provide, too, its most poignant epitaph. Gunn was not a confessional poet, but inseparable from his rigorous formal poetry was a ravenous embracing of life and an acute awareness of death. Michael Nott, co-editor of The Letters of Thom Gunn, draws on letters, diaries, notebooks, interviews, and Gunn's poetry to bring us a vivid portrait of a great literary mind, sexual rebel and queer icon.

Thom Gunn: A Cool Queer Life

100 poems for the first 100 days of life

Tender

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

the body country

This gorgeously illustrated collection of poems illuminates and reimagines the ingenious, fragile dwellings of the living creatures around us. Poet Laureate Simon Armitage was inspired to write these poems by the Lost Gardens of Heligan in Cornwall, an ambitious restoration project where history and mystery coexist.

Dwell

The Costa Award-winning poet's ingenious collection of poems is an investigation and test of Wordsworth's famous adage: 'the Child is father of the Man'.

The Costa Award-winning poet's ingenious collection of poems is an investigation and test of Wordsworth's famous adage: 'the Child is father of the Man'.

Toys / Tricks / Traps

Picador Collection

Say Something Back &amp; Time Lived, Without Its Flow, Denise Riley's exacting meditations on loss, grief, and life thereafter, are published together for the first time.

Say Something Back and Time Lived, Without Its Flow

Hardly War, Don Mee Choi's UK debut, defies categorisation. Using artefacts from Choi's father, a professional photographer during the Korean and Vietnam wars, she combines memoir, image, and opera to explore her paternal relationship and heritage. Here poetry and geopolitics are inseparable twin sisters. Suggestive and subtle in its connections and allusions, there is an exhilarating freedom in its playful form, all while looking straight at the brutality of colonialism and dictatorship. 'A dark and upsetting but also funny-angry scrapbook . . . Choi has inherited her father's journalistic sense for the right detail. She knows when to get out of the way and let the material speak for itself.' Kathleen Rooney, The New York Times

Black Sun

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